{"id":36935,"date":"2000-12-23T00:00:00","date_gmt":"2000-12-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/merry-christmas-2\/"},"modified":"2000-12-23T00:00:00","modified_gmt":"2000-12-23T00:00:00","slug":"merry-christmas-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/merry-christmas-2\/","title":{"rendered":"Merry Christmas"},"content":{"rendered":"<p>Over the past few holiday seasons here at &#8220;The Daily Vault,&#8221;<br \/>\nI&#8217;ve occasionally pulled out an album which I grew up with, and I<br \/>\nconsider to be a true holiday standard. I&#8217;ve talked about the music<br \/>\nboxes of Rita Ford, and the jazz stylings of Vince Guaraldi; in<br \/>\ntime, I&#8217;ll talk about the Harry Simeone Chorale&#8230; that is, once I<br \/>\nget an idea of what the actual track listing of<br \/>\n<i>The Little Drummer Boy<\/i> is. (I&#8217;ve seen several copies of that<br \/>\nalbum, all of them with different track listings. It&#8217;s enough to<br \/>\nmake a grown man cry.)<\/p>\n<p>Johnny Mathis is an artist who falls into my persoanl &#8220;holiday<br \/>\nstandard&#8221; definition. When I was a little boy, my mother had two of<br \/>\nMathis&#8217;s Christmas albums in the house &#8211;<br \/>\n<i>The Sound Of Christmas<\/i> (which is long out of print) and<br \/>\n<i>Merry Christmas<\/i>, Mathis&#8217;s 1958 collection with Percy Faith<br \/>\nand his Orchestra.<\/p>\n<p>What&#8217;s interesting about this album is not that it&#8217;s still<br \/>\navailable 42 years after its original release&#8230; but that it can<br \/>\nhave so much material which still seems fresh next to material that<br \/>\nhasn&#8217;t aged as well.<\/p>\n<p>This particular album will probably be forever remembered for<br \/>\nfour songs. The first, &#8220;Winter Wonderland,&#8221; is the one I&#8217;ll always<br \/>\nremember when I think about Christmas. Faith&#8217;s orchestral<br \/>\narrangement, especially at the bridge, is worthy of the highest<br \/>\npraise. Likewise, &#8220;Sleigh Ride&#8221; is still a lot of fun to listen to.<br \/>\n&#8220;The Christmas Song (Merry Christmas To You)&#8221; is delivered with<br \/>\nlove and tenderness, as if Mathis were singing one of his own<br \/>\nsongs. And Mathis&#8217;s version of &#8220;I&#8217;ll Be Home For Christmas&#8221;<br \/>\nprobably still makes eyes well up.<\/p>\n<p>Yet<br \/>\n<i>Merry Christmas<\/i> hits a few ice patches along the way. The<br \/>\ndrawn-out version of &#8220;The First Noel&#8221; was probably very noteworthy<br \/>\nback in a time when Christmas wasn&#8217;t a marketing department&#8217;s<br \/>\nultimate wet dream; now, hearing the song performed in its entirety<br \/>\nmakes it feel a lot longer than the time it takes for the track to<br \/>\ncomplete. Likewise, &#8220;It Came Upon The Midnight Clear,&#8221; &#8220;Silver<br \/>\nBells&#8221; and &#8220;Blue Christmas&#8221; are delivered with a melancholy backing<br \/>\narrangement, making these tracks sound a little lazy. I&#8217;m not<br \/>\nsaying that Mathis or Faith should have embraced the rock style<br \/>\nwhich was still in its infancy back then, but &#8220;Winter Wonderland&#8221;<br \/>\nand &#8220;Sleigh Ride&#8221; had exciting arrangements. Why couldn&#8217;t some of<br \/>\nthese tracks have been given that kind of treatment?<\/p>\n<p>So does this mean I don&#8217;t like<br \/>\n<i>Merry Christmas<\/i>? Of course not; it&#8217;s still very much a<br \/>\nholiday standard in my book, and faithfully I dust it off each<br \/>\nChristmas and give it a listen, especially when I sit wrapping<br \/>\ngifts. But with each passing year, I find this album gets a little<br \/>\nolder-sounding&#8230; and, for a timeless standard, that&#8217;s not a good<br \/>\nthing.<\/p>\n","protected":false},"author":2,"featured_media":25729,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6513],"rating":[5614],"class_list":["post-36935","review","type-review","status-publish","has-post-thumbnail","artist-johnny-mathis","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36935"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36935\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25729"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36935"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36935"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}