{"id":37000,"date":"2001-01-16T00:00:00","date_gmt":"2001-01-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/farscape\/"},"modified":"2001-01-16T00:00:00","modified_gmt":"2001-01-16T00:00:00","slug":"farscape","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/farscape\/","title":{"rendered":"Farscape"},"content":{"rendered":"<p>It seems that recently I&#8217;ve found myself listening to a lot of<br \/>\nmusic related to science-fiction television shows or movies. (Memo<br \/>\nto Beth: yes, I know the reason why this is so&#8230; and I am<br \/>\nthankful.) While I never was the biggest sci-fi fan in the world<br \/>\n(c&#8217;mon, I<br \/>\n<i>slept<\/i> through<br \/>\n<i>Star Wars<\/i> when I first saw it&#8230; but, hey, I was six years<br \/>\nold!), I have admired some of the efforts I&#8217;ve listened to for<br \/>\ntrying to present the future in the music of today. Other efforts,<br \/>\nwell, haven&#8217;t been quite as impressive.<\/p>\n<p>Then, we check out<br \/>\n<i>Farscape<\/i>, a collection of songs from the first two seasons<br \/>\nof this show. (Eye-opener time, since I never have seen the show.)<br \/>\nOn first listen, I had to wonder how they got Peter Gabriel to do<br \/>\nsome of the music.<\/p>\n<p>Of course, Gabriel is nowhere to be found on this set, but this<br \/>\ndisc is like having two soundtracks in one. One part almost merges<br \/>\nworld-beat music with traditional sci-fi; the other half is the<br \/>\nmore down-to-earth science fiction music fans are used to. Question<br \/>\nis, which effort is better?<\/p>\n<p>To my ears, that distinction is won by SubVision &#8211; Chris, Tony<br \/>\nand Braedy Neal &#8211; who manage to wake people up from the traditional<br \/>\nstereotype of sci-fi music they might have been used to and dare to<br \/>\nthrow in tribal beats, vocal chanting (as heard in the &#8220;Theme From<br \/>\nFarscape&#8221;) and even a smidgen of Celtic influences. Tracks like<br \/>\n&#8220;Time Trouble,&#8221; &#8220;Wormholes!,&#8221; &#8220;Fields Of Joy&#8221; and &#8220;Namtar&#8217;s Magic&#8221;<br \/>\nprove one thing beyond a doubt: this musical marriage<br \/>\n<i>works<\/i>, and it works well. (I kidded with the woman working<br \/>\npublicity for this disc that this half of the disc sounded like<br \/>\nwhat they were trying to do with<br \/>\n<i>Highlander: Endgame<\/i>.)<\/p>\n<p>So why in the second season were SubVision dropped and Guy Gross<br \/>\nbrought in to handle the music? I don&#8217;t want to belittle Gross&#8217;s<br \/>\ncontributions to the<br \/>\n<i>Farscape<\/i> series, but the change in musical approach is<br \/>\nalmost like doing 120 in a Ferrari and slamming on the brakes to<br \/>\navoid hitting a turtle in the road. It&#8217;s just something you&#8217;re not<br \/>\nready for, especially when you found yourself getting caught up in<br \/>\nthe different styles of the music previously.<\/p>\n<p>Needless to say, Gross returns to a more traditional sci-fi<br \/>\nbacking track &#8211; as he describes it, his music is written to work<br \/>\nwith the character&#8217;s dialog. Okay, maybe these tracks work in that<br \/>\nregard &#8211; but on their own, tracks like &#8220;Crichton&#8217;s Daughter,&#8221;<br \/>\n&#8220;Peace Keeping&#8221; and &#8220;Goodbye Caveman&#8221; don&#8217;t work as well. And just<br \/>\nwhen Gross seems like he&#8217;s getting the hang of things (as on<br \/>\n&#8220;Crichton&#8217;s Wedding&#8221;), the disc comes to an end.<\/p>\n<p>There&#8217;s still a lot to<br \/>\n<i>Farscape<\/i> that makes me recommend this disc to people,<br \/>\nespecially for those who say that all music from this genre sounds<br \/>\nthe same. Listen to the first half of this disc, and discover that<br \/>\nthis just isn&#8217;t the case.<\/p>\n","protected":false},"author":2,"featured_media":25794,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5729],"rating":[5615],"class_list":["post-37000","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37000"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37000\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25794"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37000"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37000"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37000"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}