{"id":36872,"date":"2000-12-03T00:00:00","date_gmt":"2000-12-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/rastaman-vibration\/"},"modified":"2000-12-03T00:00:00","modified_gmt":"2000-12-03T00:00:00","slug":"rastaman-vibration","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/rastaman-vibration\/","title":{"rendered":"Rastaman Vibration"},"content":{"rendered":"<p>I have mixed feelings about<br \/>\n<i>Rastaman Vibration<\/i>, the 1976 release from Bob Marley &#038;<br \/>\nThe Wailers. On one hand, I don&#8217;t often find myself drawn to the<br \/>\nPierce Memorial Archives to listen to this one, simply because it<br \/>\ndoesn&#8217;t scream &#8220;greatest hits&#8221; from its track listing. (It could<br \/>\nalso be that I&#8217;m hesitant to listen to &#8220;War,&#8221; thanks to what Sinead<br \/>\nO&#8217;Connor turned that track into during her appearance on Saturday<br \/>\nNight Live all those years ago.<\/p>\n<p>Yet when I did finally dig my old cassette out from the Archives<br \/>\nand popped it into the tape deck, I found myself pleasantly<br \/>\nsurprised by this album. In a sense, it doesn&#8217;t need to have any of<br \/>\nthe hits on it, for the music in general holds its own quite well.<br \/>\nYet it also suggests that Marley and crew were reaching a comfort<br \/>\nlevel that threatened to be harmful to the music.<\/p>\n<p>For the most part, Marley&#8217;s style of reggae dared to be more<br \/>\nthan one or two chord progressions; this allowed him to grow as a<br \/>\nsongwriter and help to become reggae&#8217;s best-known spokesperson. (I<br \/>\nrealize the track &#8220;Exodus,&#8221; one of Marley&#8217;s biggest hits, is<br \/>\nconstant riffing of an A-minor chord&#8230; but that&#8217;s a different<br \/>\nalbum which we&#8217;ve already talked about on this site.) On<br \/>\n<i>Rastaman Vibration<\/i>, there&#8217;s a lot of settling in to simple<br \/>\nchord patterns which don&#8217;t vary at all &#8211; and that suggested<br \/>\nstagnation on the part of Marley and all the other song<br \/>\nwriters.<\/p>\n<p>Even so, tracks such as &#8220;Positive Vibration,&#8221; &#8220;Roots, Rock,<br \/>\nReggae&#8221; and &#8220;Who The Cap Fit&#8221; shine on this album &#8211; and even though<br \/>\nnone of them were featured on the best-of package<br \/>\n<i>Legend<\/i>, these songs all show they had the power to be<br \/>\nremembered on their own terms.<\/p>\n<p>Yet some of the tracks you&#8217;d expect to be the ones that leap off<br \/>\nthe album into your heart are the ones which are the most<br \/>\ntroubling. &#8220;War&#8221; is one of the tracks which sticks to a simple<br \/>\nchord progression, and though Marley&#8217;s rendition blows all others<br \/>\nout of the water, it still is weak in comparison to the outstanding<br \/>\ntracks on this disc. Likewise, &#8220;Crazy Baldhead&#8221; has its moments,<br \/>\nbut its overall power is compromised by a bizarre war-like whoop<br \/>\nthat Marley lets loose with at the start.<\/p>\n<p>What&#8217;s a little more disturbing is that other tracks, which<br \/>\nprobably would have been standouts in their own right had they been<br \/>\non a different disc, are lost in the shuffle. &#8220;Night Shift&#8221; and<br \/>\n&#8220;Rat Race&#8221; both come to mind as examples.<\/p>\n<p>\n<i>Rastaman Vibration<\/i> is by no means the nightmare I once<br \/>\nthought it to be, but it also is not the best of Marley&#8217;s catalog.<br \/>\nThat said, it is worth checking out for the hidden gems, and is<br \/>\nstill recommended.<\/p>\n","protected":false},"author":2,"featured_media":25666,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5702],"rating":[5612],"class_list":["post-36872","review","type-review","status-publish","has-post-thumbnail","artist-bob-marley-the-wailers","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36872"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36872\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25666"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36872"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36872"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36872"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}