{"id":36823,"date":"2000-10-19T00:00:00","date_gmt":"2000-10-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/graveyard-classics\/"},"modified":"2000-10-19T00:00:00","modified_gmt":"2000-10-19T00:00:00","slug":"graveyard-classics","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/graveyard-classics\/","title":{"rendered":"Graveyard Classics"},"content":{"rendered":"<p>Hey, look! A death metal CD that&#8217;s actually<br \/>\n<i>fun<\/i>!<\/p>\n<p>No matter what your view is of death metal, you have to admire<br \/>\nthe spunk of Six Feet Under to release their latest disc<br \/>\n<i>Graveyard Classics<\/i>. After the creative success of their last<br \/>\ndisc<br \/>\n<i>Maximum Violence<\/i>, one had to wonder how they were going to<br \/>\ntop themselves. The answer, of course, is that they&#8217;re not about to<br \/>\ntry&#8230; not yet. Instead, they took 12 songs from bands who they<br \/>\nliked or who had influenced them and gave them a thrashing.<\/p>\n<p>Admittedly, you have to take these performances with a grain of<br \/>\nsalt. If you go into this disc thinking that vocalist Chris Barnes<br \/>\nwill suddenly drop his &#8220;gargled-with-Lysol&#8221; sound for more<br \/>\nunderstandable vocals, you&#8217;ve got another thought coming. (It is<br \/>\nweird, though, to know just what he&#8217;s growling &#8211; it&#8217;s the closest<br \/>\nI&#8217;ve ever come to deciphering this genre.) If you pick this disc up<br \/>\nexpecting to hear guitarist Steve Swanson play note-for-note copies<br \/>\nof the solos &#8211; well, he does come pretty close, you have to give<br \/>\nhim that. But he still puts enough of his own stamp on them to let<br \/>\nyou know you&#8217;re listening to a new translation of an old<br \/>\nfavorite.<\/p>\n<p>There is only one mis-step on<br \/>\n<i>Graveyard Classics<\/i> &#8211; namely, using Armored Saint\/Anthrax<br \/>\nvocalist John Bush to do a duet on their cover of The Scorpions&#8217;s<br \/>\n&#8220;Blackout&#8221;. I am a big fan of Bush&#8217;s, but to hear him follow up<br \/>\nBarnes&#8217;s growls and grunts&#8230; well, it&#8217;s as out of place as Vince<br \/>\nNeil joining the Three Tenors. Stylistically, it doesn&#8217;t work.<br \/>\nMusically, it&#8217;s an interesting cover.<\/p>\n<p>And you can&#8217;t help but smile when you hear Six Feet Under tackle<br \/>\nsuch songs as Black Sabbath&#8217;s &#8220;Sweet Leaf,&#8221; AC\/DC&#8217;s &#8220;TNT&#8221; or The<br \/>\nMonkees&#8217;s (The Monkees?!?) &#8220;Stepping Stone&#8221;. (They say the Sex<br \/>\nPistols recorded it, and I don&#8217;t doubt that, but it is weird to<br \/>\nknow where the roots of this song are.)<\/p>\n<p>You don&#8217;t need to be fans of all 12 bands covered by Six Feet<br \/>\nUnder; chances are, one or two of these performances might be of<br \/>\ngroups you&#8217;re not familiar with. If anything,<br \/>\n<i>Graveyard Classics<\/i> does two things, and it does them well.<br \/>\nFirst, it shows a band having fun with a form of music that is<br \/>\nusually gloom and doom &#8211; and this is quite refreshing. Second, it<br \/>\nmight just spur you to head down to your local music emporium and<br \/>\npick up a CD or two from a band like Dead Kennedys or<br \/>\nAngelwitch.<\/p>\n<p>\n<i>Graveyard Classics<\/i> almost makes death metal fun&#8230; who ever<br \/>\nthought someone would make a comment like that about this genre!<br \/>\nThis disc makes me all the more eager to hear the next studio album<br \/>\nfrom Six Feet Under.<\/p>\n","protected":false},"author":2,"featured_media":25617,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6454],"rating":[5613],"class_list":["post-36823","review","type-review","status-publish","has-post-thumbnail","artist-six-feet-under","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36823"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36823\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25617"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36823"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36823"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36823"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}