{"id":36951,"date":"2001-01-02T00:00:00","date_gmt":"2001-01-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/stand-or-fall\/"},"modified":"2001-01-02T00:00:00","modified_gmt":"2001-01-02T00:00:00","slug":"stand-or-fall","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/stand-or-fall\/","title":{"rendered":"Stand Or Fall"},"content":{"rendered":"<p>Paul Shortino is probably a familiar name to anyone who grew up<br \/>\non a steady diet of metal in the mid-&#8217;80s. First coming to the<br \/>\nspotlight as the lead vocalist of Rough Cutt, he soon became known<br \/>\nas Kevin Dubrow&#8217;s replacement in Quiet Riot, taking over as the<br \/>\nband appeared to be on its last legs.<\/p>\n<p>Since then, Shortino has re-teamed with Rough Cutt, and has made<br \/>\na name for himself as a solo artist.<br \/>\n<i>Stand Or Fall<\/i>, his 1999 release, illustrates that Shortino<br \/>\nis someone who deserves to be given the chance to succeed or fail<br \/>\non his own terms, though his greatest success comes when he sings<br \/>\nnot metal, but the blues.<\/p>\n<p>The album&#8217;s title track is pure evidence of this, as Shortino<br \/>\noutdoes Gary Moore for pure soul as he sings a variation of the<br \/>\n12-bar blues. Combined with his backing band, the Rhythm Junkies<br \/>\n(whose membership is so varied it would take most of this review to<br \/>\nlist them all), Shortino plows through this, as well as a cover of<br \/>\nWillie Dixon&#8217;s &#8220;Same Thing&#8221; and makes these tracks believable.<\/p>\n<p>This isn&#8217;t to say that Shortino can&#8217;t or shouldn&#8217;t sing his own<br \/>\nvariation of hard rock. Tracks like &#8220;Take Me Into The Fire,&#8221; &#8220;I<br \/>\nKnow You Want Me&#8221; and &#8220;Honesty&#8221; all carry with them a power that<br \/>\nShortino has demonstrated on and off for the past 15 years. It<br \/>\nmight not be the kind of oomph that would carry someone to<br \/>\nsuperstardom, but it&#8217;s respectable enough that listeners should sit<br \/>\nup and take notice.<\/p>\n<p>If only<br \/>\n<i>Stand Or Fall<\/i> could carry that momentum throughout the<br \/>\nalbum. It&#8217;s not that tracks such as &#8220;Devil In My Heart&#8221; and &#8220;You<br \/>\nCan&#8217;t Lose&#8221; are bad; they&#8217;re just somewhat formulatic &#8211; and if<br \/>\nanyone would want to move away from sounding like they&#8217;re following<br \/>\na formula, it would be someone like Shortino who survived the hard<br \/>\nrock\/metal meltdown of the late &#8217;80s\/early &#8217;90s.<\/p>\n<p>The closing track, &#8220;Broke n&#8217; Busted,&#8221; seems to capture Shortino<br \/>\nat his essence: a singer with the heart of a bluesman and the vocal<br \/>\ngrit of someone who&#8217;s been slugging it out in the minor leagues for<br \/>\nfar too long. It&#8217;s a nice touch, and quite fitting to end the album<br \/>\non.<\/p>\n<p>\n<i>Stand Or Fall<\/i> might not break Shortino back into the common<br \/>\nground of hard rock fans today, but down the road, when he does<br \/>\nmake that glorious comeback (and I don&#8217;t doubt he&#8217;ll do it), people<br \/>\nwill come back to this album and take note of it, flaws and all&#8230;<br \/>\nand wonder why they didn&#8217;t notice Shortino back then.<\/p>\n","protected":false},"author":2,"featured_media":25745,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6524],"rating":[5612],"class_list":["post-36951","review","type-review","status-publish","has-post-thumbnail","artist-paul-shortino","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36951"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36951\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25745"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36951"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36951"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36951"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}