{"id":36786,"date":"2000-10-02T00:00:00","date_gmt":"2000-10-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/straight-shooter\/"},"modified":"2000-10-02T00:00:00","modified_gmt":"2000-10-02T00:00:00","slug":"straight-shooter","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/straight-shooter\/","title":{"rendered":"Straight Shooter"},"content":{"rendered":"<p>1975 was probably the year that everything gelled for Paul<br \/>\nRodgers and the members of Bad Company. They had their debut album<br \/>\nunder their belts, and had garned some well-deserved attention for<br \/>\ntheir efforts. Now, the question was how would they follow it<br \/>\nup.<\/p>\n<p>The answer came in the form of<br \/>\n<i>Straight Shooter<\/i>, an album which featured better production<br \/>\nand even better songwriting. And while they still occasionally<br \/>\ndipped their feet into the waters of all-too-slow ballads, the<br \/>\nalbum showed major improvements for the group.<\/p>\n<p>These days, you can&#8217;t go anywhere without hearing some classic<br \/>\nrock station playing &#8220;Shooting Star&#8221; or &#8220;Feel Like Makin&#8217; Love&#8221; to<br \/>\ndeath &#8211; a shame, since these songs are still incredible numbers.<br \/>\nBut I have to admit, after the 2,000th time hearing the same song,<br \/>\nit does become a little grating on the nerves. That&#8217;s why I<br \/>\noccasionally like to dust off this record from the Pierce Memorial<br \/>\nArchives and hear the songs in the environment they were made for &#8211;<br \/>\nnamely, the context of the whole album.<\/p>\n<p>But<br \/>\n<i>Straight Shooter<\/i> is much more than just the two hit songs.<br \/>\nOn one side, you have guitarist Mick Ralphs musically cutting the<br \/>\nrug on &#8220;Good Lovin&#8217; Gone Bad,&#8221; demonstrating why he could well have<br \/>\nbeen one of the best unheralded guitarists of this time. On the<br \/>\nother side, you have Rodgers leading the group through a gentle<br \/>\nrocker like &#8220;Call On Me,&#8221; a track which is able to overcome a<br \/>\nrather weak intro to become a pretty enjoyable track.<\/p>\n<p>Possibly the best track on this album you&#8217;ve never heard is<br \/>\n&#8220;Wild Fire Woman,&#8221; a song which allows the band to revel in their<br \/>\nbluesy roots while giving them the musical freedom to explore new<br \/>\nterritories of the groove. If any of Bad Company&#8217;s songs deserved<br \/>\nthe chance to become a hit single, this one is at or near the top<br \/>\nof my list.<\/p>\n<p>Yet<br \/>\n<i>Straight Shooter<\/i> shows that Bad Company &#8211; in particular,<br \/>\ndrummer Simon Kirke &#8211; still had a penchant for the saccharine-sweet<br \/>\nballad that had neither spark nor spice. &#8220;Weep No More&#8221; and &#8220;Anna&#8221;<br \/>\nthreaten to derail Bad Company&#8217;s momentum for a few minutes;<br \/>\nfortunately, they follow these tracks up with solid numbers.<\/p>\n<p>And yet, 25 years after its release,<br \/>\n<i>Straight Shooter<\/i> hardly sounds dated, though its<br \/>\ninstrumentation is a bit minimal. (In a sense, that&#8217;s good; at<br \/>\nleast they weren&#8217;t padding the sessions with any musician they<br \/>\ncould find on a street corner like some bands tend to do these<br \/>\ndays.)<\/p>\n<p>If there was ever any doubt about Bad Company&#8217;s potential,<br \/>\n<i>Straight Shooter<\/i> should have convinced people that the<br \/>\nband&#8217;s success was no crap shoot. This is still one of the band&#8217;s<br \/>\nmost revered albums &#8211; and even with an occasional mis-step, one can<br \/>\neasily understand why.<\/p>\n","protected":false},"author":2,"featured_media":25580,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5720],"rating":[5617],"class_list":["post-36786","review","type-review","status-publish","has-post-thumbnail","artist-bad-company","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36786"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36786\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25580"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36786"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36786"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36786"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}