{"id":36813,"date":"2000-10-16T00:00:00","date_gmt":"2000-10-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/folktales\/"},"modified":"2000-10-16T00:00:00","modified_gmt":"2000-10-16T00:00:00","slug":"folktales","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/folktales\/","title":{"rendered":"Folktales"},"content":{"rendered":"<p>With the recent vacation declared by Phish (note to the<br \/>\nAssociated Press: this was a planned break; the band has not broken<br \/>\nup as of this writing), it&#8217;s inevitable that their legion of fans<br \/>\nare going to be trolling for other similar groups to satisfy their<br \/>\ngroove-rock fix. This is where bands like Minneapolis&#8217;s The Big Wu<br \/>\nwill gladly fill the bill &#8211; though their most recent release (and<br \/>\nsecond overall)<br \/>\n<i>Folktales<\/i> shows this group still is in their growing<br \/>\nphase.<\/p>\n<p>The Big Wu can only be described as a poor man&#8217;s Phish. They<br \/>\nhave the trip-rock sound down pretty well, but the guitar lines of<br \/>\nChris Castino and Jason Fladager don&#8217;t have nearly the fluidness of<br \/>\na Trey Anastasio solo. Lyrically, The Big Wu doesn&#8217;t go as far out<br \/>\non the spacey limb, but occasionally, that works to their<br \/>\ndisadvantage, as the music almost calls for an ethereal flow with<br \/>\neverything.<\/p>\n<p>Things start off in a promising manner with &#8220;Angie O&#8217;Plasty,&#8221;<br \/>\nwhich shows off the harmony vocals of Castino, Fladager and drummer<br \/>\nTerry VanDeWalker. Sometimes, they almost seem too soft in the<br \/>\ncourse of<br \/>\n<i>Folktales<\/i>, but everything works itself into a happy medium<br \/>\non this particular number. A few other numbers, like &#8220;Elani&#8221; and<br \/>\n&#8220;House Of Wu&#8221; (which reminded me a lot of &#8220;Llama&#8221;) dare to suggest<br \/>\nthat The Big Wu could well have a strong claim to the throne.<\/p>\n<p>The problem with<br \/>\n<i>Folktales<\/i> is that these moments of piquing interest on the<br \/>\npart of the listener are too few and far between. Tracks like<br \/>\n&#8220;Oxygen&#8221; should be the ones that absolutely suck the listener into<br \/>\nthe world of Wu. Regrettably, this just doesn&#8217;t happen. Maybe it&#8217;s<br \/>\nbecause the band is still very much learning about itself and its<br \/>\nsurroundings. Maybe it&#8217;s because, as they claim, their songs are<br \/>\nalways being rewritten with each performance, and neither band nor<br \/>\naudience can ever fully get to a level of comfort.<\/p>\n<p>There was one touch on<br \/>\n<i>Folktales<\/i> which showed the band has a lot of class. At the<br \/>\nfadeout of the closing track &#8220;Shantytown&#8221; (the group&#8217;s foray into<br \/>\nreggae), you can hear an audience at one of the band&#8217;s shows<br \/>\nsinging along to the chorus. Each member of that crowd is<br \/>\npersonally thanked in the liner notes. Nice move&#8230; and something<br \/>\nthat&#8217;s gonna be hard to do if they start playing the big sheds.<\/p>\n<p>There is promise in the music of The Big Wu, yet<br \/>\n<i>Folktales<\/i> seems to suggest that is has been left unfulfilled<br \/>\nthis time around. Maybe, like their genre-mates, it takes a few<br \/>\nalbums before everything really clicks for them. Phish got it on<br \/>\nthe third try (<br \/>\n<i>A Picture Of Nectar<\/i>). Maybe The Big Wu will prove the third<br \/>\ntime&#8217;s the charm for them as well.<\/p>\n","protected":false},"author":2,"featured_media":25607,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6446],"rating":[11204],"class_list":["post-36813","review","type-review","status-publish","has-post-thumbnail","artist-the-big-wu","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36813"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36813\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25607"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36813"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36813"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36813"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}