{"id":36892,"date":"2000-12-08T00:00:00","date_gmt":"2000-12-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/new-tattoo\/"},"modified":"2000-12-08T00:00:00","modified_gmt":"2000-12-08T00:00:00","slug":"new-tattoo","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/new-tattoo\/","title":{"rendered":"New Tattoo"},"content":{"rendered":"<p>The Crue is my whipping boy band. I trashed their<br \/>\n<i>Greatest Hits<\/i> collection, questioning whether or not they<br \/>\nshould have two such collections, as well as the weak<br \/>\n<i>Entertainment Or Death<\/i> double live CD.<\/p>\n<p>Yet, the good people at Beyond keep sending me their releases.<br \/>\nWhat&#8217;s the clich\u00e9, third time&#8217;s the charm. That certainly<br \/>\napplies here with<br \/>\n<i>New Tattoo<\/i>. FINALLY, I can write a positive review about the<br \/>\nband Motley Crue. The burden of trashing &#8220;the bad boys of rock&#8221; is<br \/>\noff my shoulders.<\/p>\n<p>The bottom line on this CD is it&#8217;s a true return to &#8220;old&#8221; Motley<br \/>\nCrue style. Gone are the advanced ideas that made<br \/>\n<i>Generation Swine<\/i> and their self-titled CD drift into<br \/>\nobscurity. The old Motley Crue is simple to the ears guitar riffs<br \/>\nbacked by Vince Neil screeching. For example, I&#8217;d call &#8220;Wild Side&#8221;<br \/>\ngood old Motley Crue. That track has a simple guitar riff, a couple<br \/>\nof interesting changes (going from an 8th note feel to a triplet<br \/>\nfeel) and a good drum workout.<\/p>\n<p>That&#8217;s one area where Motley Crue has changed since<br \/>\n<i>Generation Swine<\/i>. Bad boy Tommy Lee is out of the band.<br \/>\nYEAH! FINALLY, the overrated drummer is out. Ex-Ozzy Osbourne<br \/>\ndrummer Randy Castillo is filling in the shoes and while I&#8217;d like<br \/>\nto hear some more original snare fills, he does a good job.<\/p>\n<p>The CD starts with the single &#8220;Hell On High Heels&#8221; and right<br \/>\naway, I&#8217;m re-introduced to the fact that Vince Neil still needs<br \/>\nvocal lessons. &#8220;Treat Me Like A Dog&#8221; follows and, hands down,<br \/>\nthat&#8217;s the best track on this CD. Its lyrics center around sex and<br \/>\nNeil has fun with the Red Hot Chili Pepper-style last verse. He&#8217;s<br \/>\nalmost rapping.<\/p>\n<p>&#8220;New Tattoo&#8221; is the ballad and, unlike &#8220;Without You&#8221; or &#8220;Home<br \/>\nSweet Home,&#8221; this ballad doesn&#8217;t suck. The lyrics tell the story of<br \/>\na guy who gets in a fight with his girlfriend, goes out, gets drunk<br \/>\nand gets a tattoo with the girlfriend&#8217;s name on the tattoo. Then he<br \/>\ncalls her to tell her about it.<\/p>\n<p>&#8220;Dragstrip Superstar&#8221; and &#8220;1st Band On The Moon&#8221; are more old<br \/>\nstyle Motley Crue. Simple guitar riffs and more Vince Neil singing<br \/>\nlyrics about sex. In &#8220;Dragstrip Superstar,&#8221; he rattles off these<br \/>\nlyrics &#8220;Jailbait playmate\/ Freak show masturbate\/ Fuel inject<br \/>\ncarburete\/ Underage penetrate.&#8221; In &#8220;1st Band On The Moon,&#8221; he<br \/>\ndescribes &#8220;. . . a problem with the girls here on Earth\/ They<br \/>\nstopped acting dizzy wearing miniskirts.&#8221; He explains his solution<br \/>\nas eloquently: &#8220;I want a place that wants arena rock\/ along with<br \/>\nthe girls who wanna suck my . . .&#8221; with a carefully placed Mick<br \/>\nMars guitar lick instead of the obvious conclusion to the<br \/>\nrhyme.<\/p>\n<p>The rest of the CD contains equally strong material. &#8220;She Needs<br \/>\nRock N Roll&#8221; and &#8220;Punched In The Teeth By Love&#8221; are mid-tempo<br \/>\nrockers.<\/p>\n<p>The CD drags down with &#8220;Hollywood Ending.&#8221; With intelligent<br \/>\nlyrics like &#8220;The trouble with you\/ The trouble with me\/ We ain&#8217;t<br \/>\nmeant to be,&#8221; the song sounds like the band was just trying to<br \/>\ninclude a song for their concert attendees to pull out a<br \/>\nlighter.<\/p>\n<p>&#8220;Fake&#8221; follows that with a &#8220;Shout At The Devil&#8221; style shout of<br \/>\n&#8220;Fake! Fake!&#8221; The lyrics seem autobiographical. It does bring out<br \/>\nan inconsistency in the editing of this CD. In &#8220;1st Band On The<br \/>\nMoon,&#8221; the word &#8220;cock&#8221; is not sung: Mick Mars&#8217; guitar lick covers<br \/>\nit. But in &#8220;Fake,&#8221; Neil sings &#8220;Crashed a lot of cars\/ Fucked all<br \/>\nthe stupid stars in Hollywood\/ Because I could, Because we could.&#8221;<br \/>\nThe &#8220;crashed a lot of cars&#8221; brings memories of the car crash Neil<br \/>\nwas involved in that killed the drummer of Hanoi Rocks. Yeah, you<br \/>\ndon&#8217;t remember them either! <grin><\/p>\n<p>&#8220;Porno Star&#8221; touches on the same theme as &#8220;Piece Of Candy&#8221; on<br \/>\nNikki Sixx&#8217;s solo project 58&#8217;s CD called<br \/>\n<i>Diet For A New America<\/i> about sex on the internet. While<br \/>\n&#8220;Piece Of Candy&#8221; brings a human element to the industry, &#8220;Porno<br \/>\nStar&#8221; is cliched and not as well-done as &#8220;Candy.&#8221; The CD finishes<br \/>\nwith the cover, &#8220;White Punks On Dope.&#8221; While not as appealing and<br \/>\ncatchy as &#8220;Smokin&#8217; In The Boys Room,&#8221; it&#8217;s done quite well.<\/p>\n<p>So there you have it, a positive review of Motley Crue&#8217;s latest<br \/>\nCD. It shouldn&#8217;t be called a comeback CD, but yet it is. When Lee<br \/>\nleft, many wondered who would fill his role. Castillo makes a good<br \/>\nreplacement and Mars has put together some good licks. Sixx&#8217;s odd<br \/>\nlyrics and Neil&#8217;s screech remain this band&#8217;s weak half. Maybe<br \/>\nsomeday Sixx&#8217;s lyrics will get better; maybe Neil will actually<br \/>\ntake vocal lessons and learn how to phrase better.<\/p>\n<p>Maybe, though, they&#8217;ll keep the same ingredients and continue to<br \/>\nsell millions of records.<\/p>\n","protected":false},"author":10,"featured_media":25686,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5823],"rating":[5617],"class_list":["post-36892","review","type-review","status-publish","has-post-thumbnail","artist-motley-crue","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36892"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36892\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25686"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36892"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36892"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36892"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}