{"id":36746,"date":"2000-08-31T00:00:00","date_gmt":"2000-08-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/situation-dangerous\/"},"modified":"2000-08-31T00:00:00","modified_gmt":"2000-08-31T00:00:00","slug":"situation-dangerous","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/situation-dangerous\/","title":{"rendered":"Situation Dangerous"},"content":{"rendered":"<p>Since their first collaboration<br \/>\n<i>Black Light Syndrome<\/i> came out in 1997, fans of Bozzio Levin<br \/>\nStevens have been waiting with bated breath for their next<br \/>\ncollaboration. I include myself in that group, having named the<br \/>\nfirst release from guitarist Steve Stevens, bassist Tony Levin and<br \/>\ndrummer Terry Bozzio, as the best release of that year.<\/p>\n<p>Yet something is different about their long-awaited sophomore<br \/>\neffort<br \/>\n<i>Situation Dangerous<\/i>. It&#8217;s not that it&#8217;s a bad disc; as<br \/>\nusual, all three musicians are stellar. It&#8217;s almost that the<br \/>\nspontaneous nature of the project is gone &#8211; and, with it, some of<br \/>\nthe magic.<\/p>\n<p>There is no doubt left that this time around, Stevens is the<br \/>\nstar of the show. His guitar work runs the gamut from full-scale<br \/>\nshredding to absolutely impeccable Spanish guitar licks, and he<br \/>\nconstantly proves himself to be more than just the guitarist who<br \/>\nonce teamed up with Billy Idol. Stevens could well be one of the<br \/>\nmost underrated guitarists out there, and<br \/>\n<i>Situation Dangerous<\/i> makes every attempt to correct that<br \/>\noversight.<\/p>\n<p>But something has to suffer if one person gets the limelight &#8211;<br \/>\nand, sadly, the contributions of Levin and Bozzio often are pushed<br \/>\ninto the background. Oh, sure, Bozzio&#8217;s drum work shines throughout<br \/>\nall eight tracks of this disc, but I wish he had been given a<br \/>\nlittle room to just cut loose and throw in some fills of his own.<br \/>\nAs for Levin, he does get a chance to shine on &#8220;Endless&#8221; when he<br \/>\nsolos on the cello. It&#8217;s hauntingly beautiful, and is demonstrates<br \/>\njust how gifted a musician he really is. Yet more often than not,<br \/>\nLevin seems perfectly happy standing in the background and serving<br \/>\nas a solid rhythmic backbone.<\/p>\n<p>The music on<br \/>\n<i>Situation Dangerous<\/i> is an eclectic mix which dares to even<br \/>\ntranscend the genre of progressive rock, which Bozzio Levin Stevens<br \/>\nhelped to re-champion on<br \/>\n<i>Black Light Syndrome<\/i>. &#8220;Dangerous&#8221; is a frenzied ride which<br \/>\nsometimes feels like someone is adding in keyboards without getting<br \/>\ncredited. (The only additional musician credited is Marcus Nand for<br \/>\nhis flamenco guitar work on &#8220;tziganne&#8221;.) &#8220;Endless&#8221; moves from an<br \/>\nalmost neo-classical piece to a jazzy swing, daring to make a<br \/>\n10-minute song pass in the blink of an eye.<\/p>\n<p>For that matter, that&#8217;s the Achilles&#8217; heel on<br \/>\n<i>Situation Dangerous<\/i>. It&#8217;s so easy to get wrapped up in the<br \/>\nmusic this band is creating that one quickly loses focus on how the<br \/>\nalbum&#8217;s progressing. I&#8217;ve spent the better part of two days<br \/>\nlistening to this disc, and I can&#8217;t think of one time where I<br \/>\ndidn&#8217;t find myself distracted by the music, to the point where I&#8217;d<br \/>\nrestart the disc at the first track.<\/p>\n<p>\n<i>Situation Dangerous<\/i> is still a solid follow-up from a band<br \/>\nwho could easily make a career out of working together non-stop.<br \/>\nYet it suggests that not all of the promise in their debut disc has<br \/>\nbeen lived up to &#8211; although they come close.<\/p>\n","protected":false},"author":2,"featured_media":25540,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5876],"rating":[5617],"class_list":["post-36746","review","type-review","status-publish","has-post-thumbnail","artist-bozzio-levin-stevens","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36746"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36746\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25540"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36746"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36746"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36746"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}