{"id":36741,"date":"2000-08-27T00:00:00","date_gmt":"2000-08-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/damaged\/"},"modified":"2000-08-27T00:00:00","modified_gmt":"2000-08-27T00:00:00","slug":"damaged","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/damaged\/","title":{"rendered":"Damaged"},"content":{"rendered":"<p>If punk rock was seen as the kind of music which gave the finger<br \/>\nto society, then Black Flag had to be the group which gave the<br \/>\nfinger not only to society, but to punk rock&#8217;s forefathers.<\/p>\n<p>One of the earliest leaders of the Southern California punk<br \/>\nscene, Henry Rollins and company merged punk with the roots of<br \/>\nheavy metal &#8211; and, dare we say it, a little bit of humor. Their<br \/>\n1981 release<br \/>\n<i>Damaged<\/i> remains a high-water mark for the band.<\/p>\n<p>As subtle as a car crash at times, Rollins knew he packed power<br \/>\nin his delivery that would capture the listener. So, he knew when<br \/>\nto turn on the intensity &#8212; tracks such as &#8220;What I See&#8221; (which<br \/>\ndares to suggest the spoken-word angle that Rollins would<br \/>\noccasionally take later in the band&#8217;s history), &#8220;Police Story&#8221; and<br \/>\n&#8220;Depression&#8221; all demonstrate this well. And &#8220;Spray Paint&#8221; is a<br \/>\nminute&#8217;s worth of pure intensity that even suggested that Black<br \/>\nFlag knew the days of thrash metal were just around the corner.<\/p>\n<p>This being said, even Rollins could occasionally turn up the<br \/>\nintensity a little too far. Case in point: the album closer<br \/>\n&#8220;Damaged I,&#8221; a track which still frightens me today, 15 years after<br \/>\nI bought the record (and nearly 20 years since it came out). Like<br \/>\nJohn Lennon before him, this was Rollins&#8217;s primal scream therapy &#8211;<br \/>\nand it&#8217;s uncomfortable to listen to. (It could also be I&#8217;m more<br \/>\naccustomed to a version of &#8220;Damaged I&#8221;, featuring then-lead singer<br \/>\nDez Cadena, on the 45 of &#8220;Louie Louie&#8221;.)<\/p>\n<p>Yet there was a side of Black Flag which showed they knew how to<br \/>\nsmile as well. &#8220;Six Pack&#8221; is one prime example of this, daring to<br \/>\nsuggest that Rollins would rather have his favorite brew than his<br \/>\ngirlfriend. You kind of have to have a twisted sense of humor to<br \/>\nappreciate this. Then, there&#8217;s &#8220;TV Party,&#8221; which may make no sense<br \/>\nunless you remember what television in the early &#8217;80s was like.<br \/>\nIt&#8217;s all good fun, especially when you reach the unexpected<br \/>\nclimax.<\/p>\n<p>Sure, the production isn&#8217;t the cleanest, but Spot&#8217;s work behind<br \/>\nthe board seems to fit the style of music that Black Flag was<br \/>\nchurning out. Guitarist Greg Ginn pulls out some cool riffs from<br \/>\nhis six-string, while bassist Charles Dukowski and drummer Robo lay<br \/>\ndown a powerful, if slightly inconsistent, rhythmic backbone.<br \/>\n(Cadena was still with the group at this time, serving as guitarist<br \/>\nand vocalist.)<\/p>\n<p>\n<i>Damaged<\/i> is the kind of record your parents warned you about<br \/>\n&#8212; and the kind of record that anyone who enjoys the pure adrenalin<br \/>\nof punk will absolutely fall in love with. This is one meant to be<br \/>\nplayed at full volume, so the neighbors can experience it as<br \/>\nwell.<\/p>\n","protected":false},"author":2,"featured_media":25535,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6401],"rating":[5613],"class_list":["post-36741","review","type-review","status-publish","has-post-thumbnail","artist-black-flag","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36741"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36741\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25535"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36741"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36741"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36741"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}