{"id":36820,"date":"2000-10-18T00:00:00","date_gmt":"2000-10-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/highlander-endgame\/"},"modified":"2000-10-18T00:00:00","modified_gmt":"2000-10-18T00:00:00","slug":"highlander-endgame","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/highlander-endgame\/","title":{"rendered":"Highlander Endgame"},"content":{"rendered":"<p>Although I&#8217;ve never been a fan of either the movies or the<br \/>\ntelevision series, it seems like<br \/>\n<i>Highlander<\/i> is a storyline which finds the present constantly<br \/>\nclashing with the past, and one group&#8217;s constant battle to<br \/>\nreconcile the two through immortality&#8230; and its loss.<\/p>\n<p>So the music for<br \/>\n<i>Highlander Endgame<\/i> probably makes a lot of sense to anyone<br \/>\nwho has followed this series since the first film hit the screens<br \/>\nin 1986. The clash between modern-day neo-classical (with just a<br \/>\ntouch of electric guitar at times) with its deep-rooted Scottish<br \/>\nlamentations makes for a confusing, yet enjoyable, listen for the<br \/>\nmere mortal. Everyone else, of course, will probably think this<br \/>\nmusic is a hoot, and will scoff at the newbie&#8217;s views. T&#8217;sokay, I&#8217;m<br \/>\nused to that.<\/p>\n<p>This particular soundtrack can be broken up into two distinct<br \/>\nhalves. The first eight songs make up one half, which were composed<br \/>\nby Stephen Graziano. These seem to be the more moody, suspenseful<br \/>\npieces &#8211; too bad the music occasionally drags during these. Oh,<br \/>\nsure, Graziano captures the Scottish essence well, especially on<br \/>\nhis arrangement of &#8220;Bonny Portmore,&#8221; but when it gets to pieces lke<br \/>\n&#8220;Opening Titles&#8221; and &#8220;There Can Be Only One! (Killing Kell)&#8221;, there<br \/>\nshould be few, if any, noticeable lags in the musical action. It&#8217;s<br \/>\non the shorter pieces like &#8220;Driving To Loft\/Getting Duncan\/Ride To<br \/>\nThe Grave&#8221; and &#8220;Heather Cuts Her Hair&#8221; (the latter co-written by<br \/>\nsecond composer Nick Glennie-Smith) that Graziano is able to<br \/>\nsustain the energy.<\/p>\n<p>In a sense, Glennie-Smith has a similar problem on his one epic<br \/>\nselection, &#8220;The Legend Of The Immortals&#8221; &#8211; the track which marks<br \/>\nthe second distinct half of<br \/>\n<i>Highlander Endgame<\/i>. Glennie-Smith focuses in more on<br \/>\nshorter, to-the-point pieces (three of which clock in at less than<br \/>\n90 seconds), but this strategy works well for him, and the music is<br \/>\ncaptivating. Even on the &#8220;longer&#8221; pieces (at least, longer in<br \/>\ncomparison), such as &#8220;Killing An Old Friend,&#8221; &#8220;Attack At The Loft&#8221;<br \/>\nand &#8220;In Memory Of Connor,&#8221; Glennie-Smith is able to cut to the<br \/>\nheart of the musical theme, and he does it well.<\/p>\n<p>The one drawback, namely to Graziano&#8217;s compositions, is that he<br \/>\ntries to jump from a more organic Celtic influence to modern-day<br \/>\ncacaphony, and this mixture doesn&#8217;t always seem to work the best.<br \/>\nGlennie-Smith&#8217;s works, in contrast, have more of a natural feel to<br \/>\nthem, as if you were listening to a soundtrack from the Golden Era<br \/>\nof movie music, an era which people like John Williams have made a<br \/>\nliving keeping alive in the eyes of moviegoers. I don&#8217;t think that<br \/>\nGraziano was wrong in his approach, but he might have wanted more<br \/>\nof a smoother transition in styles.<\/p>\n<p>\n<i>Highlander Endgame<\/i>, to be honest, is the kind of disc whose<br \/>\nappeal may be limited to those who have followed this movie series<br \/>\nfrom the beginning. If this is the case, they have themselves a<br \/>\nnice treasure, albeit one which occasionally seems difficult to<br \/>\nopen.<\/p>\n","protected":false},"author":2,"featured_media":25614,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5729],"rating":[5615],"class_list":["post-36820","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36820"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36820\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25614"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36820"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36820"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36820"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}