{"id":36670,"date":"2000-07-06T00:00:00","date_gmt":"2000-07-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/riverdance-on-broadway\/"},"modified":"2000-07-06T00:00:00","modified_gmt":"2000-07-06T00:00:00","slug":"riverdance-on-broadway","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/riverdance-on-broadway\/","title":{"rendered":"Riverdance On Broadway"},"content":{"rendered":"<p>It was a few years ago that the phenomenon that is &#8220;Riverdance&#8221;<br \/>\ntook the nation by storm. And already, it&#8217;s starting to wear out<br \/>\nits welcome.<\/p>\n<p>I say this not because I&#8217;m sick of the Irish music &#8211; hell, I<br \/>\nlove Irish music. And it&#8217;s not that I&#8217;m sick of the dancers,<br \/>\nalthough I know that if I ever tried any of the moves they did,<br \/>\npeople would be rushing me to the hospital for a heart attack and<br \/>\nbecause I somehow wrapped my legs around my head.<\/p>\n<p>But when we get to the point of building a Broadway show around<br \/>\n&#8220;Riverdance,&#8221; well, that just seems to be too much of a good thing.<br \/>\nAnd as the soundtrack to the show,<br \/>\n<i>Riverdance On Broadway<\/i>, proves, some things just shouldn&#8217;t<br \/>\nbe tampered with, like the formula for Coca-Cola or<br \/>\n&#8220;Dudley-Do-Right&#8221;.<\/p>\n<p>Musically, there are some incredible pieces on this disc, and<br \/>\ncomposer Bill Whelan is to be commended for such pieces as<br \/>\n&#8220;Firedance&#8221; and &#8220;The Countess Cathless \/ Women On The Sidhe&#8221; which<br \/>\nthrow things into overdrive to catch the spirit of the original<br \/>\nproduction and keep things sounding fresh.<\/p>\n<p>But there are two unique problems with<br \/>\n<i>Riverdance On Broadway<\/i>. First, no matter how hard this disc<br \/>\ntries, it fails to capture the essence of the actual show (which,<br \/>\nI&#8217;ll admit, I haven&#8217;t seen &#8211; Broadway is much farther from me than<br \/>\nthe Wisconsin border). With the exception of capturing the Irish<br \/>\nfeel at times, how do you translate a largely visual extravaganza<br \/>\nto compact disc? They&#8217;ve been able to do it before, but with this<br \/>\nparticular outing, it just falls flat.<\/p>\n<p>Second, some of the pieces really don&#8217;t sound like they fit very<br \/>\nwell. Admittedly, I&#8217;ve not followed the whole &#8220;Riverdance&#8221; saga<br \/>\nsince Michael Flatley first made it a household name, so I could<br \/>\nwell be talking out of my hat at times. But I don&#8217;t really see how<br \/>\na gospel track such as &#8220;Let Freedom Ring&#8221; fits in with the Gaelic<br \/>\nchants of songs like &#8220;Shivna&#8221;.<\/p>\n<p>And for that matter, I really hate to say this, but the truth<br \/>\nmust be known &#8211; the choral group An\u00fana sounds like they were<br \/>\nlifted from &#8220;FM 100&#8221; Muzak stations. The last time I heard vocal<br \/>\nharmonies like that was on the Herb Alpert &#038; The Tijuana Band&#8217;s<br \/>\nChristmas album &#8211; and I don&#8217;t mean that to be a compliment. It&#8217;s<br \/>\nsaccharine sweet to the point of being nauseating.<\/p>\n<p>I guess what bothers me about<br \/>\n<i>Riverdance On Broadway<\/i> is that, judging from the soundtrack,<br \/>\nI get the impression that they&#8217;re moving away from what the core of<br \/>\nthe original &#8220;Riverdance&#8221; was, and are trying to breathe new life<br \/>\ninto the experience in order to keep things fresh. If this is<br \/>\nindeed the case, then I&#8217;m begging those involved: let it die with<br \/>\ndignity. There&#8217;s no shame in admitting that something has run its<br \/>\ncourse. The shame is trying to keep it propped up unnaturally to<br \/>\nmilk another year or so out of it. Sadly, that&#8217;s the vibe I&#8217;m<br \/>\ngetting with<br \/>\n<i>Riverdance On Broadway<\/i>.<\/p>\n","protected":false},"author":2,"featured_media":25464,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5791],"rating":[11204],"class_list":["post-36670","review","type-review","status-publish","has-post-thumbnail","artist-original-cast-recording","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36670"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36670\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25464"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36670"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36670"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}