{"id":36922,"date":"2000-12-19T00:00:00","date_gmt":"2000-12-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/consent-to-treatment\/"},"modified":"2000-12-19T00:00:00","modified_gmt":"2000-12-19T00:00:00","slug":"consent-to-treatment","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/consent-to-treatment\/","title":{"rendered":"Consent To Treatment"},"content":{"rendered":"<p>Rock has been used as a catharsis for many artists. Some rely on<br \/>\nsheer aggression to pound out their problems while others strip<br \/>\ntheir souls bare in front of any listener who is willing to hear.<br \/>\nTo any prospective listeners: Blue October has a lot of pain to<br \/>\nshare. And if you don&#8217;t believe me, just look at what tedious<br \/>\nlengths the person on the cover of<br \/>\n<i>Consent To Treatment<\/i> had to go through.<\/p>\n<p>The band wears its neurosis like a &#8220;VISITOR&#8221; badge of honor. In<br \/>\ntheir liner notes, they even list what best medicates them<br \/>\n(guitarist Brant Coulter prefers Scotch, F.Y.I.). And the lyrics<br \/>\ndefinitely deserve some sort of props for sheer creativity. In<br \/>\n&#8220;H.R.S.A,&#8221; lead singer Justin Furstenfeld vents, &#8220;My eyes can &#8216;t<br \/>\nquite focus on\/ The nurse with my Lucky Charms.&#8221;<\/p>\n<p>Furstenfeld has the makings of &#8220;the next great male rock<br \/>\nvocalist.&#8221; His bombast and passion are a sort of hybrid between<br \/>\nCreed and Rob Thomas. He certainly has the emotional intensity to<br \/>\ndistinguish himself from other rock bands. But most important: he<br \/>\nsounds like no one else out there. Even if<br \/>\n<i>Consent To Treatment<\/i> is not your poison, you will have no<br \/>\nproblem recognizing Furstenfeld&#8217;s voice on the radio.<\/p>\n<p>As a band, Blue October should be easy to identify on the radio<br \/>\nas well. E-bow&#8217;s, mandolins, tuba and violins all are used to<br \/>\ncreate the mood of<br \/>\n<i>Consent To Treatment<\/i>. Songs like &#8220;Independently Happy&#8221; and<br \/>\n&#8220;Holler&#8221; are great straightforward rockers, but tracks like<br \/>\n&#8220;Breakfast After 10&#8221; and the eerie &#8220;Amnesia&#8221; are more experimental<br \/>\nin their approach. Most of the material in<br \/>\n<i>Consent To Treatment<\/i> is musically easy on the ears, but it&#8217;s<br \/>\nnot that hard to find the uneasiness in most of the tracks.<\/p>\n<p>The sonic power of<br \/>\n<i>Consent To Treatment<\/i> lies partially with Nick Launay. No<br \/>\nstranger to working with bands with passion, Launay has worked with<br \/>\nsuch powerhouses as Midnight Oil. Unfortunately, Launay can only do<br \/>\nso much. And Blue October sounds like a band with a whole slew of<br \/>\nideas and a ton of instrumentation, but not a whole lot of<br \/>\ndirection as to what they want to do with their sound on<br \/>\n<i>Consent To Treatment<\/i>.<\/p>\n<p>If you like chest-pounding, naked-soul-exposed music, than Blue<br \/>\nOctober is definitely a band you should check out. If the band can<br \/>\nrefine their sound and complement it with their Prozac-nation<br \/>\nlyrics, they have a chance to be huge. Until then,<br \/>\n<i>Consent To Treatment<\/i> shows a band with huge potential, but<br \/>\nstill more of a band that needs to be checked out in a live setting<br \/>\nand not necessarily on your stereo system.<\/p>\n","protected":false},"author":7,"featured_media":25716,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6503],"rating":[5619],"class_list":["post-36922","review","type-review","status-publish","has-post-thumbnail","artist-blue-october","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36922"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36922\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25716"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36922"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36922"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36922"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}