{"id":36673,"date":"2000-07-09T00:00:00","date_gmt":"2000-07-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/send-me-an-angel\/"},"modified":"2000-07-09T00:00:00","modified_gmt":"2000-07-09T00:00:00","slug":"send-me-an-angel","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/send-me-an-angel\/","title":{"rendered":"Send Me An Angel"},"content":{"rendered":"<p>I don&#8217;t know what to think of Heather Miller&#8217;s debut release<br \/>\n<i>Send Me An Angel<\/i>.<\/p>\n<p>On the one hand, her voice is pleasing and she sings with plenty<br \/>\nof passion. On the other hand, there&#8217;s a fair bit of &#8220;next big<br \/>\nthing&#8221; pretension around her &#8211; she&#8217;s pictured liberally throughout<br \/>\nthe booklet with one guitar or another, but there&#8217;s no evidence she<br \/>\neven plays in the disc credits.<\/p>\n<p>She writes a lot of her own material, but she does so with big<br \/>\nname song writers like producers Michael Tait (dcTalk) and former<br \/>\nGrammatrain lead singer Pete Stewart, and song doctor John<br \/>\nMandeville.<\/p>\n<p>She&#8217;s a little bit Dolly Parton and a whole lot Crystal Lewis,<br \/>\n(&#8220;I&#8217;m a little bit country. I&#8217;m a little bit rock and roll.&#8221; Whoa.<br \/>\nBad flashback there for a minute.) with just a dab of Russ Taff<br \/>\nthrown in for good measure.<\/p>\n<p>She&#8217;s a potent mix of blue-eyed soul, acoustic driven pop,<br \/>\nR&#038;B, and rock and roll &#8211; but from time to time it all sounds<br \/>\nmore like a contrived mix. And that&#8217;s what leaves me a little<br \/>\nunsettled about the disc.<\/p>\n<p>It is imminently satisfying aurally and lyrically so I&#8217;m going<br \/>\nto have to work with what I hear, rather than what I feel. It&#8217;s<br \/>\ntime to pull out the benefit of the doubt. I think Miller is a<br \/>\nrising talent, but it&#8217;s likely she&#8217;s being &#8220;handled&#8221; a little too<br \/>\nmuch, know what I mean?<\/p>\n<p>The three-song start off to this disc, &#8220;Angel,&#8221; &#8220;We Will See<br \/>\nHim,&#8221; and &#8220;Life To Me,&#8221; is as good a beginning one could ask for.<br \/>\nIn the opening rocker, Miller sings about feeling surrounded by<br \/>\nGod&#8217;s care in the provision of angels at just the times in her life<br \/>\nwhen she needs them:<\/p>\n<p class=\"c4\">Oh, it&#8217;s the tide that soothes my soul Oh, when the<br \/>\nwaves have lost control Oh, it&#8217;s the light that leads me home Right<br \/>\nwhen I need You too Send me an angel.<\/p>\n<p>Next comes the radio hit, &#8220;We Will See Him,&#8221; which is praise and<br \/>\nworship music with a killer beat and a seriously melodic hook. This<br \/>\nsong is the aural equivalent of oatmeal &#8211; it tastes good and sticks<br \/>\nwith you.<\/p>\n<p>But, then comes the highlight of the disc, &#8220;Life To Me,&#8221; the<br \/>\nfirst ballad. This song shines and shimmers with emotion. Written<br \/>\nwith Mandeville, &#8220;Life&#8230;&#8221; tells the story of a seeker who&#8217;s<br \/>\nfinally found what she&#8217;s been looking for &#8212; and the feeling of<br \/>\nassurance that provides:<\/p>\n<p>\n<i>Spent all my life trying to find the truth that&#8217;s in Your<br \/>\neyes<\/i><br \/>\n<i>Here at last, no turning back. I&#8217;m safe in Your arms.<\/i><br \/>\n<i>You opened the Heavens and set me free.<\/i><br \/>\n<i>Your love is life to me, you&#8217;re all my heart desires.<\/i><br \/>\n<i>You&#8217;re more than I&#8217;ve ever dreamed. You set this soul on<br \/>\nfire.<\/i><\/p>\n<p>Miller sings with such sincerity, that it&#8217;s easy to be drawn<br \/>\ninto the songs she&#8217;s singing &#8212; the stories she&#8217;s telling &#8212; the<br \/>\ntestimony she&#8217;s giving.<\/p>\n<p>With more than adequate help from Tait and Stewart (background<br \/>\nvocals and instrumental support throughout in addition to producing<br \/>\nchores), Miller makes the best use of her new friends &#8211;<br \/>\nparticularly on the almost note-for-note remake of Danny Tate and<br \/>\nDanny Wilde&#8217;s &#8220;Winds of Change&#8221; from Russ Taff&#8217;s 1989 album<br \/>\n<i>The Way Home<\/i> and, incidentally, his 1995 country disc,<br \/>\n<i>Winds Of Change<\/i>. Miller takes what is already a great song,<br \/>\nand with a little &#8211; no, make that a lot &#8211; of help from her friends<br \/>\nalmost makes it her own declaration.<\/p>\n<p>While she&#8217;s a spot-on match for the song vocally (as are Tait<br \/>\nand Stewart in &#8220;featured&#8221; vocal appearances), Miller seems just a<br \/>\ntad young to be singing something so blatantly mature:<\/p>\n<p>\n<i>The hands of time go round and round.<\/i><br \/>\n<i>They don&#8217;t slow down when you lose your way.<\/i><br \/>\n<i>At every turn, the things you learn,<\/i><br \/>\n<i>You wear them proud like you wear your name.<\/i><br \/>\n<i>And as you go on down that road,<\/i><br \/>\n<i>Don&#8217;t let the dust get in your eyes.<\/i><br \/>\n<i>It blows in the winds of change.<\/i><\/p>\n<p>That&#8217;s all true, and Russ Taff certainly knew that when he<br \/>\nrecorded it in 1989, but Miller&#8217;s publicity materials indicate<br \/>\nshe&#8217;s two years out of college and I&#8217;m guessing that puts her right<br \/>\naround 24, maybe.<\/p>\n<p>I remember thinking I had all that experience when I was her age<br \/>\ntoo &#8211; but I was wrong. The only hands of time that I&#8217;d seen go<br \/>\nround and round were the ones on my Timex &#8211; and I suspect the same<br \/>\nof Miller. It&#8217;s one of those &#8220;contrived&#8221; moments, but she sure<br \/>\nsounds great.<\/p>\n<p>Miller&#8217;s disc shows a lot of promise. I do find myself listening<br \/>\nto it frequently. But, I also find myself wondering what the next<br \/>\none will be like.<\/p>\n","protected":false},"author":20,"featured_media":25467,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6361],"rating":[5615],"class_list":["post-36673","review","type-review","status-publish","has-post-thumbnail","artist-heather-miller","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36673"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36673\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25467"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36673"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36673"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36673"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}