{"id":36971,"date":"2001-01-07T00:00:00","date_gmt":"2001-01-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fandango\/"},"modified":"2001-01-07T00:00:00","modified_gmt":"2001-01-07T00:00:00","slug":"fandango","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fandango\/","title":{"rendered":"Fandango!"},"content":{"rendered":"<p>By 1975, ZZ Top was on a roll. They had just come off their most<br \/>\nsuccessful album to date,<br \/>\n<i>Tres Hombres<\/i>, and had nabbed themselves a bonafide hit with<br \/>\n&#8220;La Grange&#8221;. So how could they follow this up?<\/p>\n<p>The answer &#8211; 1975&#8217;s<br \/>\n<i>Fandango!<\/i> &#8211; was both the right and the wrong answer. Sure,<br \/>\nthis album includes &#8220;Tush,&#8221; one of the all-time favorite hits from<br \/>\nZZ Top, but it also showed signs that the band was running out of<br \/>\nsteam creatively. Including a half-assed live effort didn&#8217;t help<br \/>\nthings either.<\/p>\n<p>It&#8217;s tough to translate what a trio can do in the studio onto<br \/>\nthe concert stage, though ZZ Top &#8211; Billy Gibbons, Dusty Hill and<br \/>\nFrank Beard &#8211; seem to be willing to give it a try on the first half<br \/>\nof<br \/>\n<i>Fandango!<\/i>. The problem is not only that they don&#8217;t touch on<br \/>\nsongs they had become known for (&#8220;Thunderbird&#8221; was a new track and<br \/>\n&#8220;Jailhouse Rock&#8221; was a cover), but also that they took a good song<br \/>\nlike &#8220;Backdoor Love Affair&#8221; and turned it into a bigger mess than<br \/>\neating barbecue with no napkins. The constant vamping during<br \/>\n&#8220;Mellow Down Easy&#8221; (part of what they called &#8220;Backdoor Medley&#8221;)<br \/>\ngets real old, real quick &#8211; and it makes it sound like ZZ Top<br \/>\nwasn&#8217;t taking their moment in the spotlight that seriously. This<br \/>\nmight explain why we&#8217;ve never seen a full-length live album from ZZ<br \/>\nTop in their 30-year career.<\/p>\n<p>To be blunt, this pitiful attempt at capturing the live<br \/>\nexperience left ZZ Top in a hole for the rest of the album. If<br \/>\n<i>Fandango!<\/i> was going to succeed, it needed some killer studio<br \/>\ntracks. If only they could have consistently delivered the<br \/>\ngoods.<\/p>\n<p>Yes, I know that &#8220;Tush&#8221; is on this album (though the remix I<br \/>\nhave from the<br \/>\n<i>ZZ Top Six Pack<\/i> sounds atrocious &#8211; memo to Bill Ham: why did<br \/>\nyou take the rough sound off these albums and screw them up?), and<br \/>\n&#8220;Blue Jean Blues&#8221; gives Gibbons the chance to fall into a nice<br \/>\npattern of 12-bar blues like you&#8217;d hear in a smoky club. And let&#8217;s<br \/>\nnot forget about &#8220;Heard It On The X,&#8221; possibly one of the best<br \/>\n&#8220;forgotten&#8221; hits of ZZ Top&#8217;s.<\/p>\n<p>But that&#8217;s only half of the studio material &#8211; and the other<br \/>\nthree songs run the gamut from passable to pathetic. On one<br \/>\nextreme, you have &#8220;Nasty Dogs And Funky Kings&#8221; and &#8220;Balinese,&#8221;<br \/>\nneither of which have the power to light the speakers up, but are<br \/>\nnot bad efforts in and of themselves. On the other, you have<br \/>\n&#8220;Mexican Blackbird,&#8221; which is sung in a style that sounds like a<br \/>\nYankee trying to sound Southern. It&#8217;s tragically comedic&#8230; only<br \/>\nI&#8217;m not laughing.<\/p>\n<p>In fact, ZZ Top was working themselves toward a much-needed<br \/>\nhiatus, though they&#8217;d put out one more album before taking an<br \/>\nextended break. And while I understand they had to be feeling<br \/>\npressure to follow up the success of<br \/>\n<i>Tres Hombres<\/i>, I kind of wish they had taken a break instead<br \/>\nof releasing this one. You can find the hits elsewhere;<br \/>\n<i>Fandango!<\/i> is hardly fantastic.<\/p>\n","protected":false},"author":2,"featured_media":25765,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5723],"rating":[11204],"class_list":["post-36971","review","type-review","status-publish","has-post-thumbnail","artist-zz-top","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36971"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36971\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25765"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36971"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36971"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}