{"id":36818,"date":"2000-10-17T00:00:00","date_gmt":"2000-10-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dance-the-devil\/"},"modified":"2000-10-17T00:00:00","modified_gmt":"2000-10-17T00:00:00","slug":"dance-the-devil","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dance-the-devil\/","title":{"rendered":"Dance The Devil&#8230;"},"content":{"rendered":"<p>This is another of those reviews that require me to experiment<br \/>\nwith an alternate mindset. Despite the fact I&#8217;ve never heard of<br \/>\nthem, The Frames are apparently one of the biggest things in<br \/>\nIreland, roots-rockers with a definite lo-fi sound. A web search by<br \/>\nthis reviewer (desperate for some information, as the home page for<br \/>\ntheir record label, ZTT, refused to load) led to a lot of other<br \/>\nreviews, but very little hard and fast information.<\/p>\n<p>Apparently the Frames are the Next Big Thing in Irish rock and<br \/>\nroll, heirs to the throne currently occupied by U2&#8217;s overblown hype<br \/>\n(soon to become U2&#8217;s rotting corpse). They are touted in various<br \/>\nonline publications as being Nirvana with brains, the Byrds with a<br \/>\nnew millennium sensibility, and Pavement with better lyrics. For<br \/>\nall I know, there may be a review somewhere that claims<br \/>\n<i>Dance The Devil\u2026<\/i> can cure cancer. Wouldn&#8217;t surprise<br \/>\nme.<\/p>\n<p>But, O Ye Faithful &#8220;Daily Vault&#8221; Readers, remember Rule #47;<br \/>\nwhere there is hype, there is probably something lacking in the<br \/>\nreal product. And while the Frames may be occasionally pleasant to<br \/>\nlisten to, good listener press and guitars tuned down half a step<br \/>\ndoes not a modern classic make.<\/p>\n<p>The Frames aren&#8217;t bad, really, but they aren&#8217;t great. They seem<br \/>\nto have very little in their catalog that can be called original;<br \/>\nas I listened to<br \/>\n<i>Dance The Devil\u2026<\/i>, I spent a lot of time going &#8220;Gosh,<br \/>\nthis sounds like (Nirvana\/Pavement\/The Byrds\/The Foo Fighters\/Smash<br \/>\nMouth\/Live\/The Smithereens\/et al)&#8221;. There are occasional moments of<br \/>\nreal creativity &#8211; &#8220;Perfect Opening Line&#8221;, &#8220;The Stars Are<br \/>\nUnderground&#8221;, the tongue-in-cheek &#8220;Rent Day Blues&#8221;, and the album&#8217;s<br \/>\ndriving close &#8220;Dance The Devil Back Into His Hole&#8221;.<\/p>\n<p>Sadly, though, these few sparks of promise mostly drown under<br \/>\nderivative tracks like &#8220;Hollocaine&#8221; (Trent Reznor beats up Michael<br \/>\nPenn), &#8220;Seven Day Mile&#8221; (Vertical Horizon takes a lot of Valium and<br \/>\ncovers INXS&#8217;s &#8220;Never Tear Us Apart&#8221;), &#8220;Neath The Beeches&#8221; (look,<br \/>\nma, I can be soulful and just play acoustic guitar too), and &#8220;Star<br \/>\nStar&#8221; (I don&#8217;t know what it is, but shoot it and move on).<\/p>\n<p>\n<i>Dance The Devil\u2026<\/i> shows that Glen Hansard and The<br \/>\nFrames have talent. The problem is, they spend too much of it<br \/>\ntrying to be someone else, and uncanny mimicry combined with an<br \/>\nability to tune your guitar a half-step down isn&#8217;t quite<br \/>\nenough.<\/p>\n<p>I hope The Frames take a long, hard look at their own music,<br \/>\ndisbelieve their own hype, and come up with something worthy of<br \/>\ntheir potential. Of course, I hoped that for U2, too, and look what<br \/>\nthat got us. If you like this sort of music and have an extra slot<br \/>\nin your CD changer and it isn&#8217;t too expensive, go ahead and pick up<\/p>\n<p><i>Dance The Devil\u2026<\/i>. Otherwise, don&#8217;t waste your time<br \/>\nand money.<\/p>\n","protected":false},"author":18,"featured_media":25612,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6450],"rating":[11204],"class_list":["post-36818","review","type-review","status-publish","has-post-thumbnail","artist-the-frames","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36818","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36818"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36818\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25612"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36818"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36818"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36818"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}