{"id":36643,"date":"2000-06-11T00:00:00","date_gmt":"2000-06-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/flesh-of-my-flesh-blood-of-my-blood\/"},"modified":"2000-06-11T00:00:00","modified_gmt":"2000-06-11T00:00:00","slug":"flesh-of-my-flesh-blood-of-my-blood","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/flesh-of-my-flesh-blood-of-my-blood\/","title":{"rendered":"Flesh Of My Flesh Blood Of My Blood"},"content":{"rendered":"<p>It&#8217;s been some time since rapper DMX made an appearance on &#8220;The<br \/>\nDaily Vault&#8221; &#8211; the last time was for his excellent third album<br \/>\n<i>&#8230;And Then There Was X<\/i>. Shortly after that review, I had<br \/>\nthe good fortune of landing DMX&#8217;s first two albums in an eBay<br \/>\nauction, hoping that what I had heard on the most recent work was<br \/>\nthe continuation of a streak of excellence.<\/p>\n<p>Well, close. DMX&#8217;s debut release,<br \/>\n<i>Flesh Of My Flesh Blood Of My Blood<\/i> has a lot of the promise<br \/>\nthat would manifest itself into what we have today, but this work<br \/>\nis a little clouded and unsure of just where DMX wanted to take<br \/>\nthings.<\/p>\n<p>Make no mistake, DMX shows early on that he had the chops to be<br \/>\na contender for the gangsta rap throne vacated when Tupac Shakur<br \/>\nwas tragically gunned down, both in songwriting and in rap<br \/>\ndelivery. What is also intriguing about DMX is that he is one of<br \/>\nthe few rappers who dares to actually do some singing, mostly in<br \/>\nthe choruses. It is almost like he is injecting a little bit of<br \/>\nr&#038;b into the mix, and is a wonderful change of pace.<\/p>\n<p>\n<i>Flesh Of My Flesh Blood Of My Blood<\/i> isn&#8217;t quite the<br \/>\nfirecracker that you would expect. Tracks like &#8220;Bring Your Whole<br \/>\nCrew,&#8221; &#8220;Ain&#8217;t No Way&#8221; and &#8220;Keep Your Shit The Hardest&#8221; are<br \/>\nimpressive, showing DMX&#8217;s plentiful rap skills. What is also<br \/>\nintriguing is his constant battle between good and evil,<br \/>\nillustrated in songs about trying to break a deal with the devil<br \/>\n(&#8220;The Omen&#8221;) and pleading with God for a chance to redeem himself<br \/>\n(&#8220;Ready To Meet Him&#8221;).<\/p>\n<p>Yet there is still some growth that DMX needed to do musically.<br \/>\nSome of the interludes (and not all are listed) get a bit tiring,<br \/>\nincluding the mother pleading for the life of her son and the gang<br \/>\nhits. A good portion of the second half of the album doesn&#8217;t really<br \/>\ncontain DMX&#8217;s strongest material; tracks like &#8220;Blackout&#8221; and &#8220;Dogs<br \/>\nFor Life&#8221; fail to live up to their full potential. And do my ears<br \/>\ndeceive me, but is there actual bleeping going on in &#8220;Slippin'&#8221;?<br \/>\nWhy bother blocking out the words on an album that already has the<br \/>\nParental Advisory sticker &#8211; or was it that DMX was hoping this was<br \/>\na track that would get radio play?<\/p>\n<p>\n<i>Flesh Of My Flesh Blood Of My Blood<\/i> still is an intriguing<br \/>\nalbum, and shows that DMX was well on his way to becoming one of<br \/>\ntoday&#8217;s most exciting rappers. And while this album shows that he<br \/>\nwas still making the journey, he had learned many of his lessons<br \/>\nwell.<\/p>\n","protected":false},"author":2,"featured_media":25437,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6234],"rating":[5615],"class_list":["post-36643","review","type-review","status-publish","has-post-thumbnail","artist-dmx","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36643"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36643\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25437"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36643"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36643"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36643"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}