{"id":36906,"date":"2000-12-14T00:00:00","date_gmt":"2000-12-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/she-comes-in-waves\/"},"modified":"2000-12-14T00:00:00","modified_gmt":"2000-12-14T00:00:00","slug":"she-comes-in-waves","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/she-comes-in-waves\/","title":{"rendered":"She Comes In Waves"},"content":{"rendered":"<p>Sometimes, when I listen to independent bands who are fighting<br \/>\nfor a chance to be screwed over by the big labels, I wonder why a<br \/>\ncertain band hasn&#8217;t gotten the breaks to make the leap from<br \/>\nrelative unknown to superstar. Of course, there also are times when<br \/>\nI wonder if a band wouldn&#8217;t deserve a shot &#8211; say, a .38 slug<br \/>\nthrough the breastbone.<\/p>\n<p>Then, there are the times when I wonder where a potentially good<br \/>\nband went wrong. Such is the case with Crazy Mary, a New York-based<br \/>\ngroup whose second album<br \/>\n<i>She Comes In Waves<\/i> has a few moments of potential, but<br \/>\notherwise is a weak effort.<\/p>\n<p>The band &#8211; guitarist\/vocalist Richard Morbid (who has since left<br \/>\nthe group), guitarist\/vocalist Charles Kibel, vocalist Sophia<br \/>\nJackson, bassist\/vocalist George Kerezman and drummer Nick Raisz &#8211;<br \/>\nseem to capture the sense of alternative music well, in that they<br \/>\ndon&#8217;t neatly fit into any musical category. But Crazy Mary has two<br \/>\nmajor weaknesses: songwriting, and being able to stay in tune.<\/p>\n<p>For the bulk of<br \/>\n<i>She Comes In Waves<\/i>, the vocals seem to go flat at precisely<br \/>\nthe wrong times &#8211; and it doesn&#8217;t matter who&#8217;s acting as lead<br \/>\nthroat. Sorry, gang, but that&#8217;s inexcusable; I don&#8217;t expect<br \/>\nabsolute perfection, but it would be nice if you&#8217;d at least try to<br \/>\nhit the target more often.<\/p>\n<p>As for the songwriting &#8211; well, I don&#8217;t know if Crazy Mary<br \/>\npurposely tried to go for a minimalist instrumental touch on some<br \/>\nof these tracks, but occasionally I get the feeling that just<br \/>\nletting it rip musically could have helped the situation. Tracks<br \/>\nsuch as &#8220;Burned,&#8221; &#8220;Calendar Green,&#8221; &#8220;Talking To Wendy&#8221; and &#8220;Paris<br \/>\n(1944)&#8221; all seem like pale reflections of what could have been.<\/p>\n<p>That missed potential is hammered home on the best track on the<br \/>\ndisc, &#8220;No Resistance&#8221; &#8211; ironically, the only track penned by<br \/>\nKerezman. (Memo to the band: I think I have your new CD lying<br \/>\naround the Archives, and I will get to it &#8211; but you might want to<br \/>\ngive Kerezman a chance to write more. He&#8217;s good.) The writing is<br \/>\nsolid, the performances have some muscle behind them &#8211; good grief,<br \/>\neven the vocals sound impressive. If<br \/>\n<i>She Comes In Waves<\/i> had a few more tracks like this on it,<br \/>\nthis disc would have been passable.<\/p>\n<p>And though other tracks like &#8220;Cancer On The Photograph&#8221; and<br \/>\n&#8220;Shock Me&#8221; try to maintain that drive, they&#8217;re sadly not able to &#8211;<br \/>\nthough I don&#8217;t fault these songs. Three songs just can&#8217;t carry an<br \/>\nalbum, no matter who the artist is.<\/p>\n<p>And that&#8217;s the thing that bothers me about<br \/>\n<i>She Comes In Waves<\/i>. I truly believe this could have been a<br \/>\ngood album, if a little more TLC (that&#8217;s &#8220;tender loving care&#8221; for<br \/>\nthe pre-1985 crowd out there) had been administered in the<br \/>\nsongwriting and recording phases. Crazy Mary needs to tighten up<br \/>\ntheir song structures and work on singing in the correct key in<br \/>\norder to rise up from being a spotty band to a good one.<\/p>\n","protected":false},"author":2,"featured_media":25700,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6494],"rating":[11204],"class_list":["post-36906","review","type-review","status-publish","has-post-thumbnail","artist-crazy-mary","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36906"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36906\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25700"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36906"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36906"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36906"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}