{"id":36767,"date":"2000-09-16T00:00:00","date_gmt":"2000-09-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/flash-gordon\/"},"modified":"2000-09-16T00:00:00","modified_gmt":"2000-09-16T00:00:00","slug":"flash-gordon","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/flash-gordon\/","title":{"rendered":"Flash Gordon"},"content":{"rendered":"<p class=\"c4\">Flash!&#8230;&#8230;&#8230;&#8230;.Ah-Aaahhhh!!!<\/p>\n<p class=\"c4\">Saviour of the Universe<\/p>\n<p class=\"c4\">Flash!&#8230;&#8230;&#8230;&#8230;.Ah-Aaahhhh!!!<\/p>\n<p class=\"c4\">He save everyone of us<\/p>\n<p>One of the things I remember from childhood is going to watch<br \/>\nthis B-movie masterpiece and loving every minute of it. From the<br \/>\nover-the-top performance by Max Von Sydow to the \u00fcber-coolness<br \/>\nof the Hawkmen to the very insipid acting of one Sam J. Jones as<br \/>\nthe lead character, this became one of my favorite movies as a kid.<br \/>\nOf course, as I saw it again on TV, I saw the high levels of queso<br \/>\n(that&#8217;s cheese for y&#8217;all) that permeated every scene of this movie.<br \/>\nHowever, one thing has remained as cool now as when I first heard<br \/>\nit back then. That is, of course, the soundtrack to this movie<br \/>\ncreated and performed by British rockers Queen.<\/p>\n<p class=\"c4\">Flash!&#8230;&#8230;&#8230;.Ah-Aaahhh!!!<\/p>\n<p class=\"c4\">He&#8217;s a miracle!<\/p>\n<p>Outside of a rare song appearing on a soundtrack, the members of<br \/>\nQueen had never done music exclusively for a movie. But producer<br \/>\nDino DeLaurentis felt that this movie would be completed with their<br \/>\nmusic throughout out. So Freddie Mercury, John Deacon, Roger Taylor<br \/>\nand Brian May went and created what&#8217;s become B-movie folklore.<\/p>\n<p>Now a warning: Unlike most other CDs, you cannot truly review<br \/>\nthis soundtrack track-by-track, though I will try. To fully<br \/>\nappreciate this music, you will have to hear it from start to<br \/>\nfinish. This is the type of CD that you do have to experience<br \/>\ncompletely to get.<\/p>\n<p>The first thing that shocked me in hearing this album is the<br \/>\nextensive use of synthesizers. For a band that had until a year or<br \/>\ntwo before this album proudly declared &#8220;No Synthesizers!&#8221; in every<br \/>\nalbum, this is somewhat of a shock. Every member of the band is<br \/>\ncredited with use of the synths! And believe me, they do use the<br \/>\nsynthesizer to its maximum.<\/p>\n<p>The second thing that confounded me was that along with the<br \/>\nmusic you will find pieces of movie dialogue spliced in. And I<br \/>\nain&#8217;t talking about small snippets at start and end. No, I mean<br \/>\nthey cut into the music with pieces of the movie&#8217;s dialogue. Every<br \/>\nnow and again this does get annoying, but you get the sense that<br \/>\nthis was meant to deliver sort of a mini-version of the movie. Like<br \/>\nI said, I wouldn&#8217;t have as big a problem with it if it didn&#8217;t cut<br \/>\ninto several tracks here and there. (But you have to hear the<br \/>\nwedding vows Ming takes. They are truly hilarious. Maybe those were<br \/>\nthe ones you should have taken, Chris!)<br \/>\n<i>[Editor&#8217;s note: Just wait &#8217;till<\/i><br \/>\n<b><br \/>\n<i>you<\/i><br \/>\n<\/b><br \/>\n<i>get married, Al!]<\/i><\/p>\n<p>Okay, now with all that out of the way, let&#8217;s talk the music<br \/>\nitself. The album kicks off with the hit &#8220;Flash&#8217;s Theme.&#8221; Yep, that<br \/>\ngreat piece best known for the &#8220;Ah-aaahhh!!!&#8221; If you were my age or<br \/>\nabout there when this movie came out, you remember it. It<br \/>\nencompasses the B-movie aspects of the character perfectly. It<br \/>\nappears and reappears throughout the score, particularly in &#8220;Flash<br \/>\nTo The Rescue,&#8221; &#8220;Marriage Of Dale And Ming&#8221; and &#8220;Flash&#8217;s Theme<br \/>\nReprise.&#8221; It also gets remixed into the Hero theme, which is<br \/>\nbasically a longer and more rock-oriented version for &#8220;Battle<br \/>\nTheme&#8221; and &#8220;The Hero.&#8221;<\/p>\n<p>But there are two other major themes in this soundtrack. One is<br \/>\nfor the evil Ming the Merciless. Featuring a greater use of the the<br \/>\nsynths, &#8220;Ming&#8217;s Theme&#8221; is minimalistic and spare, but fits his<br \/>\ncharacter well. It gets remixed in &#8220;The Ring&#8221; and reappears through<br \/>\nother cues. The other major theme is for Vultan, the leader of the<br \/>\nHawkmen. Also relying greatly on the synthesizer, &#8220;Vultan&#8217;s Theme&#8221;<br \/>\nis featured throughout the second half of the soundtrack. It&#8217;s<br \/>\ngreat fun, even if you do mind the synth overuse.<\/p>\n<p>What&#8217;s great to hear is the way that each member of Queen shines<br \/>\nin here. John Deacon&#8217;s bass is stellar, particularly on the main<br \/>\ntheme. Roger Taylor owns the second half of &#8220;In The Space Capsule,&#8221;<br \/>\nwith his rhythmic drums. Brian May delivers perhaps the best rock<br \/>\ntake on &#8220;The Wedding March.&#8221; (Now you know how<br \/>\n<i>I<\/i> want to walk down the aisle!) And Freddie Mercury uses his<br \/>\npiano playing to master the synth and deliver the fun, if cheesy,<br \/>\n&#8220;Football Fight.&#8221;<\/p>\n<p>What&#8217;s not so great to hear is the bonus (and I use that word<br \/>\nloosely) remix of Flash&#8217;s Theme. Remixed by Mista Lawnge, this is<br \/>\nthe longest track here and, without a doubt, the worst of the<br \/>\nbunch. It&#8217;s not even bad, it&#8217;s terrible &#8211; ranking alongside the<br \/>\nremix of &#8220;We Will Rock You&#8221; done by Rick Rubin. Avoid it at all<br \/>\ncosts!<\/p>\n<p>So, who is going to buy this album? Are you a fan of this cheesy<br \/>\nmovie? Are you a hardcore Queen fan? If so, you will enjoy it.<br \/>\nAnyone else &#8211; even fairweather or new fans &#8211; would do best in<br \/>\navoiding this neo-classic. This is for the initiated and for the<br \/>\ngoofballs. Now everybody sing:<\/p>\n<p class=\"c4\">Flash!&#8230;&#8230;&#8230;&#8230;.Ah-Aaahhh!!!<\/p>\n<p class=\"c4\">King of the Impossible!<\/p>\n","protected":false},"author":15,"featured_media":25561,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6420],"rating":[5613],"class_list":["post-36767","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack-by-queen","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36767"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36767\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25561"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36767"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36767"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36767"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}