{"id":36655,"date":"2000-06-20T00:00:00","date_gmt":"2000-06-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bachelor-no-2\/"},"modified":"2000-06-20T00:00:00","modified_gmt":"2000-06-20T00:00:00","slug":"bachelor-no-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bachelor-no-2\/","title":{"rendered":"Bachelor No. 2"},"content":{"rendered":"<p>&#8220;Never judge an album by its cover.&#8221; I still swear by that. But,<br \/>\nwith Aimee Mann&#8217;s latest,<br \/>\n<i>Bachelor No. 2<\/i>, its hard not to: it&#8217;s so slim that I&#8217;ve lost<br \/>\nit three times in the past 3 weeks, it&#8217;s been in a sea of paperwork<br \/>\nand bills each time. The good news though:<br \/>\n<i>Bachelor No. 2<\/i> is so quirky and flat out good, you&#8217;re<br \/>\nwilling to kill a half hour to search your apartment for it.<\/p>\n<p>Mann, once passed on from label to label like a beer bong at a<br \/>\ngreek party, knows how to market herself. With the success of the<br \/>\n<i>Magnolia<\/i> soundtrack, which featured mostly Mann&#8217;s tunes,<br \/>\n<i>Bachelor No. 2<\/i> has three of those gems on it. And they&#8217;re<br \/>\nclose to the back of the album, forcing you to listen to her new<br \/>\nmaterial while keeping you fixed as you wait for the familiar tunes<br \/>\nnear the end of the album.<\/p>\n<p>Mann&#8217;s voice is reminiscent of her peers, such as Lucinda<br \/>\nWilliams and even Margo Timmons of the Cowboy Junkies. And with the<br \/>\nhelp of Jon Brion (who orchestrated Fiona Apple&#8217;s majestic<br \/>\n<i>When the Pawn<\/i>&#8230;) Pearl Jam guru Brendan O&#8217;Brien and her<br \/>\nbeau, Michael Penn, Mann is able to forge an original voice that&#8217;s<br \/>\nunmistakable, for most of the time.<\/p>\n<p>On tracks like &#8220;How Am I Different,&#8221; &#8220;Red Vines&#8221; and &#8220;It Takes<br \/>\nAll Kinds,&#8221; she veers dangerously close to sounding like a Prozac<br \/>\nspokesperson. But other tracks, such as the orchestrated &#8220;Calling<br \/>\nIt Quits,&#8221; the coolly playful &#8220;The Fall Of The World&#8217;s Own<br \/>\nOptimist&#8221; and &#8220;Satellite&#8221; give the album a much needed<br \/>\ncohesiveness.<\/p>\n<p>Lyrically, Mann veers from being flat out brilliant to a really<br \/>\ngood writer in an introductory to Poetry Class in college. In fact,<br \/>\nthe opening lines of &#8220;Ghost World&#8221; have been uttered by far too<br \/>\nmany students I know already. &#8220;Finals blew, I barely knew my<br \/>\ngraduation speech\/and with college out of reach\/if I can&#8217;t find a<br \/>\njob\u2026&#8221; Yes, good poetry does mean simplicity sometimes, but<br \/>\nthe overdramatic chorus just doesn&#8217;t gel with the plain, spoken<br \/>\naccount of the first part of the song.<\/p>\n<p>As original of a talent as Mann is,<br \/>\n<i>Bachelor No. 2<\/i> reaches greatness on certain occasions while<br \/>\nleaving other songs to float aimlessly in between. Maybe it was<br \/>\nMann&#8217;s stress with shopping the album around to a different label,<br \/>\nbut the album just doesn&#8217;t have the mournful, beautiful flow that<br \/>\n<i>Magnolia<\/i> had that gave her a new life in the music world.<br \/>\nStill, her voice and playful arrangements keep you coming back to<br \/>\n<i>Bachelor No. 2<\/i> and it remains a frontrunner for &#8220;Best album<br \/>\nto listen to while you&#8217;re bummed&#8221; so far this year.<\/p>\n","protected":false},"author":7,"featured_media":25449,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6181],"rating":[5615],"class_list":["post-36655","review","type-review","status-publish","has-post-thumbnail","artist-aimee-mann","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36655"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36655\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25449"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36655"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36655"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36655"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}