{"id":36927,"date":"2000-12-21T00:00:00","date_gmt":"2000-12-21T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/poem\/"},"modified":"2000-12-21T00:00:00","modified_gmt":"2000-12-21T00:00:00","slug":"poem","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/poem\/","title":{"rendered":"Poem"},"content":{"rendered":"<p>Delerium is a collective of musicians who have been around much<br \/>\nlonger than many music fans might realize. It&#8217;s also been some time<br \/>\nsince Bill Leeb&#8217;s brainchild made itself heard, but in 2000,<br \/>\nDelerium has shouted as loud as their Enigma-like trances will<br \/>\nallow them, first contributing to the<br \/>\n<i>Bounce<\/i> soundtrack, then to<br \/>\n<i>Christmas Songs<\/i>, a compilation from Nettwerk artists.<\/p>\n<p>Now comes<br \/>\n<i>Poem<\/i>, the long-awaited return of Delerium. While this is my<br \/>\nfirst full-length taste of their work, it proves to be good &#8211;<br \/>\nthough best taken in small batches.<\/p>\n<p>Leeb (who may be best known for his work with Front Line<br \/>\nAssembly) knows how to take a melody and wrap a trance-like beat<br \/>\naround it, creating something that isn&#8217;t techno or dance, but isn&#8217;t<br \/>\nalternative&#8230; or even classical, for that matter. In fact, to<br \/>\nattempt to describe the vibe that some of the tracks on<br \/>\n<i>Poem<\/i> create would be both unfair and inaccurate. This might<br \/>\nseem like a cop-out to some people, but it is truly something you<br \/>\nhave to experience for yourself.<\/p>\n<p>\n<i>Poem<\/i> pairs up Leeb and his collective of musicians with a<br \/>\nwide variety of vocalists &#8211; not the least of whom include Leigh<br \/>\nNash of Sixpence None The Richer (&#8220;Innocente&#8221; &#8211; a track which is<br \/>\ngood, though pales a bit compared to her solo effort on the<br \/>\n<i>Bounce<\/i> soundtrack) and Matthew Sweet, who surprises with the<br \/>\ngentleness of his delivery on &#8220;Daylight&#8221;.<\/p>\n<p>Other artists might be more familiar to our Canadian readers,<br \/>\nbut Medi\u00e6val B\u00e6bes (&#8220;Aria&#8221;) and Joanna Stevens (&#8220;Myth,&#8221;<br \/>\n&#8220;A Poem For Byzantium&#8221;) turn in such wonderful performances that<br \/>\nAmerican listeners (or anyone else, for that matter) will want to<br \/>\ndiscover other full-length works by these artists. Yes, it feels a<br \/>\nlittle uncomfortable at times to keep hearing changes in vocalists,<br \/>\nbut it all washes out in the end.<\/p>\n<p>There is but one problem with<br \/>\n<i>Poem<\/i> &#8211; and, regrettably, it&#8217;s not a small one. The music is<br \/>\ndesigned almost to work itself into the listener&#8217;s background, or<br \/>\neven to relax the mind. The problem is that the listener can get so<br \/>\nrelaxed that they lose focus in the album &#8211; and when one does try<br \/>\nto pay attention to the most minute details, the disc tends to<br \/>\ndrag. The one track that seems to fly by &#8211; the 10-minute &#8220;Amongst<br \/>\nThe Ruins&#8221; &#8211; doesn&#8217;t have much to set it apart from the rest of the<br \/>\ntracks, and its minimalism is eventually its downfall.<\/p>\n<p>Some people might look at Delerium and call them a clone of<br \/>\nEnigma. In a sense, that&#8217;s not fair. Though both groups borrowed<br \/>\nheavily from Gregorian chants (at least for one part of their<br \/>\nrespective careers), Delerium seems to be the more pop-friendly,<br \/>\nworking in more recognizable names. If only they could keep the<br \/>\nenergy level up, though.<\/p>\n","protected":false},"author":2,"featured_media":25721,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6508],"rating":[5614],"class_list":["post-36927","review","type-review","status-publish","has-post-thumbnail","artist-delerium","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36927"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36927\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25721"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36927"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36927"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36927"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}