{"id":36789,"date":"2000-10-04T00:00:00","date_gmt":"2000-10-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/big-thinkin\/"},"modified":"2000-10-04T00:00:00","modified_gmt":"2000-10-04T00:00:00","slug":"big-thinkin","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/big-thinkin\/","title":{"rendered":"Big Thinkin&#8217;"},"content":{"rendered":"<p>Dallas Wayne is the stereotypical country artist &#8211; namely, a big<br \/>\nman with a big voice. On first glance, he appears to be the kind of<br \/>\nman whom you wouldn&#8217;t want to cross in a bar fight, yet you have to<br \/>\nwonder if there isn&#8217;t a soft, &#8220;teddy bear&#8221; side to the man.<\/p>\n<p>I worried about what I would think of Wayne&#8217;s debut CD,<br \/>\n<i>Big Thinkin&#8217;<\/i>, and whether he would show up on my doorstep<br \/>\none morning to do a Texas two-step on my spine if I didn&#8217;t have<br \/>\nnice things to say about the disc.<\/p>\n<p>Luckily for me, Wayne&#8217;s new disc is so solid that I have nothing<br \/>\nto fear.<br \/>\n<i>Big Thinkin&#8217;<\/i> is such an impressive album that some people<br \/>\nmight be surprised to discover that this is indeed Wayne&#8217;s debut<br \/>\ndisc.<\/p>\n<p>Of course, Wayne has the scars of years of life on the road that<br \/>\nhave helped to shape the sound on<br \/>\n<i>Big Thinkin&#8217;<\/i> &#8211; and there&#8217;s nothing that will help shape your<br \/>\nsound than sharpening it on stage. Take that experience, the<br \/>\nassistance of producer and co-songwriter Robbie Fulks, 12<br \/>\nincredible songs and a wonderful mixture of deep thinking and a<br \/>\nsense of humor, and you have Wayne in a nutshell.<\/p>\n<p>Wayne&#8217;s down-to-earth lyrics and portrayals of life as it really<br \/>\nis helps to make the songs on<br \/>\n<i>Big Thinkin&#8217;<\/i> stand out all the more as being something<br \/>\nspecial in an already crowded field. Yes, there are still the songs<br \/>\nwhich sing about pain and heartbreak, such as &#8220;Rock Bottom, Pop. 1&#8221;<br \/>\nand &#8220;Old 45&#8217;s&#8221;, but there is a freshness about Wayne&#8217;s approach to<br \/>\nthe material that doesn&#8217;t make it seem like he&#8217;s re-treading on<br \/>\ntired, old ground.<\/p>\n<p>And yet, there is a tongue-in-cheek approach that Wayne takes to<br \/>\nhis music as well. &#8220;If That&#8217;s Country&#8221; dares to take a stab at the<br \/>\nmore popular form of country music that has found popularity among<br \/>\nthe masses&#8230; and even refers to Garth Brooks (or, more correctly,<br \/>\nhis alter ego). Likewise, you have to smile when you hear a song<br \/>\nlike &#8220;We Never Killed Each Other (But Didn&#8217;t We Try?)&#8221;. (Memo to<br \/>\nPete Levin: Here&#8217;s another one to add to your list of humorous<br \/>\ncountry song titles.)<\/p>\n<p>Wayne proves himself to be a storyteller who is at the top of<br \/>\nhis game when you hear songs like &#8220;Coldwater, Tennessee,&#8221; &#8220;The Only<br \/>\nWay To Die&#8221; and &#8220;Raelene Wheeler&#8221;. Wayne is doing everything on<br \/>\nthis disc so well, that you truly believe the guy could put a<br \/>\nrestaurant menu to music and make it sound great.<\/p>\n<p>In one sense, I marvel at what Wayne has accomplished with just<br \/>\none CD, and it makes me wonder what further surprises he has in<br \/>\nstore for his soon-to-be-large legion of fans. One also has to<br \/>\nwonder if he will be able to live up to the expectations that<br \/>\npeople will have once they fall in love with this material. But I<br \/>\nguess we&#8217;ll worry about that when Wayne does release album number<br \/>\ntwo.<\/p>\n<p>\n<i>Big Thinkin&#8217;<\/i> is more than an album title; it&#8217;s a statement<br \/>\nthat boldly claims there&#8217;s a new force to be dealt with in country<br \/>\nmusic. And that force has a name: Dallas Wayne. This is easily one<br \/>\nof the best discs I&#8217;ve listened to all year.<\/p>\n","protected":false},"author":2,"featured_media":25583,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6432],"rating":[5646],"class_list":["post-36789","review","type-review","status-publish","has-post-thumbnail","artist-dallas-wayne","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36789"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36789\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25583"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36789"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36789"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36789"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}