{"id":36794,"date":"2000-10-07T00:00:00","date_gmt":"2000-10-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/queensryche\/"},"modified":"2000-10-07T00:00:00","modified_gmt":"2000-10-07T00:00:00","slug":"queensryche","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/queensryche\/","title":{"rendered":"Queensryche"},"content":{"rendered":"<p>Queensryche once recorded a song called &#8220;Revolution Calling&#8221;.<br \/>\nSeventeen years after the release of their debut EP, one wonders<br \/>\nwhy some people still consider this disc to be a revolution in the<br \/>\nworld of heavy metal.<\/p>\n<p>\n<i>Queensryche<\/i> was re-released with an additional song,<br \/>\n&#8220;Prophecy,&#8221; recorded during the sessions for their third album<br \/>\n<i>Rage For Order<\/i>. Listening to this one song shows how much<br \/>\nthe band had grown in the three years between these albums. Better<br \/>\nsongwriting and better production (the latter thanks to Neil<br \/>\nKernon) make Queensryche sound like a force that was to be reckoned<br \/>\nwith.<\/p>\n<p>Pity the original four songs that serve as the birthcry for the<br \/>\nband don&#8217;t quite have that magic. Sure, the opening track &#8220;Queen Of<br \/>\nThe Reich&#8221; has some promise, and the two-guitar attack of Chris<br \/>\nDeGarmo and Michael Wilton does help to light up the speakers. But<br \/>\nas the band explains in the liner notes from the 1988 CD re-issue,<br \/>\nthis track (as well as the others on this EP) were recorded by<br \/>\nengineer Tom Hall, who apparently wasn&#8217;t quite sure just what he<br \/>\nwas doing. (The band, by the way, chose not to re-mix the CD upon<br \/>\nre-issue. To quote from<br \/>\n<i>Indiana Jones And The Last Crusade<\/i>, they chose&#8230;<br \/>\npoorly.)<\/p>\n<p>I&#8217;d love to be able to sit here and say that the remaining three<br \/>\ntracks &#8211; &#8220;Nightrider,&#8221; &#8220;Blinded&#8221; and &#8220;The Lady Wore Black&#8221; &#8211; were<br \/>\nearly glimpses into the magic the band would tap on such albums as<br \/>\n<i>Operation:Mindcrime<\/i> and<br \/>\n<i>Empire<\/i>. Granted, &#8220;The Lady Wore Black&#8221; has its moments,<br \/>\nmostly in the chorus. But for the most part, Queensryche doesn&#8217;t<br \/>\nreally do much to set themselves apart from the other hundreds of<br \/>\nbands fighting for attention in 1982-1983. (I will admit, though,<br \/>\nthat Geoff Tate might have been ahead of his time with his operatic<br \/>\nstyle of singing; King Diamond and Mercyful Fate were just breaking<br \/>\nthrough around the same time.)<\/p>\n<p>Is it fair to compare a song such as &#8220;Prophecy&#8221; to the first<br \/>\nworks of a band like Queensryche? Perhaps not &#8211; but seeing the<br \/>\nsongs all now share a common album, parallels have to be drawn<br \/>\nbetween the time periods of the band&#8217;s history. And especially<br \/>\nseeing what Queensryche would accomplish at the height of their<br \/>\npopularity, it does tend to make earlier works pale in comparison.<br \/>\n<i>Queensryche<\/i> is, regrettably, no exception.<\/p>\n<p>This disc is one to add to your collection if you are a diehard<br \/>\nQueensryche fan, or if you enjoy the<br \/>\n<i>Rage For Order<\/i>-style songs and want to add &#8220;Prophecy&#8221; to<br \/>\nyour library. It&#8217;s occasionally interesting to listen to, if only<br \/>\nto clear out the pipes&#8230; but it&#8217;s far from required owning.<\/p>\n","protected":false},"author":2,"featured_media":25588,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5642],"rating":[5619],"class_list":["post-36794","review","type-review","status-publish","has-post-thumbnail","artist-queensryche","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36794"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36794\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25588"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36794"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36794"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36794"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}