{"id":36747,"date":"2000-08-31T00:00:00","date_gmt":"2000-08-31T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/electric\/"},"modified":"2000-08-31T00:00:00","modified_gmt":"2000-08-31T00:00:00","slug":"electric","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/electric\/","title":{"rendered":"Electric"},"content":{"rendered":"<p>Anyone who is an afficionado of classic rock will know Paul<br \/>\nRodgers&#8217;s voice almost instantly. Whether it was his work with<br \/>\nFree, his powerful lead presence in the first incarnation of Bad<br \/>\nCompany, or his short stint as lead throat with The Firm, Rodgers<br \/>\nhas built up quite a musical resum\u00e9 for himself.<\/p>\n<p>Yet since the breakup of The Firm, Rodgers has not been able to<br \/>\ncarve out a successful solo career for himself, to the point where<br \/>\nhe&#8217;d probably have difficulty getting arrested in the States. It&#8217;s<br \/>\nnot that his solo efforts have been bad &#8211; rather, they&#8217;ve just been<br \/>\nbland.<\/p>\n<p>His latest disc,<br \/>\n<i>Electric<\/i>, is no exception to this pattern. Is it a bad disc?<br \/>\nAbsolutely not. But it takes the safe road, displaying 10 songs<br \/>\nwhich could have easily been leftovers from Rodgers&#8217;s Bad Company<br \/>\ndays, only without the guitar work of Mick Ralphs to seal the<br \/>\ndeal.<\/p>\n<p>In a sense, this could be seen as Rodgers putting himself<br \/>\nthrough the typical singer&#8217;s workout. On one side, he&#8217;s blazing<br \/>\nthrough the power rockers like &#8220;Deep Blue&#8221; and &#8220;Love Rains,&#8221;<br \/>\nsounding close to the young singer he once was. On the other side,<br \/>\nRodgers handles the ballads like &#8220;Over You,&#8221; &#8220;Conquistadora&#8221; and<br \/>\n&#8220;Jasmine Flower&#8221;. There is plenty of middle ground on<br \/>\n<i>Electric<\/i>, as songs like &#8220;Walking Tall&#8221; and &#8220;Freedom&#8221;<br \/>\ndemonstrate.<\/p>\n<p>Rodgers hits his peak on the hauntingly beautiful &#8220;Jasmine<br \/>\nFlower,&#8221; a song a father sings to his daughter, though I am having<br \/>\ntrouble deciphering whether this is being sung to a child or to the<br \/>\nyoung woman she has become. Whichever the case, it&#8217;s a powerful<br \/>\nsong that I can easily see becoming an adult-contemporary<br \/>\nfavorite.<\/p>\n<p>Yet there are signs of the songwriting excess that has plagued<br \/>\nRodgers throughout his career. Case in point: &#8220;Conquistadora,&#8221;<br \/>\nwhich gets a little too bogged down in a story line to be<br \/>\neffective. Musically, it&#8217;s okay, but it loses any momentum it had<br \/>\nquickly.<\/p>\n<p>Yet<br \/>\n<i>Electric<\/i> doesn&#8217;t seem like it&#8217;s an album made to win over<br \/>\nnew fans. If anything, this feels like it&#8217;s supposed to be a<br \/>\nreminder for those who used to listen to Rodgers in other groups<br \/>\nthat he&#8217;s still out there, and he still has the pipes that can<br \/>\ncarry the tunes. In a sense, that&#8217;s a relief to hear &#8211; but it&#8217;s<br \/>\nstill somewhat unsatisfying that he doesn&#8217;t try to break any new<br \/>\nground here.<\/p>\n<p>\n<i>Electric<\/i> is the kind of album that longtime Bad Company fans<br \/>\nwill adore, since it often sounds like it was cut directly from<br \/>\nthat mold. It&#8217;s proof that Rodgers can still hold his own in this<br \/>\nfield, but it&#8217;s not going to be the key to opening the door to solo<br \/>\nsuccess for Rodgers.<\/p>\n","protected":false},"author":2,"featured_media":25541,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6406],"rating":[5614],"class_list":["post-36747","review","type-review","status-publish","has-post-thumbnail","artist-paul-rodgers","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36747"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36747\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25541"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36747"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36747"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36747"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}