{"id":36985,"date":"2001-01-11T00:00:00","date_gmt":"2001-01-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wild-eyed-southern-boys\/"},"modified":"2001-01-11T00:00:00","modified_gmt":"2001-01-11T00:00:00","slug":"wild-eyed-southern-boys","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wild-eyed-southern-boys\/","title":{"rendered":"Wild-eyed Southern Boys"},"content":{"rendered":"<p>In 1980, the fates were beginning to smile upon Donnie Van Zant<br \/>\nand .38 Special. Their third album,<br \/>\n<i>Rockin&#8217; Into The Night<\/i>, had brought them their first hit in<br \/>\nthe form of the title track. If they thought that life was starting<br \/>\nto get good, then their follow-up,<br \/>\n<i>Wild-Eyed Southern Boys<\/i>, would blow the doors off for<br \/>\nthem.<\/p>\n<p>Looking back at it today, this record is notable for three<br \/>\nsongs, not the least of which is &#8220;Hold On Loosely&#8221;. There&#8217;s a<br \/>\nreason this track became a hit for the band, and that this song<br \/>\nsounds as good today as it did 21 years ago. It was well-written<br \/>\nand well-performed &#8211; and these are the things which can help a song<br \/>\ntranscend time.<\/p>\n<p>Long-time followers of the band will also recognize two other<br \/>\nhits in the form of &#8220;Fantasy Girl&#8221; and the title track, both of<br \/>\nwhich are just as enjoyable as the hit single. Van Zant and<br \/>\nguitarist\/vocalist Don Barnes work some absolute magic on these<br \/>\ntracks, making sure they would have lasting power far beyond<br \/>\nsomeone&#8217;s car stereo or their home component system. If there&#8217;s any<br \/>\ndoubt to their power, compare these versions to the ones on<br \/>\n<i>Live At Sturgis<\/i>, and try to pick which versions are more<br \/>\npowerful. You can&#8217;t do it&#8230; more signs of a damn good song.<\/p>\n<p>Of course,<br \/>\n<i>Wild-Eyed Southern Boys<\/i> is more than just these three songs<br \/>\n&#8211; and while the bulk of the material on this album is superb, there<br \/>\nare occasional signs of filler. Tracks like &#8220;First Time Around,&#8221;<br \/>\n&#8220;Back Alley Sally&#8221; and &#8220;Hittin&#8217; And Runnin'&#8221; are all killer<br \/>\nmaterial, making me wonder why they weren&#8217;t considered as having<br \/>\nsingles potential.<\/p>\n<p>But there are one or two weaker moments on this disc &#8211; not that<br \/>\nthe songs are bad, but that they don&#8217;t live up to the higher<br \/>\nstandards the majority of the album set. Songs like &#8220;Honky Tonk<br \/>\nDancer&#8221; and &#8220;Bring It On&#8221; (the latter having little to do with the<br \/>\nLynyrd Skynyrd song on their album<br \/>\n<i>Twenty<\/i>) have their moments, but they just don&#8217;t deliver the<br \/>\npayload like you would expect them to. As a result, they end up<br \/>\nfalling a bit flat.<\/p>\n<p>Of course, .38 Special was still developing as a band, and were<br \/>\njust getting used to the tastes of success.<br \/>\n<i>Wild-Eyed Southern Boys<\/i> made sure they got a big drink from<br \/>\nthat well &#8211; and it rightfully deserved all the success it earned.<br \/>\nLast time I checked All-Music Guide, this is the earliest of .38<br \/>\nSpecial&#8217;s albums that are still in print &#8211; and it&#8217;s most definitely<br \/>\nworth searching out.<\/p>\n","protected":false},"author":2,"featured_media":25779,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6547],"rating":[5615],"class_list":["post-36985","review","type-review","status-publish","has-post-thumbnail","artist-38-special","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36985"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36985\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25779"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36985"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36985"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36985"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}