{"id":36683,"date":"2000-07-18T00:00:00","date_gmt":"2000-07-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/injustice\/"},"modified":"2000-07-18T00:00:00","modified_gmt":"2000-07-18T00:00:00","slug":"injustice","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/injustice\/","title":{"rendered":"Injustice"},"content":{"rendered":"<p>The album<br \/>\n<i>Jeff Beck&#8217;s Guitar Shop<\/i> did more than re-introduce a guitar<br \/>\nlegend to a new generation of fans. It started a musical<br \/>\npartnership between former Frank Zappa drummer Terry Bozzio and<br \/>\nBeck&#8217;s keyboardist Tony Hymas that became one of progressive rock&#8217;s<br \/>\nmost influential &#8212; and surprisingly unheralded &#8212; groups, The<br \/>\nLonely Bears. With guitarist Hugh Burns and saxophonist Tony Coe,<br \/>\nthe group produced three albums that have taken the lessons artists<br \/>\nlike Miles Davis wrote and taken them to the next step. As a<br \/>\nresult, many groups in the instrumental prog-rock genre &#8212; perhaps<br \/>\nunconsciously &#8212; have somewhat based their sound on this group.<\/p>\n<p>Yet their second album,<br \/>\n<i>Injustice<\/i>, suggests that veering off the highway onto your<br \/>\nown road can occasionally cause some jolts to the musical vehicle.<br \/>\nAnd while the project is overall quite enjoyable, it has its<br \/>\nmoments where you can&#8217;t help but wonder just what this quartet is<br \/>\ndoing &#8212; and, in a way, maybe that&#8217;s the sign that they&#8217;ve got a<br \/>\ngood jazz vibe going.<\/p>\n<p>At times, taking the road less traveled proves to be dangerous,<br \/>\nas tracks like &#8220;Quannah Parker&#8221; (despite subtle respecful bows paid<br \/>\nto the late Charlie Parker) leave the listener confused, wondering<br \/>\njust what is going on for six minutes. When things do finally tie<br \/>\ntogether, I fear it sometimes might be too late to reel the<br \/>\nlistener back into the fold.<\/p>\n<p>Yet there are even Zappa references in the musical phrasing, as<br \/>\nevidenced in the opening of &#8220;Kill King Rat,&#8221; a song that no doubt<br \/>\npleased Bozzio&#8217;s musical mentor, even if the drum work occasionally<br \/>\nslipped into standard 4\/4 pounding. Anyone familiar with Bozzio&#8217;s<br \/>\nwork should find a good comfort level in material like this.<\/p>\n<p>But<br \/>\n<i>Injustice<\/i> is not all about exploring unfamiliar musical<br \/>\navenues. Tracks such as &#8220;Jennifer&#8221; and &#8220;Entre Le Tigre Et<br \/>\nL&#8217;Euphrate&#8230;&#8221; all create a mood that fits the musical scene quite<br \/>\nwell, and allows the listener a chance to get intimately acquainted<br \/>\nwith The Lonely Bears on their own terms. While it may have been<br \/>\nmore beneficial to have put at least one of these pieces earlier in<br \/>\nthe album to help ease the listener into the uncharted waters, it<br \/>\nstill comes as a welcomed oasis.<\/p>\n<p>What<br \/>\n<i>Injustice<\/i> serves to do is show the listener just what kind<br \/>\nof strides were being made in progressive jazz in the early &#8217;90s &#8212;<br \/>\nand how these roads may still be unfamiliar to many people. At<br \/>\ntimes a fascinating listen, at other times an uncomfortable one,<br \/>\nThe Lonely Bears proved they were well worth paying attention to<br \/>\nback then &#8212; and still are today.<\/p>\n","protected":false},"author":2,"featured_media":25477,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6366],"rating":[5612],"class_list":["post-36683","review","type-review","status-publish","has-post-thumbnail","artist-the-lonely-bears","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36683"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36683\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25477"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36683"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36683"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36683"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}