{"id":36753,"date":"2000-09-06T00:00:00","date_gmt":"2000-09-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/now-thats-what-i-call-music\/"},"modified":"2000-09-06T00:00:00","modified_gmt":"2000-09-06T00:00:00","slug":"now-thats-what-i-call-music","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/now-thats-what-i-call-music\/","title":{"rendered":"Now That&#8217;s What I Call Music"},"content":{"rendered":"<p>Everyone seemed so shocked earlier this year when the<br \/>\ncompilation album<br \/>\n<i>Now 4<\/i> topped the Billboard charts. I don&#8217;t know why; albums<br \/>\nsuch as these have been popular in Great Britain for many years,<br \/>\nand similar (albeit low-budget) compilations have occasionally been<br \/>\nreleased here.<\/p>\n<p>But in 1998, what<br \/>\n<i>Now That&#8217;s What I Call Music<\/i> (hereafter called<br \/>\n<i>Now<\/i>) did was open the floodgates in American music. Here was<br \/>\na disc which dared to take some of the popular songs of that moment<br \/>\nand throw them together for the pop music fan. Commercial suicide?<br \/>\nLess of an incentive to buy the original album? In both cases, I<br \/>\nthink the answer is &#8220;no&#8221;.<\/p>\n<p>This disc is aimed at the top-40 radio fan, with a mixture of<br \/>\nalternative hits and smooth r&#038;b permeating the disc. And while<br \/>\nsome of these songs may already feel like relics only two years<br \/>\nafter their peak success, it&#8217;s still a fun disc to listen to.<\/p>\n<p>Some of the selections on<br \/>\n<i>Now<\/i> are blatantly obvious; you couldn&#8217;t put together a<br \/>\ncollection from this time and not include Backstreet Boys (&#8220;As Long<br \/>\nAs You Love Me&#8221;), Spice Girls (&#8220;Say You&#8217;ll Be There&#8221;) or Hanson<br \/>\n(&#8220;Mmm Bop&#8221;). You don&#8217;t even need to be a fan of any of these groups<br \/>\nto enjoy these songs in the context of their historical place in<br \/>\nmusic; placed among other songs of their generation, they fit<br \/>\nwell.<\/p>\n<p>There are some pleasant surprises on<br \/>\n<i>Now<\/i>, as well. Brian McKnight absolutely pleases with<br \/>\n&#8220;Anytime,&#8221; and his appearance on this disc is sure to win him a<br \/>\nmuch larger fanbase than he currently enjoys. Likewise, as much as<br \/>\nI got sick of hearing &#8220;Fly Away&#8221; by Lenny Kravitz (or, as my<br \/>\nfour-year-old calls it, &#8220;the getaway song&#8221;), it feels right to hear<br \/>\nit on this disc. The same can be said for groups like Fastball<br \/>\n(&#8220;The Way&#8221;) and Harvey Danger (&#8220;Flagpole Sitta&#8221; &#8211; in all its edited<br \/>\nglory).<\/p>\n<p>Yet there are a few moments on<br \/>\n<i>Now<\/i> that will leave you scratching your head. Why would a<br \/>\nslow number like &#8220;Karma Police&#8221; from Radiohead be included &#8211; a song<br \/>\nI don&#8217;t remember hearing on the airwaves that much? Marcy<br \/>\nPlayground may have had a minor hit with &#8220;Sex And Candy,&#8221; but it is<br \/>\nnot the greatest choice to end this disc. And I know it was a slice<br \/>\nof 1998 history, but it is kind of weird to hear &#8220;Barbie Girl&#8221; by<br \/>\nAqua.<\/p>\n<p>Still, the level of fun that<br \/>\n<i>Now<\/i> provides is high, and is a definite disc to slap in the<br \/>\nchanger when it&#8217;s time to party. More importantly,<br \/>\n<i>Now<\/i> showed the record companies that people would buy<br \/>\nwell-produced singles compilations without sacrificing total album<br \/>\nsales. Whether the hot streak would continue onto<br \/>\n<i>Now 2<\/i> is something we&#8217;ll talk about next week.<\/p>\n","protected":false},"author":2,"featured_media":25547,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5827],"rating":[5617],"class_list":["post-36753","review","type-review","status-publish","has-post-thumbnail","artist-various-artists","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36753"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36753\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25547"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36753"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36753"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}