{"id":36708,"date":"2000-08-04T00:00:00","date_gmt":"2000-08-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hot\/"},"modified":"2000-08-04T00:00:00","modified_gmt":"2000-08-04T00:00:00","slug":"hot","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hot\/","title":{"rendered":"Hot"},"content":{"rendered":"<p>I don&#8217;t profess to be a connoisseur of jazz. Far from it. So why<br \/>\nshould I even attempt to review<br \/>\n<i>Hot<\/i> by the Squirrel Nut Zippers? Well, I&#8217;ll tell ya. It&#8217;s<br \/>\nbecause I love the album and millions of fans love the album and a<br \/>\nlarge portion of them don&#8217;t know a stitch about jazz either!<\/p>\n<p>There is a magical allure to SNZ: A group of twentysomethings<br \/>\nfrom various local alternative bands thrown together in a huge<br \/>\nfarmhouse in North Carolina and later emerging with a Prohibition<br \/>\nEra Jazz sound so authentic you&#8217;d think that they&#8217;d tripped in a<br \/>\nTime Machine.<\/p>\n<p>When<br \/>\n<i>Hot<\/i> came out in 1996, it joined the crowd of retro swing<br \/>\nbands which had their young audience hoppin&#8217; and boppin&#8217; to their<br \/>\ngrandparents&#8217; music. Bands like Big Bad Voodoo Daddy and Cherry<br \/>\nPoppin&#8217; Daddies tapped into the Swing Revival and helped accelerate<br \/>\nit&#8217;s ascent. These acts were fun and lively, but there was always<br \/>\nthe air of novelty about them.<br \/>\n<i>Hot<\/i>, on the other hand, emanates sounds that are meatier and<br \/>\na bit more authentic.<\/p>\n<p>What Squirrel Nut Zippers are dishing up is a jazz style made<br \/>\npopular around the 1920&#8217;s and 1930&#8217;s. Known as Hot Jazz, it has its<br \/>\norigins in New Orleans. Someone did their homework because this<br \/>\nalbum simply effervesces with that vintage jazz sound.<br \/>\n<i>Hot<\/i>, with its low key production, has an intimate feeling.<br \/>\nIt almost sounds live without the distraction of crowd noise.<\/p>\n<p>The album highlight is undoubtably &#8220;Hell&#8221;. It is impossible to<br \/>\nsit still during this calypso spiced song. With its attack of fiery<br \/>\nhorns and just plain wicked xylophone playing, this song was a<br \/>\nrefreshing delight on the airwaves in &#8217;97.<\/p>\n<p>Vocalist Katherine Whalen gives it all she&#8217;s got on &#8220;Put A Lid<br \/>\nOn It&#8221;. And she lays it on sweet and subtle in the enchanting<br \/>\n&#8220;Meant To Be&#8221;. There are parts of &#8220;Prince Nez&#8221;, however, where she<br \/>\nseems to work her voice to the breaking point. But it&#8217;s still a<br \/>\ngreat vintage duet.<\/p>\n<p>There are some mean swingin&#8217; instrumentals that could get the<br \/>\ndance floor hoppin&#8217; at any venue, especially the steaming &#8220;Memphis<br \/>\nExorcism&#8221;. This is certainly one batch of talented musicians who do<br \/>\ncomplete justice to hot jazz with every note offered. Whalen&#8217;s<br \/>\nbanjo picking is remarkable since she is relatively a newcomer to<br \/>\nthe instrument. The horns (Tom Maxwell, Ken Mosher and Stacy Guess)<br \/>\nhave the tight yet lackadaisical air of a veteran jazz band. Chris<br \/>\nPhillips drumming goes from subtle to absolutely primal. James<br \/>\nMathus (guitar, piano) and Maxwell share vocal duties and do a<br \/>\nsplendid job.<\/p>\n<p>You don&#8217;t have to be a jazz genius to appreciate this gem of an<br \/>\nalbum. You might even be tempted to go further and seek out the<br \/>\noriginal musicians of the hot jazz era. Just let the Squirrel Nut<br \/>\nZippers lead the way.<\/p>\n","protected":false},"author":26,"featured_media":25502,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6381],"rating":[5613],"class_list":["post-36708","review","type-review","status-publish","has-post-thumbnail","artist-squirrel-nut-zippers","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36708"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36708\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25502"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36708"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36708"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36708"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}