{"id":36962,"date":"2001-01-05T00:00:00","date_gmt":"2001-01-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/mamas-gun\/"},"modified":"2001-01-05T00:00:00","modified_gmt":"2001-01-05T00:00:00","slug":"mamas-gun","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/mamas-gun\/","title":{"rendered":"Mama&#8217;s Gun"},"content":{"rendered":"<p>Erykah Badu is an artist who continues to impress me.<\/p>\n<p>Admittedly, I haven&#8217;t followed r&#038;b as closely as I probably<br \/>\nshould, so I won&#8217;t claim to have a superior knowledge of the scene<br \/>\nas it is today. But I do like what Badu is doing with her music.<br \/>\n<i>Mama&#8217;s Gun<\/i>, her second full-length outing (not including the<br \/>\ncloset-cleaner<br \/>\n<i>Heartache<\/i>, released under her given name of Erykah Wright)<br \/>\nand first release since 1997&#8217;s<br \/>\n<i>Live<\/i>, proves that the success Badu had was absolutely no<br \/>\nfluke.<\/p>\n<p>It&#8217;s easy now to sit back and hear how Badu influenced artists<br \/>\nlike Macy Gray, or how Badu is embodying all of the positive<br \/>\nqualities of r&#038;b\/soul from the &#8217;70s and early &#8217;80s &#8211; things<br \/>\npeople either didn&#8217;t see or didn&#8217;t know to look for when<br \/>\n<i>Baduizm<\/i> first hit the streets. But now, Badu is a more<br \/>\nmature artist, having gone through the end of a relationship and<br \/>\nhaving to deal with the success she faced right out of the gate.<br \/>\nThere&#8217;s pain in some of these songs, but there&#8217;s also hope &#8211; and<br \/>\nthe listener is taken on a spiritual re-awakening through<br \/>\n<i>Mama&#8217;s Gun<\/i>.<\/p>\n<p>One of the most moving tracks for me is &#8220;In Love With You,&#8221; a<br \/>\nduet with Stephen Marley (who sounds hauntingly like his late<br \/>\nfather) which captures the raw emotion between a man and a woman<br \/>\npowerfully and eloquently. Likewise, tracks such as &#8220;Kiss Me On My<br \/>\nNeck (Hesi)&#8221;, &#8220;Orange Moon&#8221; and &#8220;Time&#8217;s A Wastin&#8221; all demonstrate<br \/>\nthe pure mastery that Badu has with this material.<\/p>\n<p>A technique which doesn&#8217;t always work well &#8211; going from one song<br \/>\nto another with little or no segue &#8211; actually works to Badu&#8217;s<br \/>\nadvantage on<br \/>\n<i>Mama&#8217;s Gun<\/i>. She doesn&#8217;t do this for the entire album, though<br \/>\n&#8211; and by focusing her attention on tracks like &#8220;My Life,&#8221; &#8220;&#8230;&#038;<br \/>\nOn&#8221; and &#8220;Cleva,&#8221; she helps to steer the focus of the listener to<br \/>\nsome of the more powerful performances on the disc.<\/p>\n<p>This isn&#8217;t to take away anything from the power of tracks like<br \/>\n&#8220;Green Eyes&#8221; (which touches on the ending of a long-time<br \/>\nrelationship) or &#8220;A.D. 2000&#8221; (anyone wanna bet she doesn&#8217;t take as<br \/>\nmuch grief as Bruce Springsteen did for singing a song about Amadou<br \/>\nDiallo?). Frankly, each listener will probably find their own<br \/>\nemotional center on<br \/>\n<i>Mama&#8217;s Gun<\/i>, and mine just happened to fall in the first<br \/>\nthird of the disc (as well as on &#8220;In Love With You&#8221;). Doesn&#8217;t mean<br \/>\nyou&#8217;re wrong if you&#8217;re more moved by &#8220;A.D. 2000&#8221;.<\/p>\n<p>Some people might have wondered what happened to Badu after the<br \/>\nsuccess of<br \/>\n<i>Baduizm<\/i>.<br \/>\n<i>Mama&#8217;s Gun<\/i> is a disc that reminds people that Badu is still<br \/>\nhere, and that the time taken to re-energize her life&#8217;s batteries<br \/>\nproved to be time well spent.<\/p>\n","protected":false},"author":2,"featured_media":25756,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5971],"rating":[5613],"class_list":["post-36962","review","type-review","status-publish","has-post-thumbnail","artist-erykah-badu","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36962"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36962\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25756"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36962"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36962"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36962"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}