{"id":36871,"date":"2000-12-02T00:00:00","date_gmt":"2000-12-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hell-awaits\/"},"modified":"2000-12-02T00:00:00","modified_gmt":"2000-12-02T00:00:00","slug":"hell-awaits","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hell-awaits\/","title":{"rendered":"Hell Awaits"},"content":{"rendered":"<p>This review is actually an accident.<\/p>\n<p>You see, I had intended on going back to the first release from<br \/>\nthe speed-metal band Slayer,<br \/>\n<i>Show No Mercy<\/i>, to re-educate myself in this band&#8217;s music and<br \/>\ntrace their musical progress up to their most recent work. Instead,<br \/>\nI found myself in the car with<br \/>\n<i>Hell Awaits<\/i>, their third album (second if you count<br \/>\n<i>Haunting The Chapel<\/i> as an EP), my education shot down in<br \/>\nflames.<\/p>\n<p>Oh, it wasn&#8217;t that I was disappointed with my selection; if<br \/>\nanything,<br \/>\n<i>Hell Awaits<\/i> proved that Tom Araya and crew demanded to be<br \/>\ntaken on their own terms &#8211; and if you accepted, then you had better<br \/>\nprepare yourself for one intense musical trip.<\/p>\n<p>Their overall sound was still coming together, and while this is<br \/>\na decent representation of what Slayer&#8217;s sound was like in 1985, it<br \/>\nstill wasn&#8217;t the perfect picture. (That would come on their<br \/>\nmajor-label debut,<br \/>\n<i>Reign In Blood<\/i>.) Possibly this is because the music industry<br \/>\n(even a label dedicated the genre like Metal Blade) didn&#8217;t quite<br \/>\nknow what to do with such a sound at that time in metal&#8217;s history.<br \/>\nAfter all, while there had been bands with Satanic leanings, and<br \/>\nthere most definitely had been speed metal bands, nobody had<br \/>\ncombined the two with such furious power as Slayer had.<\/p>\n<p>You can tell this from the title track alone &#8211; though I do<br \/>\nadmit, after spending so much time listening to<br \/>\n<i>Live &#8211; Decade Of Aggression<\/i>, I do miss hearing &#8220;The<br \/>\nAnti-Christ&#8221; immediately following this song. The way that the band<br \/>\n&#8211; bassist\/vocalist Araya, guitarists Kerry King and Jeff Hanneman<br \/>\nand drummer Dave Lombardo &#8211; handle the style and speed changes on<br \/>\nthis particular track is nothing short of phenomenal. There&#8217;s a<br \/>\nreason why this track has remained a fan favorite all these<br \/>\nyears.<\/p>\n<p>The entire first half of<br \/>\n<i>Hell Awaits<\/i> taps into that power and keeps the listener<br \/>\nengrossed from note one to the end. &#8220;Kill Again&#8221; is a track that is<br \/>\none of those &#8220;coulda-shoulda-woulda&#8221; songs (that is, it should have<br \/>\nbeen a breakthrough hit for them), while &#8220;At Dawn They Sleep&#8221; just<br \/>\noozes intensity and power from every beat.<\/p>\n<p>The second half of this album falters only slightly &#8211; and this<br \/>\nis not to say that tracks such as &#8220;Necrophiliac&#8221; and &#8220;Crypts Of<br \/>\nEternity&#8221; are bad. But they pale a little bit in comparison to the<br \/>\nhighlights of<br \/>\n<i>Hell Awaits<\/i>. Even so, they&#8217;re still guaranteed to warp the<br \/>\npaint off your car. I do like the way they go back to the album&#8217;s<br \/>\nopening riffs at the close of &#8220;Hardening Of The Arteries,&#8221; thus<br \/>\nending the album. Nice touch.<\/p>\n<p>\n<i>Hell Awaits<\/i> is a great portrait of a band just about to make<br \/>\nits big break onto the metal scene, and it&#8217;s just as enjoyable<br \/>\ntoday as it was 15 years ago. Evil never felt so heavenly.<\/p>\n","protected":false},"author":2,"featured_media":25665,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6475],"rating":[5615],"class_list":["post-36871","review","type-review","status-publish","has-post-thumbnail","artist-slayer","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36871"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36871\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25665"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36871"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36871"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}