{"id":36704,"date":"2000-08-02T00:00:00","date_gmt":"2000-08-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/offerings-a-worship-album\/"},"modified":"2000-08-02T00:00:00","modified_gmt":"2000-08-02T00:00:00","slug":"offerings-a-worship-album","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/offerings-a-worship-album\/","title":{"rendered":"Offerings: A Worship Album"},"content":{"rendered":"<p>Third Day fans have been clamoring for an album of worship songs<br \/>\nor a live album almost from the bands&#8217; beginning. Those who have<br \/>\nattended a Third Day concert know that worship plays an important<br \/>\npart of the evening &#8211; a central part. With<br \/>\n<i>Offerings<\/i>, Mac Powell and company have attempted to satisfy<br \/>\nboth fan desires with one disc.<\/p>\n<p>All I can say is &#8220;nice try.&#8221;<\/p>\n<p>And I mean that literally. This is a very nice try &#8211; but, while<br \/>\ngorgeous throughout, with hardly a blemish to comment on,<br \/>\n<i>Offerings<\/i> is unsatisfying over the long run precisely<br \/>\nbecause of the &#8220;all things to all fans&#8221; approach. What I hear only<br \/>\nmakes me long for a pure worship album and a pure live album &#8211; or a<br \/>\npure live worship album. But, all this bucking back and forth<br \/>\nbetween studio recordings and live recordings breaks the mood. Just<br \/>\nwhen the live worship is kicking in and the connection is being<br \/>\nmade, the disc gives way to studio tracks and the electricity,<br \/>\ncomparatively, disappears. Third Day has electricity all the time,<br \/>\nbut never more than when they are playing live.<\/p>\n<p>All that said, there are many individual highlights to this disc<br \/>\n&#8211; live and studio.<\/p>\n<p>Just last year the band released the critically and commercially<br \/>\nsuccessful<br \/>\n<i>Time<\/i>, which gained the band three number one singles, four<br \/>\nDove Award nominations, and the Dove Award for Rock Album of the<br \/>\nYear. Logically, the band should have rested and let the disc<br \/>\ncontinue to percolate &#8212; as it has.<\/p>\n<p>&#8220;Your Love Oh Lord&#8221; from that disc is among the highlights on<br \/>\nthis disc and is one of the six live songs. Inspired by Psalm 26,<br \/>\nthe hymn captures the concept of how God&#8217;s love, faithfulness, and<br \/>\nrighteousness inspires His creatures to worship. Nicely segued from<br \/>\n&#8220;Your Love&#8230;&#8221; is a live version of Third Day&#8217;s cut from the<br \/>\n<i>Exodus<\/i> project, Michael W. Smith&#8217;s &#8220;Agnus Dei,&#8221; here paired<br \/>\nwith Don Moen&#8217;s worship chorus &#8220;Worthy.&#8221;<\/p>\n<p>Another live highlight is the disc-closing &#8220;Love Song&#8221; from<br \/>\ntheir breakthrough eponymous project. For this recording the<br \/>\naudience was miked perfectly and they can be heard singing behind<br \/>\nthe band throughout the song &#8212; word for inspired word. It&#8217;s a<br \/>\n&#8220;goosebumps and wet eyes&#8221; moment.<\/p>\n<p>Among the studio highlights are two great covers &#8211; the<br \/>\nfast-becoming favorite &#8220;These Thousand Hills&#8221; and a superb version<br \/>\nof Bob Dylan&#8217;s &#8220;Saved&#8221; from 1980. &#8220;These Thousand Hills&#8221; was<br \/>\nwritten by members of the sorely-missed Atlanta-based band Jacob&#8217;s<br \/>\nTrouble in 1990. If you somehow missed this group, do yourself a<br \/>\nfavor and pick up at least their 1999 compilation<br \/>\n<i>Sampler Pack<\/i> on KMG Records. Anyway, when Powell tears into<br \/>\nthis song, you can sense the anticipation of being in Heaven with<br \/>\nJesus that believers sometimes feel when standing in the midst of<br \/>\nthe beauty of God&#8217;s creation:<\/p>\n<p>These thousand hills roll ever on Footprints of a Mighty God<br \/>\nThey bring me to my knees in praise Amazing love, amazing grace<\/p>\n<p>One of the jarring moments going from live to studio comes at<br \/>\nthe end of &#8220;Agnus Dei\/Worthy&#8221; when Powell has led the group in<br \/>\nworship and brought the sound level way down. With the crowd<br \/>\nsinging the strands of Moen&#8217;s chorus still floating in your mind,<br \/>\nPowell and company slam you into the studio with a driving, raucous<br \/>\nversion of &#8220;Saved.&#8221; From arguably one of Dylan&#8217;s best albums ever,<br \/>\n&#8220;Saved&#8221; barrels along on the keyboards of Scotty Wilbanks and the<br \/>\nbacking vocals of Tabitha Fair and the Cobb Mass Choir. If Andre<br \/>\nCrouch has never done this song, he&#8217;s missed an excellent<br \/>\nopportunity.<\/p>\n<p>However, Powell certainly has his way with the song. It&#8217;s<br \/>\nfantastic, but it took me a good portion of the song to get into<br \/>\nthe vibe &#8211; and then you go right back live with &#8220;My Hope Is You.&#8221;<br \/>\nMood swings anyone? (And is it just me, or does Powell&#8217;s singing<br \/>\nremind anyone else of former folk\/pop singer Cat Stevens? Just an<br \/>\nobservation.)<\/p>\n<p>One new song, &#8220;You&#8217;re Everywhere,&#8221; written by Powell and the<br \/>\nband, is the best of the new studio tracks. Based on the practice<br \/>\ntapes of the song from the<br \/>\n<i>Conspiracy No. 5<\/i> recording sessions, this tune evokes some<br \/>\ngreat images of God &#8212; and His omnipresence:<\/p>\n<p>Like the wind that blows no one really knows From where it comes<br \/>\nor where it goes So it is with Your Holy Spirit, Lord Falling down<br \/>\non us to show that You&#8217;re everywhere You&#8217;re everywhere<\/p>\n<p>The whole worship\/live album concept might even have worked<br \/>\nbetter if the band had done the disc half studio and half live &#8212;<br \/>\nlike two sides of one cassette tape. Or even go all out and release<br \/>\na double disc, one of each. Maybe it&#8217;s a quibble, this complaint<br \/>\nabout the mixed bag of live and studio, but I just can&#8217;t help<br \/>\nwondering &#8220;what if . . .?&#8221;<\/p>\n","protected":false},"author":20,"featured_media":25498,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6380],"rating":[5612],"class_list":["post-36704","review","type-review","status-publish","has-post-thumbnail","artist-third-day","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36704"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36704\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25498"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36704"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36704"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36704"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}