{"id":36947,"date":"2001-01-01T00:00:00","date_gmt":"2001-01-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sludge-history-of-crowbar\/"},"modified":"2001-01-01T00:00:00","modified_gmt":"2001-01-01T00:00:00","slug":"sludge-history-of-crowbar","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sludge-history-of-crowbar\/","title":{"rendered":"Sludge &#8211; History Of Crowbar"},"content":{"rendered":"<p>Shocking admission: Up until last year, the only thing I knew<br \/>\nabout Crowbar was that Beavis &#038; Butt-Head liked them.<\/p>\n<p>It&#8217;s embarassing, but it&#8217;s true. So many bands come through the<br \/>\npipeline each year, and I only have so much time I can devote to<br \/>\nlistening to music, that inevitably someone falls through the<br \/>\ncracks. In Crowbar&#8217;s case, they took a header through one until I<br \/>\nreceived<br \/>\n<i>Equilibrium<\/i> in the mail. At that time, I learned something<br \/>\nnew about Crowbar: this was the kind of group you either love or<br \/>\nhate. There is no middle ground.<\/p>\n<p>And while I&#8217;m playing catch-up with this band through their MP3s<br \/>\non EMusic.com (relax, it&#8217;s<br \/>\n<i>legal<\/i>), I still find myself not quite knowing what to think<br \/>\nof these guys after listening to their best-of<br \/>\n<i>Sludge &#8211; History Of Crowbar<\/i>. On one hand, Kirk Windstein and<br \/>\ncrew are able to put a new spin on their doom-and-gloom style of<br \/>\nmetal, including moving away from constant open-chord progressions.<br \/>\nOn the other hand, you&#8217;ve heard one spine-stomper, you&#8217;ve heard &#8217;em<br \/>\nall.<\/p>\n<p>Crowbar do follow a different drum, and they&#8217;re not afraid to<br \/>\nattempt to plow new musical ground &#8211; something I admire in this<br \/>\nband. Who else would dare to try their hands at a metal ballad<br \/>\n(?!?) on &#8220;Existence Is Punishment&#8221; &#8211; ironically, the track that<br \/>\nBeavis &#038; Butt-Head singled out. Who else would have the balls<br \/>\nto cover a &#8217;70s dinosaur like &#8220;Dream Weaver&#8221;? Who else would dare<br \/>\nto throw in a little melody and turn a good song like &#8220;Glass Full<br \/>\nOf Liquid Pain&#8221; into something extraordinary?<\/p>\n<p>The live tracks on<br \/>\n<i>Sludge &#8211; History Of Crowbar<\/i> help to seal the effect of this<br \/>\nband&#8217;s power. &#8220;I Have Failed&#8221; and &#8220;Fixation&#8221; are two powerful<br \/>\nexamples of just what this band is capable of doing &#8211; namely,<br \/>\nreaching into your chest and snapping your ribs like they were<br \/>\nmatchsticks.<\/p>\n<p>Yet I&#8217;m still not totally convinced in Crowbar. Tracks like &#8220;All<br \/>\nI Had (I Gave),&#8221; &#8220;Planets Collide&#8221; and &#8220;Subversion&#8221; all fail to set<br \/>\nthemselves apart as something different from numerous other metal<br \/>\nbands I&#8217;ve heard over the years. It&#8217;s not that they&#8217;re bad, but<br \/>\nthat they&#8217;re almost formulatic. I guess my disappointment kicked in<br \/>\nafter hearing the outstanding tracks on this disc; if Crowbar can<br \/>\nhit the bullseye with those, why can&#8217;t tracks like &#8220;Waiting In<br \/>\nSilence&#8221; have the same power?<\/p>\n<p>\n<i>Sludge &#8211; History Of Crowbar<\/i> is a disc which should tie up<br \/>\nloose ends for anyone who came into Crowbar mid-journey, and will<br \/>\nbe a nice collection of favorites for the diehard fan. But it also<br \/>\nshows a band who could be uneven at times &#8211; disappointing only when<br \/>\nyou hear just what they&#8217;re capable of.<\/p>\n","protected":false},"author":2,"featured_media":25741,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6520],"rating":[5614],"class_list":["post-36947","review","type-review","status-publish","has-post-thumbnail","artist-crowbar","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36947"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36947\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25741"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36947"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36947"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36947"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}