{"id":36921,"date":"2000-12-19T00:00:00","date_gmt":"2000-12-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/christmas-of-hope\/"},"modified":"2000-12-19T00:00:00","modified_gmt":"2000-12-19T00:00:00","slug":"christmas-of-hope","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/christmas-of-hope\/","title":{"rendered":"Christmas Of Hope"},"content":{"rendered":"<p>Christmas has become commericial. I know this. Anyone who&#8217;s<br \/>\ngrown up on A Charlie Brown Christmas knows this. &#8216;Tis the season<br \/>\nto be jolly &#8211; unless that overweight woman ahead of you tries to<br \/>\ngrab the last set of leg cozies you were going to buy for your Aunt<br \/>\nAgnes. (Is it me, or is Christmastime the only time you see<br \/>\ntelevision ads for crap like Chia-Pets and The Clapper?)<\/p>\n<p>What bothers me more than the commercialization of the hoildays<br \/>\nis when Christmas albums are released, and though they may have<br \/>\ngood intentions by donating proceeds to charity, the albums seem to<br \/>\nbe concocted just to sell. And as I sit here holding Christmas Of<br \/>\nHope, a disc I bought a few years back (and appears to be out of<br \/>\nprint), I can&#8217;t help thinking that this is one of those<br \/>\nexamples.<\/p>\n<p>I know I should encourage people to seek this disc out and buy<br \/>\nit, simply because all profits, according to the record label, are<br \/>\ndonated to City Of Hope, and I don&#8217;t want to discourage people from<br \/>\ngiving to charity. But sometimes, I think you&#8217;d be better off<br \/>\nwhipping out your checkbook and writing a $20 check to the charity<br \/>\nthan picking up this disc.<\/p>\n<p>Why am I being grinchy about Christmas Of Hope? For one thing,<br \/>\nwill someone explain to me how the hell &#8220;New Year&#8217;s Day&#8221; from U2 is<br \/>\na CHRISTMAS SONG?!? Cripes, using that logic, I could successfully<br \/>\nargue that Venom&#8217;s &#8220;Welcome To Hell&#8221; quailfies as well. This track<br \/>\nshould have been deep-sixed.<\/p>\n<p>The other thing that bothers me is the track selection, and the<br \/>\nsometimes stone cold renditions of these holiday favorites. Elton<br \/>\nJohn&#8217;s &#8220;Step Into Christmas&#8221; could well qualify as one of the worst<br \/>\nholiday songs out there, simply put. Mariah Carey sounds good on<br \/>\n&#8220;Silent Night,&#8221; but there is emotion lacking in her performance.<br \/>\nAnd while I admire Wynton Marsalis&#8217;s talent, I don&#8217;t know if a jazz<br \/>\nrendition of &#8220;Let It Snow! Let It Snow! Let It Snow!&#8221; quite fits<br \/>\nthe mood. (It could well be also that, as I wrote this review,<br \/>\nChicago was about to be hit by its third significant snowfall in 10<br \/>\ndays, and I&#8217;m absolutely sick of the white stuff.)<\/p>\n<p>That all said, there are some performances on Christmas Of Hope<br \/>\nthat don&#8217;t make me lose hope. The Eagles&#8217;s rendition of &#8220;Please<br \/>\nCome Home For Christmas&#8221; might be a little stale, but I grew up<br \/>\nhearing it, and I still like listening to it from time to time.<br \/>\nAaron Neville (&#8220;Bells Of St. Mary&#8217;s&#8221;), Aretha Franklin (&#8220;Joy To The<br \/>\nWorld&#8221;) and James Brown (&#8220;Merry Christmas, Baby&#8221;) all get things<br \/>\nright. And even John Mellencamp turns in a respectable performance<br \/>\nwith &#8220;Teddi&#8217;s Song (When Christmas Comes).&#8221;<\/p>\n<p>Christmas albums, I realize, have to be somewhat commercial, or<br \/>\nthey would sell as well as space heaters on the equator. But there<br \/>\nhas to be some real emotion in the performances as well; otherwise,<br \/>\nit sounds like the artists are just going through the motions.<br \/>\nThere are some good songs on Christmas Of Hope, but for the most<br \/>\npart, this disc shows what happens when that emotion is<br \/>\nmissing.<\/p>\n","protected":false},"author":2,"featured_media":25715,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5827],"rating":[5619],"class_list":["post-36921","review","type-review","status-publish","has-post-thumbnail","artist-various-artists","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36921"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36921\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25715"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36921"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36921"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36921"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}