{"id":36937,"date":"2000-12-26T00:00:00","date_gmt":"2000-12-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/awake-2\/"},"modified":"2000-12-26T00:00:00","modified_gmt":"2000-12-26T00:00:00","slug":"awake-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/awake-2\/","title":{"rendered":"Awake"},"content":{"rendered":"<p>I&#8217;m going to do something which isn&#8217;t easy for me: I&#8217;m going to<br \/>\nwrite some negative things about a group and album that I like.<\/p>\n<p>Godsmack could well have been called the surprise hit of 1998<br \/>\nwith their self-titled debut. Sully Erna and crew seemed to tap the<br \/>\nnerve center of today&#8217;s youth with their aggression-filled music,<br \/>\nand made a solid impression on the alternative-metal scene.<\/p>\n<p>Their follow-up release,<br \/>\n<i>Awake<\/i>, follows in those same footsteps &#8211; often, too close to<br \/>\ntreading in the original path. And while the songs are enjoyable,<br \/>\nthis album really is a reflection of what could have been.<\/p>\n<p>I&#8217;ll get my biggest complaint out of the way early &#8211; can&#8217;t these<br \/>\nguys play songs in any chord but a &#8220;D&#8221; tuning? I understand the<br \/>\npower behind tuning guitars down one chord, but when all the songs<br \/>\nsound like they&#8217;re being played in the<br \/>\n<i>exact same chord<\/i>, things get real boring real quick. Four<br \/>\nwords: been there, done that.<\/p>\n<p>That&#8217;s really the biggest obstacle that Godsmack face with<br \/>\n<i>Awake<\/i>&#8230; the second being that they break precious little<br \/>\nnew ground on this disc. Unlike on<br \/>\n<i>Godsmack<\/i>, I don&#8217;t hear any songs jumping out at me screaming<br \/>\npotential hit single (though the title track seems to be getting<br \/>\npeople&#8217;s attention). And it&#8217;s not that these songs are bad; if you<br \/>\nliked<br \/>\n<i>Godsmack<\/i>, you&#8217;ll like<br \/>\n<i>Awake<\/i>. But if you mixed up the songs from the two albums and<br \/>\nplayed them randomly to people, chances are they wouldn&#8217;t know they<br \/>\ncame from different creations.<\/p>\n<p>The only area where I did see Godsmack trying new things was in<br \/>\ntwo areas. The first was on the 49-second intro piece &#8220;The<br \/>\nJourney,&#8221; which is tied into the album&#8217;s closer &#8220;Spiral&#8221;. I did<br \/>\nlike the way that things came full circle at the end of this one.<br \/>\nAnd, in an interesting move, I don&#8217;t hear Erna&#8217;s vocals at all on<br \/>\n&#8220;Vampires,&#8221; a track which relies heavily on sampled sound bites.<br \/>\nIt&#8217;s kind of interesting in a way.<\/p>\n<p>\n<i>Awake<\/i> has its share of good songs &#8211; I count &#8220;Sick Of Life,&#8221;<br \/>\n&#8220;Forgive Me&#8221; and &#8220;Bad Magick&#8221; in that group &#8211; but it feels like the<br \/>\nlistener is being handed the same material over and over again.<br \/>\nMaybe that&#8217;s what they want&#8230; but I tend to think that&#8217;s not the<br \/>\ncase.<\/p>\n<p>And that&#8217;s what bothers me about this disc. I know that Godsmack<br \/>\nhas the talent to take what they&#8217;ve done so far and raise it to a<br \/>\nnew level musically and creatively. Instead, it feels like they<br \/>\nchose to sit back and coast with<br \/>\n<i>Awake<\/i> &#8211; and if the band doesn&#8217;t feel challenged, the<br \/>\nlistener won&#8217;t either.<\/p>\n<p>Godsmack is a talented group of musicians, and<br \/>\n<i>Awake<\/i> will no doubt add to their legion of fans. But this<br \/>\nmarks two albums they&#8217;ve stuck to the same formula &#8211; and history<br \/>\nshows that if a band lives by the same formula, they also tend to<br \/>\ndie by it. Just a little something to think about.<\/p>\n<p>2000 Christopher Thelen and &#8220;The Daily Vault&#8221;. All rights<br \/>\nreserved. Review or any portion may not be reproduced without<br \/>\nwritten permission. Cover art is the intellectual property of<br \/>\nRepublic \/ Universal Records, and is used for informational<br \/>\npurposes only.<\/p>\n","protected":false},"author":2,"featured_media":25731,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6515],"rating":[5614],"class_list":["post-36937","review","type-review","status-publish","has-post-thumbnail","artist-godsmack","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36937"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36937\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25731"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36937"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36937"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36937"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}