{"id":36653,"date":"2000-06-19T00:00:00","date_gmt":"2000-06-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-fistful-of-rock-n-roll-volume-3\/"},"modified":"2000-06-19T00:00:00","modified_gmt":"2000-06-19T00:00:00","slug":"a-fistful-of-rock-n-roll-volume-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-fistful-of-rock-n-roll-volume-3\/","title":{"rendered":"A Fistful Of Rock N&#8217; Roll Volume 3"},"content":{"rendered":"<p>Just when you thought it was safe for corporate rock to come out<br \/>\nof the woodwork, the third volume in the ever-growing catalog of<br \/>\n<i>A Fistful Of Rock N&#8217; Roll<\/i> leaps forward to deliver a serious<br \/>\nass-kicking.<\/p>\n<p>The brainchild of executive producer Sal Canzonieri, this third<br \/>\nvolume picks up right where<br \/>\n<i>Volume 2<\/i> left off &#8211; that is, not quite as strong as the<br \/>\noriginal volume, but impressive nonetheless. In this particular<br \/>\ndisc, you can hear the influence of some modern-day bands in the<br \/>\nwork of the newer groups &#8211; and some of the influences might<br \/>\nsurprise you.<\/p>\n<p>Unlike the previous two volumes,<br \/>\n<i>A Fistful Of Rock N&#8217; Roll Volume 3<\/i> does not have a single<br \/>\nweak track on it. (Not that the other two volumes were filled with<br \/>\n&#8217;em; each probably had one &#8211; two, at most, that were a little<br \/>\nsubpar.) It&#8217;s nice to be able to sit down with this particular disc<br \/>\nand know that I don&#8217;t have to worry about getting up from my easy<br \/>\nchair and go running towards the &#8220;fast forward&#8221; button on my CD<br \/>\nplayer.<\/p>\n<p>But what this third volume doesn&#8217;t quite have is the infectious<br \/>\nmanic energy that made the first two discs so spectacular. Sure,<br \/>\nthere&#8217;s plenty of music you can really get into on<br \/>\n<i>Volume 3<\/i>, like the cuts from New American Mob (&#8220;Liberty&#8221;),<br \/>\nHookers (&#8220;Ride The Dragon&#8221;) and The Pollys (&#8220;Damn&#8221;). But I found<br \/>\nmyself really caught up in the first two discs; I didn&#8217;t have quite<br \/>\nthe same feeling this time around.<\/p>\n<p>If you listen to this disc, don&#8217;t be surprised if you find<br \/>\nyourself saying often, &#8220;Gee, this song sounds like [insert band<br \/>\nname here]&#8221;. Libertine&#8217;s track, &#8220;Beautiful Disaster,&#8221; sounds like a<br \/>\ncross between Richard Butler of Psychedelic Furs and Smash Mouth &#8211;<br \/>\nand it&#8217;s beautiful as hell. Likewise, I hear more than a little<br \/>\nSmashing Pumpkins (pre-<br \/>\n<i>Mellon Collie<\/i>) on &#8220;Let Me Out&#8221; by Fumes, and Rocket 455&#8217;s<br \/>\n&#8220;Ain&#8217;t Right Girl&#8221; sounds like it could have come from the early<br \/>\ndays of The Misfits.<\/p>\n<p>Yet each one of these songs does the ultimate honor by taking<br \/>\nthe influences of the groups and tailoring it to their own styles.<br \/>\nDon&#8217;t dare say that these bands are copying the bigger names; if<br \/>\nanything, they are putting what they learned into action, and are<br \/>\ndoing it well.<\/p>\n<p>As I&#8217;ve said for each of the volumes so far, this is the kind of<br \/>\ndisc that anyone who has ever enjoyed punk rock, even in the<br \/>\nsmallest doses, will appreciate far more than someone who has been<br \/>\nraised on a diet of strictly Top 40. After three volumes of this,<br \/>\nyou have to wonder how Canzonieri can continue to find bands of<br \/>\nthis high-caliber quality&#8230; and next week, we&#8217;ll see if he can<br \/>\ncontinue the trend with<br \/>\n<i>A Fistful Of Rock N&#8217; Roll Volume 4<\/i>.<\/p>\n","protected":false},"author":2,"featured_media":25447,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5827],"rating":[5617],"class_list":["post-36653","review","type-review","status-publish","has-post-thumbnail","artist-various-artists","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36653"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36653\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25447"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36653"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36653"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36653"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}