{"id":36639,"date":"2000-06-08T00:00:00","date_gmt":"2000-06-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/absolutely-free\/"},"modified":"2000-06-08T00:00:00","modified_gmt":"2000-06-08T00:00:00","slug":"absolutely-free","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/absolutely-free\/","title":{"rendered":"Absolutely Free"},"content":{"rendered":"<p>Frank Zappa was a genius. His albums reflected the times. And<br \/>\nfor some of his albums, they may have been classic to some, and<br \/>\nstrange to others. Strange pretty much best defines his second<br \/>\nalbum with his group The Mothers Of Invention,<br \/>\n<i>Absolutely Free<\/i>, released in 1967.<\/p>\n<p>As the album begins, &#8220;Plastic People&#8221; is political, as it starts<br \/>\nout with Zappa as The President of The United States, singing about<br \/>\nthe ups and downs of Plastic People. &#8220;The Duke Of Prunes&#8221; is a<br \/>\njazz-oriented song, yet it does feature some strange (yet unique)<br \/>\nvocals, which merges into the next two songs, &#8220;Amnesia Vivace&#8221; and<br \/>\n&#8220;The Duke Regains His Chops&#8221;. (Consider this a three-song<br \/>\nmedley.)<\/p>\n<p>&#8220;Call Any Vegetable&#8221; is another unique song, as Zappa sings<br \/>\nabout &#8211; what else? &#8211; vegetables. The yodeling at the end of this<br \/>\nsong about rutabegas is quite funny and unique. &#8220;Invocation And<br \/>\nRitual Dance Of The Young Pumpkin&#8221; is a seven-minute composition<br \/>\nthat mixes rock and jazz. It features very little vocals, and<br \/>\nthroughout the ending of the song, features a five-minute rock +<br \/>\njazz jam, which features horns, an instrument probably not much<br \/>\nused back in the late Sixties rock and roll music.<\/p>\n<p>&#8220;Soft-Sell Conclusion&#8221; is another rock\/jazz tune, as it<br \/>\ncontinues the story of vegetables. &#8220;Big Leg Emma&#8221; features what was<br \/>\nrecorded many times by Zappa &#8211; songs with a comedical sense, both<br \/>\nin lyrics and in sound. This one is very bouncy, and jazzy, as it<br \/>\ntells the story about &#8220;a big dilemma \/ bout my Big Leg Emma&#8230; She<br \/>\nwas my steady date \/ until she put on weight.&#8221; (To those who may<br \/>\nthink that this album may be too much to handle hearing-wise, &#8220;Big<br \/>\nLeg Emma&#8221; maybe the only song those people could actually listen to<br \/>\nand enjoy it.)<\/p>\n<p>&#8220;Why Dont&#8217;cha Do Me Right&#8221; is a psychedelic tune with Zappa on<br \/>\nfrog-type vocals. It&#8217;s definitely psychedelic &#8211; vocals and guitars,<br \/>\nas this was the popular music at the time. &#8220;America Drinks&#8221; is<br \/>\nanother &#8220;comedical&#8221; lyric song, and like others heard on this<br \/>\nalbum, it&#8217;s strange, and somewhat psychedelic. Best put: It&#8217;s<br \/>\nstrange. &#8220;Status Back Baby&#8221; is another bouncy-comedical song, but<br \/>\nnot as cooly bouncy as &#8220;Big Leg Emma&#8221;. It then merges into another<br \/>\nbouncy tune, &#8220;Uncle Bernie&#8217;s Farm&#8221; (another medley, if you want to<br \/>\ncall it). Again, it&#8217;s not as bouncy as &#8220;Big Leg Emma&#8221;. Both songs<br \/>\nare, again, strange.<\/p>\n<p>&#8220;Son Of Suzy Creamcheese&#8221; is the continuing saga from Zappa&#8217;s<br \/>\nfirst album with The Mothers of Invention,<br \/>\n<i>Freak Out<\/i>. The character Suzy Creamcheese continues as the<br \/>\nband keeps asking &#8220;What&#8217;s got into you?&#8221; &#8220;Brown Shoes Don&#8217;t Make<br \/>\nIt&#8221; is another strange tune, and again, it does bring a comedical<br \/>\ntouch to it, as it changes its musical style throughout the song,<br \/>\nfeaturing rock, a slice of jazz, and theatrical rock. It clocks in<br \/>\nat just over seven minutes in length. Ending the album is another<br \/>\ntheatrical style song, as it also has a broadway touch to it, is<br \/>\n&#8220;America Drinks And Goes Home&#8221;.<\/p>\n<p>Zappa&#8217;s music may not be for all people. Some may think he was a<br \/>\ngenius, others a demented comedian. If you&#8217;re a fan of Dr. Demento,<br \/>\nyou can see the strangeness in how the mad doctor gets his musical<br \/>\nknowledge and compare it to the music heard on<br \/>\n<i>Absolutely Free<\/i>. Probably the most &#8220;demented&#8221; tune on<br \/>\n<i>Absolutely Free<\/i> is the seven-minute-plus &#8220;Brown Shoes Don&#8217;t<br \/>\nMake It&#8221;. At first some may think this album is just so bizarre,<br \/>\nyou may just want to give up on it during the first six songs or<br \/>\nso. Especially the first seven-minute tune, &#8220;Invocation And Ritual<br \/>\nDance Of The Young Pumpkin,&#8221; where it features &#8220;speed-jazz&#8221; as if<br \/>\nit was &#8220;thrash-speed-metal.&#8221;<\/p>\n<p>But giving an overview chance in listening to this album<br \/>\nstraight through, it features jazz with rock in a unique blend,<br \/>\nobviously unheard of back in the rock and roll days of the late<br \/>\npsychedelic rock years of The Beatles, the early Pink Floyd, and<br \/>\nThe Jimi Hendrix Experience (to name a few). Zappa&#8217;s<br \/>\n<i>Absolutely Free<\/i> may have to be listened to more than once,<br \/>\nto get the ideas where Zappa was referring to. But all in all, it&#8217;s<br \/>\nan album that is unique&#8230; and that pretty much sums up the career<br \/>\nof Frank Zappa.<br \/>\n<i>Absolutely Free<\/i> being his second chronological release, it<br \/>\nwas truly amazing how he came up with his ideas for future<br \/>\nreleases, with and without The Mothers Of Invention.<\/p>\n","protected":false},"author":11,"featured_media":25434,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5861],"rating":[5612],"class_list":["post-36639","review","type-review","status-publish","has-post-thumbnail","artist-frank-zappa-mothers-of-invention","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36639"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36639\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25434"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36639"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36639"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36639"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}