{"id":36889,"date":"2000-12-08T00:00:00","date_gmt":"2000-12-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/1985\/"},"modified":"2000-12-08T00:00:00","modified_gmt":"2000-12-08T00:00:00","slug":"1985","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/1985\/","title":{"rendered":"1985"},"content":{"rendered":"<p>Sometimes, listening to a band&#8217;s first cries, especially when<br \/>\nthey&#8217;ve established a name and reputation for themselves, is a bit<br \/>\ndifficult. It&#8217;s hard to put aside what you know about the band in<br \/>\nthe present and try to look at them through musical granny<br \/>\nglasses.<\/p>\n<p>That&#8217;s kind of the position I&#8217;m in as I sit here in the Pierce<br \/>\nMemorial Archives, listening to<br \/>\n<i>1985<\/i> from Chicago-based rockers Enuff Z&#8217;Nuff. Musically,<br \/>\nChip Z&#8217;Nuff and crew were sound, but they had fully developed<br \/>\neither their own sound or the mixture of Beatles and Cheap Trick<br \/>\ninfluences that would shape their music down the road.<\/p>\n<p>This disc &#8211; complete with liner notes written by one Howard<br \/>\nStern &#8211; originally was put out when the band was in limbo. They had<br \/>\njust parted ways with Arista, and their future wasn&#8217;t exactly<br \/>\nclear. (Fortunately for them, things began looking rosy real<br \/>\nquick.)<\/p>\n<p>Even back then, there was a lot to praise in these first<br \/>\nrecordings (which were first released in 1994). Tracks like &#8220;Day By<br \/>\nDay,&#8221; &#8220;Marie,&#8221; &#8220;I&#8217;ll B The 1 2 Luv U&#8221; and &#8220;Goodbye, Goodbye&#8221; all<br \/>\nshow the talent that these guys had then&#8230; and still do. Donnie<br \/>\nVie&#8217;s vocals are just as powerful, whether you&#8217;re listening to the<br \/>\n11 tracks on this disc or Enuff Z&#8217;Nuff&#8217;s most recent<br \/>\nrecordings.<\/p>\n<p>Yet something about the band&#8217;s sound does strike me as being &#8211;<br \/>\nwell, not odd, but different. Of course, this is that Enuff Z&#8217;Nuff<br \/>\nstill was searching for their own unique musical voice &#8211; something<br \/>\nI wouldn&#8217;t have expected them to have this early in their career.<br \/>\nBut the Cheap Trick influence also seems to be downplayed in their<br \/>\nsongwriting &#8211; that&#8217;s probably more shocking to me.<\/p>\n<p>\n<i>1985<\/i> also has its share of guilty pleasures (&#8220;Catholic<br \/>\nGirls&#8221;, &#8220;Aroused&#8221;)&#8230; but there are some clunkers as well. Their<br \/>\nchoice of cover tunes (&#8220;Tears Of A Clown&#8221;) is questionable; by<br \/>\nputting their own stamp on this song, a lot of the magic is<br \/>\nquashed. Likewise, &#8220;No Second Time&#8221; and &#8220;Hollywood Squares&#8221; just<br \/>\ndon&#8217;t have the same kind of fire as the top-notch material.<\/p>\n<p>Credit should be given to the band, though, in regards to the<br \/>\nuncredited bonus track &#8220;You Got A Hold Of Me&#8221;. I hate wading<br \/>\nthrough dead air on a CD to get to what usually ends up to be a<br \/>\nstudio outtake or a half-assed attempt at a song. Not only does<br \/>\nEnuff Z&#8217;Nuff kick into the bonus immediately, but it&#8217;s a fine song<br \/>\nas well.<\/p>\n<p>\n<i>1985<\/i> is not an album for everyone; newcomers to the band<br \/>\nmight pick this up and wonder just what has happened to the band.<br \/>\nAlthough it&#8217;s a disc that&#8217;s ideally geared towards the die-hard<br \/>\nfans, this disc has enough on it to please most listeners.<\/p>\n","protected":false},"author":2,"featured_media":25683,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6133],"rating":[5612],"class_list":["post-36889","review","type-review","status-publish","has-post-thumbnail","artist-enuff-znuff","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36889"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36889\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25683"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36889"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36889"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36889"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}