{"id":36701,"date":"2000-07-31T00:00:00","date_gmt":"2000-07-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seven-decades\/"},"modified":"2000-07-31T00:00:00","modified_gmt":"2000-07-31T00:00:00","slug":"seven-decades","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seven-decades\/","title":{"rendered":"Seven Decades"},"content":{"rendered":"<p>I admittedly got into country music late in the game (or, at<br \/>\nleast, as late as an almost-30-year-old can get), so there are many<br \/>\nartists whose work I&#8217;ve never gotten the chance to appreciate. And<br \/>\nthe longer I do this job, the more exposure I get to such artists<br \/>\nas Willie Nelson, Johnny Cash &#8211; even Garth Brooks, after a<br \/>\nfashion.<\/p>\n<p>So after I&#8217;ve finished<br \/>\n<i>Seven Decades<\/i>, the latest release from Hank Thompson, I have<br \/>\nto wonder out loud why Thompson is not as well known as Cash is.<br \/>\nThis disc serves more than as a celebration of the music Thompson<br \/>\nknows and loves; it suggests that Thompson should be as famous as<br \/>\nsome of the more well-known names in this genre.<\/p>\n<p>Thompson is reminiscent of such singing cowboys as Roy Rogers<br \/>\nand Gene Autry, though he has the devilish wink of Cash&#8217;s sense of<br \/>\nhumor in his delivery of the material (even if, vocally, he&#8217;s not<br \/>\nquite as strong as Cash). How he can swiftly maneuver through this<br \/>\ncollection of old standbys and new material while making everything<br \/>\nsound fresh and new is truly amazing.<\/p>\n<p>Need more proof than just my word for the comparisons? Take a<br \/>\nlisten to &#8220;The Night Miss Nancy Ann&#8217;s Hotel For Single Girls Burned<br \/>\nDown,&#8221; or &#8220;Abdul Abulbul Amir,&#8221; or even the newer compositions<br \/>\n&#8220;Condo In Hondo&#8221; or &#8220;Medicine Man,&#8221; and discover that Thompson<br \/>\nmakes the material sound like you&#8217;re listening to it in the front<br \/>\nrow of a small stage in a bar. It&#8217;s up-front, in your face, and<br \/>\nit&#8217;s enjoyable as anything imaginable.<\/p>\n<p>And while<br \/>\n<i>Seven Decades<\/i> does feature older songs like &#8220;Wreck Of The<br \/>\nOld &#8217;97,&#8221; &#8220;Scotch And Soda&#8221; and &#8220;In The Jailhouse Now,&#8221; this is<br \/>\nhardly a nostalgia trip that Thompson takes the listener on. The<br \/>\nway Thompson and his bandmates attack the material, it matters not<br \/>\nwhether the song is a year or five decades old; it&#8217;s in the<br \/>\ndelivery, which they nail head-on.<\/p>\n<p>Sure, if you&#8217;re not used to the older style of country, the 36<br \/>\nminutes this album encompasses might seem a little long at first.<br \/>\nBut the more time you spend with it, the more comfortable it will<br \/>\nbecome, not unlike an old pair of tennis shoes. (And, if it helps,<br \/>\nbreak the album up into two or three listens, and treat each trip<br \/>\nto the CD player like you&#8217;re listening to a few short stories.)<\/p>\n<p>\n<i>Seven Decades<\/i> is the kind of album that proves Thompson<br \/>\nshould have been a bigger star than he presently is &#8211; and it may<br \/>\nmake some people feel sad that they didn&#8217;t give him more attention<br \/>\nin his (and their own) youth.<\/p>\n","protected":false},"author":2,"featured_media":25495,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6379],"rating":[5613],"class_list":["post-36701","review","type-review","status-publish","has-post-thumbnail","artist-hank-thompson","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36701"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36701\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25495"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36701"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36701"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36701"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}