{"id":36998,"date":"2001-01-16T00:00:00","date_gmt":"2001-01-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-prophecies\/"},"modified":"2001-01-16T00:00:00","modified_gmt":"2001-01-16T00:00:00","slug":"the-prophecies","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-prophecies\/","title":{"rendered":"The Prophecies"},"content":{"rendered":"<p>I sometimes get the feeling that all European metal is the same<br \/>\n&#8211; something which is borne out with each passing disc I get in the<br \/>\nmail which I listen to. Oh, sure, there is the occasional disc<br \/>\nwhich breaks the mold, and I&#8217;d like to think I&#8217;m quick to admit<br \/>\nwhen this is the case.<\/p>\n<p>Kenziner, featuring Finnish guitarist\/bassist\/keyboardist Jarno<br \/>\nKeskinen, regrettably falls under this category. Their sophomore<br \/>\nrelease<br \/>\n<i>The Prophecies<\/i> occasionally has some moments where it feels<br \/>\nlike the mold is going to be broken, but in the end the band<br \/>\nbecomes another prog-metal import, and the lot is getting full of<br \/>\nthose models.<\/p>\n<p>This much can be said about Kenziner &#8211; Keskinen, vocalist<br \/>\nStephen Frederick, keyboardist Mikko Harkin and drummer Brian<br \/>\nHarris: at least they make the disc seem like it&#8217;s flying by. Many<br \/>\nsuch discs feel like a minute is an hour long, but Kenziner tries<br \/>\ntheir best to keep things fresh for the listener. In that sense, at<br \/>\nleast, they succeeded.<\/p>\n<p>The question, of course, is whether or not the music is able to<br \/>\nsucceed in its own way. And if<br \/>\n<i>The Prophecies<\/i> had tried more to strike out on its own<br \/>\nunique path than follow the same one that countless other bands<br \/>\nhave tread on, it could have worked. Instead, songs like &#8220;Live<br \/>\nForever,&#8221; &#8220;Carry On Tomorrow&#8221; and &#8220;Dimensions&#8221; might bring a case<br \/>\nof deja vu onto the listener &#8211; that is, you&#8217;ll think you&#8217;ve heard<br \/>\nthis somewhere before.<\/p>\n<p>Yet there is some faint glimmer of hope offered by Kenziner.<br \/>\n&#8220;Trail Of Tears&#8221; might not be the most natural sounding progression<br \/>\nfor a band like Kenziner (they never sound at home with the style),<br \/>\nbut it at least shows they were trying to do something out of the<br \/>\nordinary. That does end up helping the second half of the disc,<br \/>\nwhere songs like &#8220;Eternity,&#8221; &#8220;Like A Paradise&#8221; and the title track<br \/>\nstart to show the promise that this band could have.<\/p>\n<p>One other thing that is admirable about this album: it&#8217;s not too<br \/>\noften you have a disc recorded on two continents put together to<br \/>\nsound so natural. If I&#8217;m reading the liner notes right, the band<br \/>\ndidn&#8217;t play together on any of these songs. (Then again, maybe they<br \/>\ndid like Metallica and recorded rough versions which were used as<br \/>\nguide tracks.)<\/p>\n<p>\n<i>The Prophecies<\/i> has a sense that we&#8217;re being told the same<br \/>\nfuture by Kenziner as we&#8217;ve been told by other bands in this genre.<br \/>\nBut there is a faint glimmer of hope that this band could still<br \/>\nforge their own sound and rise above the rest of the pack. Let&#8217;s<br \/>\nhope that happens sooner, rather than later.<\/p>\n","protected":false},"author":2,"featured_media":25792,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6555],"rating":[5619],"class_list":["post-36998","review","type-review","status-publish","has-post-thumbnail","artist-kenziner","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=36998"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/36998\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25792"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=36998"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=36998"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=36998"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=36998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}