{"id":36691,"date":"2000-07-26T00:00:00","date_gmt":"2000-07-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/deathrace-king\/"},"modified":"2000-07-26T00:00:00","modified_gmt":"2000-07-26T00:00:00","slug":"deathrace-king","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/deathrace-king\/","title":{"rendered":"Deathrace King"},"content":{"rendered":"<p>Okay, so I&#8217;ve been real critical of European death metal bands<br \/>\nof late. I can&#8217;t help it &#8211; and, if you got the amount of death<br \/>\nmetal in the mail to review like I do, you&#8217;d probably be making<br \/>\nsome of the same comments I have been recently.<\/p>\n<p>But when it comes to Sweden&#8217;s The Crown &#8211; well, I&#8217;m willing to<br \/>\nadmit that I could have been wrong about some of my<br \/>\ngeneralizations. Their album<br \/>\n<i>Deathrace King<\/i> contains the kind of originality and<br \/>\nexcitement that I&#8217;ve found to be lacking in many recent releases of<br \/>\ntheir contemporaries.<\/p>\n<p>So who are these five guys &#8211; I mean, besides me rattling off<br \/>\ntheir names as I&#8217;ll probably do later in the review? Take the<br \/>\ndarker side of music like Slayer, add in the breakneck pace of a<br \/>\ngroup like Napalm Death &#8211; and throw in a touch of irreverence from,<br \/>\noh, let&#8217;s say Lungbrush, and you&#8217;ve got a band who knows how to<br \/>\ncreate fresh sounds. From the disc&#8217;s Venom-on-speed opener<br \/>\n&#8220;Deathexplosion&#8221; to the slow build of dark terror of &#8220;Killing<br \/>\nStar,&#8221; there&#8217;s very little about these guys not to like.<\/p>\n<p>It&#8217;s interesting sometimes to hear the clash of styles, such as<br \/>\nthe frantic speed metal drumming of Janne Saarenp\u00e4\u00e4 below<br \/>\nthe almost Kiss-like guitar melodies of Marko Tervonen and Marcus<br \/>\nSunesson, all with bassist Magnus Olsfelt thumping away (albeit a<br \/>\nlittle too hidden in the mix at times) and vocalist Johan<br \/>\nLindstrand growling with remarkable clarity. Sure, you still need<br \/>\nthe lyric sheet at times, but more often than not, Lindstrand makes<br \/>\nsure that you can understand his dark rumblings.<\/p>\n<p>As for the dark imagery in<br \/>\n<i>Deathrace King<\/i>, sometimes it doesn&#8217;t really sound as<br \/>\nconvincing as, say, Mercyful Fate. I won&#8217;t question the band&#8217;s<br \/>\nbeliefs, but sometimes it feels like there&#8217;s not a lot of muscle to<br \/>\nback up those commitments (though an exception is made for &#8220;Dead<br \/>\nMan&#8217;s Song&#8221;). But, in The Crown&#8217;s defense, the music is actually<br \/>\nfun to listen to, and it transcends any shortcomings one might want<br \/>\nto try to find.<\/p>\n<p>Tracks like &#8220;Devil Gate Ride,&#8221; &#8220;Rebel Angel&#8221; and &#8220;Total Satan&#8221;<br \/>\nhelp to assure the listener that<br \/>\n<i>Deathrace King<\/i> is a disc you&#8217;ll want to keep coming back to<br \/>\nover and over again. And, it helps restore my faith in a genre that<br \/>\nI once feared could be headed to stagnation. The Crown helps to<br \/>\nassure that darker, death metal is by no means dead.<\/p>\n","protected":false},"author":2,"featured_media":25485,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6371],"rating":[5613],"class_list":["post-36691","review","type-review","status-publish","has-post-thumbnail","artist-the-crown","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36691"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36691\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25485"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36691"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36691"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36691"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}