{"id":36992,"date":"2001-01-12T00:00:00","date_gmt":"2001-01-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-thieving-magpie-la-gazza-ladra\/"},"modified":"2001-01-12T00:00:00","modified_gmt":"2001-01-12T00:00:00","slug":"the-thieving-magpie-la-gazza-ladra","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-thieving-magpie-la-gazza-ladra\/","title":{"rendered":"The Thieving Magpie (La Gazza Ladra)"},"content":{"rendered":"<p>Some people might have found themselves saying at the release of<br \/>\nMarillion&#8217;s<br \/>\n<i>The Thieving Magpie (La Gazza Ladra)<\/i>, &#8220;Not<br \/>\n<i>another<\/i> live release.&#8221; Although this was the first<br \/>\nfull-length live effort from Fish and crew, it was the third such<br \/>\ncommercial release since the band&#8217;s debut.<\/p>\n<p>Little did some people know that this would end up being the<br \/>\nlast appearance of Fish with Marillion &#8211; and at least he goes out<br \/>\nwith a nice effort which occasionally feels a bit overblown.<\/p>\n<p>I can understand why a live album would be the point of order<br \/>\nfor the band at this time. On one side, they were about to undergo<br \/>\na major lineup change, and a live album could help bridge the gap.<br \/>\nOn the other side, Marillion had scored two successful albums in<br \/>\nAmerica with<br \/>\n<i>Misplaced Childhood<\/i> and<br \/>\n<i>Clutching At Straws<\/i>, and the time to strike was now, while<br \/>\nthe iron was hot.<\/p>\n<p>The track selection for<br \/>\n<i>The Thieving Magpie<\/i> is actually well thought out, covering<br \/>\nall bases from their four albums to that point. There&#8217;s enough to<br \/>\nkeep the newer fans happy (&#8220;Sugar Mice,&#8221; &#8220;White Russian&#8221;), and<br \/>\nplenty of material from the two pre-hit era for those who had<br \/>\nfollowed the band from the beginning (&#8220;Punch &#038; Judy,&#8221; &#8220;He Knows<br \/>\nYou Know,&#8221; &#8220;Fugazi&#8221;).<\/p>\n<p>If anything is interesting about this arrangement, it&#8217;s that all<br \/>\nthe material sounds good when it&#8217;s thrown together like this. It&#8217;s<br \/>\nnearly seamless, and played to note-perfect precision by the group.<br \/>\nYet occasionally it feels like Marillion is grasping to keep things<br \/>\ninteresting &#8211; as much as I can appreciate their inclusion, it might<br \/>\nnot have been the best of ideas to put two long songs (&#8220;Fugazi,&#8221;<br \/>\n&#8220;Script For A Jester&#8217;s Tear&#8221;) back to back. That said, the live<br \/>\nversion of &#8220;Script&#8221; does inject some new life into the track.<\/p>\n<p>Another interesting choice is their decision to perform the<br \/>\nentire<br \/>\n<i>Misplaced Childhood<\/i> album on the second disc. Admittedly,<br \/>\nthey do an admirable job on it, proving that this marvel of the<br \/>\nstudio could be translated onto the concert stage. The only<br \/>\nquestion is: was it absolutely necessary? In this case, it feels<br \/>\nlike it&#8217;s included to prove the band could indeed do it &#8211; and I<br \/>\nknow I wasn&#8217;t questioning their musical ability in concert.<\/p>\n<p>\n<i>The Thieving Magpie<\/i> is presently out of print in America<br \/>\n(though there is an import version available on CDNOW), and it<br \/>\nwasn&#8217;t included in the recent re-masters of Marillion&#8217;s discs. Why<br \/>\nthis is, I don&#8217;t know &#8211; but<br \/>\n<i>The Thieving Magpie<\/i> is the best choice of all the live work<br \/>\nfeaturing Fish.<\/p>\n","protected":false},"author":2,"featured_media":25786,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5884],"rating":[5615],"class_list":["post-36992","review","type-review","status-publish","has-post-thumbnail","artist-marillion","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36992"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36992\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25786"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36992"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36992"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36992"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}