{"id":36800,"date":"2000-10-10T00:00:00","date_gmt":"2000-10-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/last-call\/"},"modified":"2000-10-10T00:00:00","modified_gmt":"2000-10-10T00:00:00","slug":"last-call","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/last-call\/","title":{"rendered":"Last Call"},"content":{"rendered":"<p>The more I write about the blues, the more it seems like the<br \/>\ndiscs I review have their basis in tragedy.<br \/>\n<i>Last Call<\/i>, a new release featuring recordings from the final<br \/>\nconcerts by blues pianist Otis Spann, is no exception. Recorded<br \/>\nless than a month before his death, it is a miracle that these<br \/>\nsongs can be heard at all.<\/p>\n<p>Lost for 25 years, the tapes from Spann&#8217;s final gig at Boston<br \/>\nTeaparty (this particular show recorded April 2, 1970) were<br \/>\ndiscovered in storage in California, not too much the worse for<br \/>\nwear. On these can be heard the man whom some call the greatest<br \/>\nChicago blues pianist&#8230; something I&#8217;m not too sure about.<\/p>\n<p>Oh, don&#8217;t get me wrong; I&#8217;m not calling into question the man&#8217;s<br \/>\nabilities or decrying his performances here on<br \/>\n<i>Last Call<\/i>. But Spann&#8217;s piano work is often lost in the mix,<br \/>\nburied behind the two-guitar attack of Peter Malick and Luther<br \/>\n&#8220;Snake&#8221; Johnson or the vocals of his wife Lucille and Johnson.<br \/>\n(Spann&#8217;s illness left him unable to sing, according to Malick&#8217;s<br \/>\nliner notes.) Yes, it&#8217;s amazing that these tapes defied the odds<br \/>\nand are still with us today. But when I&#8217;m listening to the last<br \/>\nmusical testament of Spann&#8217;s, I&#8217;d like to have heard more of what<br \/>\nmade the man so special. (I also found it strangely interesting<br \/>\nthat Lucille Spann makes the claim from onstage that her husband<br \/>\nwas suffering from &#8220;laryngitis&#8221;, which is why he wasn&#8217;t singing.<br \/>\nMaybe the fact the man was dying was no one&#8217;s damn business.)<\/p>\n<p>On the average, the blues presented on<br \/>\n<i>Last Call<\/i> is more plodding, though the band knows how to<br \/>\nkick up the energy when needed (&#8220;Get On Down To The Nitty Gritty,&#8221;<br \/>\n&#8220;I Got My Mojo Working,&#8221; &#8220;Stomp With Spann&#8221;). Word of advice: if<br \/>\nyou have a splitting headache, skip &#8220;My Baby,&#8221; featuring the blues<br \/>\nshrieks of Lucille Spann. I made that mistake, and undid the work<br \/>\nof two industrial-strength Tylenol caplets in just seven<br \/>\nminutes.<\/p>\n<p>Tacked on to the end of this show is &#8220;Blues For Otis,&#8221; a song<br \/>\nMalick recorded for his 1998 release<br \/>\n<i>Wrong Side Of My Life<\/i>. At first, I questioned its<br \/>\nappearance. I mean, this is Malick&#8217;s label and all, but isn&#8217;t its<br \/>\ninclusion more of an advertisement for his own disc? And yet, this<br \/>\ntrack seemed to belong, as the piano line on it tended to invoke<br \/>\nSpann&#8217;s ghost. If you didn&#8217;t know better, you&#8217;d swear it was Spann<br \/>\nhimself tickling the keys.<\/p>\n<p>\n<i>Last Call<\/i> is an interesting, yet sad, portrait of another<br \/>\nblues artist who didn&#8217;t earn his proper acclaim in his lifetime.<br \/>\nAnd yet it seems like Spann takes the back seat so the other<br \/>\nmusicians in his band could have a chance to shine. Who knows?<br \/>\nMaybe Spann would have wanted it that way.<\/p>\n","protected":false},"author":2,"featured_media":25594,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6438],"rating":[5612],"class_list":["post-36800","review","type-review","status-publish","has-post-thumbnail","artist-otis-spann","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36800"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36800\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25594"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36800"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36800"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36800"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}