{"id":36908,"date":"2000-12-14T00:00:00","date_gmt":"2000-12-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/metalhead\/"},"modified":"2000-12-14T00:00:00","modified_gmt":"2000-12-14T00:00:00","slug":"metalhead","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/metalhead\/","title":{"rendered":"Metalhead"},"content":{"rendered":"<p>Biff Byford and the rest of the gang in Saxon have to be getting<br \/>\nreally pissed off. They&#8217;ve been cranking out albums since the &#8217;80s,<br \/>\nand are considered one of the forefathers of the New Wave Of<br \/>\nBritish Heavy Metal. Yet they&#8217;ve never been able to capture an<br \/>\naudience like Iron Maiden. Instead, they&#8217;ve marched to their own<br \/>\nbeat, with thir small but loyal legion of fans, putting out albums<br \/>\nthat have been quite pleasing &#8212; at least insofar as the ones I&#8217;ve<br \/>\nlistened to.<\/p>\n<p>\n<i>Metalhead<\/i>, the band&#8217;s 1999 release, is another one of those<br \/>\ndiscs which sadly seems to be destined to become a forgotten gem.<br \/>\nToo bad that the bulk of the civilized metal world doesn&#8217;t know<br \/>\nwhat they&#8217;re missing in this band, as this disc keeps a successful<br \/>\nstreak alive for Byford and crew.<\/p>\n<p>Following an uncredited intro track (performed by Nigel<br \/>\nGlockler), Saxon kick off with the title track, and proceed to do<br \/>\nwhat they&#8217;ve done best for so long &#8212; play rock music which will<br \/>\nsuck the listener in hook, line and sinker. Sure, there&#8217;s not as<br \/>\nmuch flash in the guitar work of Paul Quinn and Doug Scarratt, but<br \/>\nin the whole picture (where the song is the thing of importance),<br \/>\nthey don&#8217;t need to be doing Joe Satriani impressions.<\/p>\n<p>That&#8217;s what is special about both<br \/>\n<i>Metalhead<\/i> and Saxon. There is great emphasis placed on the<br \/>\nsong, not in showmanship. If anything, this helps to tone down the<br \/>\nmusic to a point where even someone who claims they don&#8217;t like<br \/>\nmetal would be willing to give songs like &#8220;Are We Travellers In<br \/>\nTime,&#8221; &#8220;What Goes Around,&#8221; &#8220;All Guns Blazing&#8221; and &#8220;Sea Of Life&#8221; a<br \/>\nfighting chance.<\/p>\n<p>Oh, sure, there&#8217;s still the occasional tie to the old days, like<br \/>\nwhen Byford lets loose with a balls-on-a-benchsaw scream or they<br \/>\nheavily invoke evil imagery as they do on &#8220;Song Of Evil&#8221; (hey, at<br \/>\nleast they don&#8217;t hide it); these are the only times where things go<br \/>\na little south for Saxon. I&#8217;d prefer to see them manipulate the<br \/>\nmusic so it sounds relevant in 2000 than trying to recapture old<br \/>\nglory. (To the band&#8217;s defense, they rarely fall into this trap.)<br \/>\nAnd there are one or two songs, such as &#8220;Piss Off&#8221; and &#8220;Prisoner,&#8221;<br \/>\nthat aren&#8217;t the easiest to get into.<\/p>\n<p>Fortunately for Saxon, the missteps are few, and the joys on<br \/>\n<i>Metalhead<\/i> are many. Saxon has been in the music game for a<br \/>\nlong time, and it would really be nice to see their efforts<br \/>\nrewarded somehow. If they could re-awaken interest in the band with<br \/>\nthis disc, something tells me they&#8217;d be considered one of the<br \/>\nleaders of the Third Wave Of British Heavy Metal.<\/p>\n","protected":false},"author":2,"featured_media":25702,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5878],"rating":[5615],"class_list":["post-36908","review","type-review","status-publish","has-post-thumbnail","artist-saxon","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36908"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36908\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25702"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36908"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36908"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36908"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}