{"id":36733,"date":"2000-08-18T00:00:00","date_gmt":"2000-08-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/computer-world\/"},"modified":"2000-08-18T00:00:00","modified_gmt":"2000-08-18T00:00:00","slug":"computer-world","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/computer-world\/","title":{"rendered":"Computer World"},"content":{"rendered":"<p>When you consider just how far ahead of their time these Germans<br \/>\nwere, it blows your friggin&#8217; mind.<br \/>\n<i>Computer World<\/i>, from 1981, resonates with the crisp sound of<br \/>\nnew advances in analog synthesizers. Not only that &#8212; the beats on<br \/>\nthis album predate house\/techno\/drum and bass by 15 years and still<br \/>\nsound good. I love Germans; half my family is German, so naturally<br \/>\nI fell into a fascination with this group after picking up the<br \/>\nseminal<br \/>\n<i>Trans-Europe Express<\/i> on a whim in a Providence, Rhode Island<br \/>\nrecord store.<\/p>\n<p>Check out the track &#8220;Home Computer&#8221; &#8211; a techno backbeat that<br \/>\nreally punctuates the vision of Kraftwerk&#8217;s future world of<br \/>\ncomputers and interconnected users. Considering the medium on which<br \/>\nyou&#8217;re reading this review I&#8217;d say the band was spot on in their<br \/>\nobservations of the coming &#8220;computer world&#8221;. Plus, the vocals and<br \/>\nstilted drum breaks are straight out of Mike Myers&#8217; &#8220;Sprockets&#8221;<br \/>\nskit. One must imagine hundreds of German boheems in their black<br \/>\nturtlenecks bopping to this stuff.<\/p>\n<p>&#8220;Pocket Calculator&#8221; is the hit on this album. With an undeniably<br \/>\nnew wave feel to it, the song drags the synthesizer kicking and<br \/>\nscreaming into the synth-pop genre. Which is really a metaphor for<br \/>\nKraftwerk&#8217;s output in the 70&#8217;s &#8212; they brought all-electronic music<br \/>\ninto popular consciousness, in the meantime birthing the sound that<br \/>\nwould be the backbone for hip hop, electronica, and the<br \/>\naforementioned new wave. &#8220;I&#8217;m the operator \/ with my pocket<br \/>\ncalculator.&#8221;<\/p>\n<p>Admittedly, I&#8217;m no fan of most dance music. Unless I&#8217;m loaded,<br \/>\nsince that&#8217;s the only time I can dance. But for the most part it&#8217;s<br \/>\ndull and repetitive and mostly sounds like disco. I&#8217;ve often<br \/>\nwondered how folks sit in their cars blaring this shit and there is<br \/>\nabsolutely nothing going on except for that incessant<br \/>\nthud-thud-thud-thud and some wanky synth lines. Naturally break<br \/>\ndancing is another story. I&#8217;ll never master the &#8220;robot,&#8221; but damn<br \/>\nif I don&#8217;t try! &#8216;Course, I was a fresh popper in fourth grade.<\/p>\n<p>Kraftwerk really slams perspective on this entire (I&#8217;m not<br \/>\ngrandstanding or lionizing here &#8211; I&#8217;m sincere) genre. They started<br \/>\nit. Any of their early albums is sort of an epiphany where you<br \/>\nthink, &#8220;oh, I get it.&#8221; On<br \/>\n<i>Computer World<\/i> it takes one listen to the title track to<br \/>\nunderstand that, in context, this group of musician-scientists<br \/>\n(props to anyone making their own rhythm units in the early 70s)<br \/>\nestablished an entire genre. &#8220;Computer World&#8221; the song is an<br \/>\nelectronic cornucopia, with granite heavy lyrics describing a world<br \/>\nmoved by money, people, and technology.<\/p>\n<p>It&#8217;s probably worth your while. I&#8217;m a guitar freak but this<br \/>\nstuff is so sincere I find it hard to resist. I recently picked up<br \/>\nan old analog synth to try my hand with the electronic pulse. I<br \/>\nhighly recommend checking out any Kraftwerk titles. If you have any<br \/>\naffinity for the fat synth you&#8217;ll love this.<\/p>\n","protected":false},"author":19,"featured_media":25527,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6395],"rating":[5646],"class_list":["post-36733","review","type-review","status-publish","has-post-thumbnail","artist-kraftwerk","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36733"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36733\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25527"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36733"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36733"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36733"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}