{"id":36911,"date":"2000-12-15T00:00:00","date_gmt":"2000-12-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/oh-well\/"},"modified":"2000-12-15T00:00:00","modified_gmt":"2000-12-15T00:00:00","slug":"oh-well","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/oh-well\/","title":{"rendered":"Oh Well"},"content":{"rendered":"<p>Sometimes, it doesn&#8217;t pay for me to read the liner notes to an<br \/>\nalbum. Take<br \/>\n<i>Oh Well<\/i>, the independent debut from Austin, Texas-based The<br \/>\nMentals. Lead guitarist\/vocalist Steve Tobin was working on these<br \/>\nsongs in 1998, and had even booked out professional studio time,<br \/>\nwhen he was involved in a car accident that nearly killed him. It<br \/>\nwould be nearly one year before Tobin could play guitar again, so<br \/>\nhe has offered up this collection of &#8220;live in the studio&#8221;<br \/>\nefforts.<\/p>\n<p>After reading that, how could I dare to say something negative<br \/>\nabout Tobin and The Mentals? Well, call me the devil or whatever<br \/>\nyou wish, but<br \/>\n<i>Oh Well<\/i> is a portrait of a group in development, showing<br \/>\nsome strong points but often revealing their flaws.<\/p>\n<p>Now, I&#8217;m not going to knock the production quality of this disc,<br \/>\nfor the simple reason that Tobin admits in the liner notes that he<br \/>\nwas going for a very raw sound. This he has indeed captured &#8211; and I<br \/>\ntend to think this is the right sound for a band like The<br \/>\nMentals.<\/p>\n<p>On first listen to<br \/>\n<i>Oh Well<\/i>, you might sit back and wonder if you didn&#8217;t pop in<br \/>\nNirvana&#8217;s debut<br \/>\n<i>Bleach<\/i> by mistake. The two bands have more in common than<br \/>\nyou think: power trios, punk-influenced alternative music not<br \/>\nafraid to plow their own paths, and singers who aren&#8217;t exactly<br \/>\ntop-notch but get the job done.<\/p>\n<p>If there were one major weakness to The Mentals, I&#8217;m sorry to<br \/>\nsay it, but it would be Tobin&#8217;s vocals. There are times on<br \/>\n<i>Oh Well<\/i> where his vocals don&#8217;t even come close to being in<br \/>\nthe key of the song he&#8217;s playing. If The Mentals were to bring in a<br \/>\nsinger and allow Tobin to focus on his guitar playing, the stakes<br \/>\nwould rise significantly for them.<\/p>\n<p>It&#8217;s not that<br \/>\n<i>Oh Well<\/i> is without merit; if you follow the Nirvana thread,<br \/>\nI actually liked this disc more than I liked<br \/>\n<i>Bleach<\/i>. Tracks like &#8220;Virgin Mary,&#8221; &#8220;Valium,&#8221; &#8220;Home&#8221; and<br \/>\n&#8220;Bell Jar&#8221; all show that The Mentals were a band with promise in<br \/>\n1998. And while the down time was obviously not the best thing to<br \/>\nhappen to Tobin, in the end it could prove to have benefits that<br \/>\nwill be seen down the road.<\/p>\n<p>I can&#8217;t say that<br \/>\n<i>Oh Well<\/i> is the kind of disc I&#8217;d want to leave in the CD<br \/>\nchanger to join my permanent playlist, but the album does suggest<br \/>\nbetter things to come from this group. Here&#8217;s hoping that Tobin has<br \/>\ncompletely recovered from his injuries, and that The Mentals&#8217;s new<br \/>\nmusic proves me right.<\/p>\n","protected":false},"author":2,"featured_media":25705,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6497],"rating":[5619],"class_list":["post-36911","review","type-review","status-publish","has-post-thumbnail","artist-the-mentals","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36911"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36911\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25705"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36911"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36911"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36911"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}