{"id":36944,"date":"2000-12-30T00:00:00","date_gmt":"2000-12-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/welcome-to-hell\/"},"modified":"2000-12-30T00:00:00","modified_gmt":"2000-12-30T00:00:00","slug":"welcome-to-hell","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/welcome-to-hell\/","title":{"rendered":"Welcome To Hell"},"content":{"rendered":"<p>I normally don&#8217;t like reviewing albums in MP3 format, but<br \/>\nsometimes that&#8217;s the only way I can get my filthy hands on an<br \/>\nout-of-print disc without paying through the nose for a well-worn<br \/>\ncopy. Such is the case with<br \/>\n<i>Welcome To Hell<\/i>, the 1981 debut release from British<br \/>\nheadbangers Venom. (Memo to my friends at Spitfire:<br \/>\n<i>Please<\/i>, find a way to get this band&#8217;s early discs reissued<br \/>\nsoon!)<\/p>\n<p>Oh, sure, these days the sound might be laughable, and some of<br \/>\nthe things that Venom spews might seem sophomoric compared to other<br \/>\nbands with a demonic edge. But back in &#8217;81, this trio was<br \/>\nconsidered shocking, not only for their sound, but because they<br \/>\nwere &#8211; egads! &#8211; promoting Satanism in their lyrics. (Whether or not<br \/>\nthese guys believe this stuff in real life, I don&#8217;t know &#8211; but if<br \/>\nyour kid is &#8220;influenced&#8221; by this kind of music, you need to be<br \/>\nlocked away for raising your kid to be a spineless sponge.)<\/p>\n<p>Production-wise,<br \/>\n<i>Welcome To Hell<\/i> is lacking &#8211; though you have to take things<br \/>\nwith a grain of salt and realize that Venom &#8211; Cronos, Mantas and<br \/>\nAbbadon &#8211; were part of the New Wave Of British Heavy Metal, and<br \/>\nthey had gotten in on the ground floor. There aren&#8217;t many<br \/>\nspine-chilling guitar solos, and often it&#8217;s damn near impossible to<br \/>\ndecipher these lyrics.<\/p>\n<p>But there is something to<br \/>\n<i>Welcome To Hell<\/i> that makes the listener think that there<br \/>\njust might be something to this band. Tracks like &#8220;Sons Of Satan,&#8221;<br \/>\n&#8220;Red Light Fever&#8221; and the title track, while no masterpieces in the<br \/>\ngenre, do suggest that greater things would be coming from this<br \/>\ngroup. Further evidence of this is heard on &#8220;In League With Satan,&#8221;<br \/>\nwhich succeeds in its minimalistic style. There&#8217;s even suggestions<br \/>\nof musicianship, as heard on the musical aside &#8220;Mayhem With<br \/>\nMercy&#8221;.<\/p>\n<p>Yet<br \/>\n<i>Welcome To Hell<\/i> shows that more work needed to be done.<br \/>\nTracks like &#8220;Schizo&#8221; and &#8220;Poison&#8221; don&#8217;t suggest that Venom would<br \/>\nbecome one of the most notable (if not infamous) bands from this<br \/>\npoint in British metal history, and they don&#8217;t do terribly much for<br \/>\nthe listener.<\/p>\n<p>These days, if you come across a CD copy of<br \/>\n<i>Welcome To Hell<\/i>, you might see a price tag of about $20 for<br \/>\na used copy. That&#8217;s a bit much, I&#8217;m afraid &#8211; though if this disc<br \/>\ncame out tomorrow at a budget price of $10, I&#8217;d gladly snag a copy<br \/>\n(along with the other early albums of Venom&#8217;s career &#8211; which I&#8217;ve<br \/>\nalso got in MP3). It&#8217;s an interesting, if flawed, picture of a<br \/>\nband&#8217;s birth cries (or would that be screams in Venom&#8217;s case?), and<br \/>\nis still worth checking out&#8230; just not at inflated prices.<\/p>\n","protected":false},"author":2,"featured_media":25738,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6429],"rating":[5614],"class_list":["post-36944","review","type-review","status-publish","has-post-thumbnail","artist-venom","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36944"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36944\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25738"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36944"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36944"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36944"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}