{"id":37009,"date":"2001-01-20T00:00:00","date_gmt":"2001-01-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/strangers-angels\/"},"modified":"2001-01-20T00:00:00","modified_gmt":"2001-01-20T00:00:00","slug":"strangers-angels","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/strangers-angels\/","title":{"rendered":"Strangers &#038; Angels"},"content":{"rendered":"<p>I would love nothing more than to sit here in my office at the<br \/>\nPierce Memorial Archives and declare Gene Land to be the next big<br \/>\nthing in country music.<\/p>\n<p>After all, this is a genre which is pretty much still searching<br \/>\nfor an all-out leader since Garth Brooks announced he&#8217;s hanging it<br \/>\nup &#8211; maybe. (That all depends on what day of the week it is, and if<br \/>\nJupiter is in the shadow of Mars.) The problem is that no one has<br \/>\ncome forth to be the next Brooks, and anyone who&#8217;s come close has<br \/>\ndone so by crossing over to the pop market. Dixie Chicks? Possibly,<br \/>\nbut they&#8217;re not there yet. Faith Hill? Some view her as a sell-out.<br \/>\nSame goes for Shania Twain.<\/p>\n<p>Yes, I&#8217;d love to clear the confusion up and say that Land is<br \/>\nBrooks&#8217;s obvious successor&#8230; but I can&#8217;t. Not after listening to<br \/>\n<i>Strangers &#038; Angels<\/i> and hearing a pretty much generic<br \/>\ncollection of cookie-cutter country with more than a touch of twang<br \/>\nfrom the Plains states.<\/p>\n<p>You can tell that there is a lot of indecision in regards to<br \/>\nthis project in the first song, &#8220;Lost In A Border Town&#8221; &#8211; though<br \/>\nthis might be the fault of guitarist\/bassist\/producer Kevin Jones.<br \/>\nJust as Land launches into his vocal, you hear a tasty guitar lick<br \/>\n&#8211; immediately followed by a mandolin solo. Hey, Kevin, pick one or<br \/>\nthe other, and<br \/>\n<i>commit<\/i> to it. All this quick-change instrumentation does is<br \/>\nconfuse the listener, who (at least in this stage of the disc) is<br \/>\nmore interested in discovering who Land is. Save the fancy show-off<br \/>\nstuff for later, and use it in moderation.<\/p>\n<p>I don&#8217;t want the reader to think that<br \/>\n<i>Strangers &#038; Angels<\/i> is without merit. Two tracks do<br \/>\nshine, both of them in their own unique styles. &#8220;The One I Waited<br \/>\nFor&#8221; sounds like it could be a crossover hit (though it feels too<br \/>\nshort at 2:30), while &#8220;I Hate It When That Happens&#8221; has all the<br \/>\nprerequisite country twang and is a lot of fun to listen to.<\/p>\n<p>If only there were more moments that made this disc fun. The<br \/>\ntitle track has its moments, to be sure, but the bulk of the tracks<br \/>\nare watered-down country numbers that don&#8217;t have the musical punch<br \/>\nor confidence to do much. Songs like &#8220;Sail Away Together,&#8221;<br \/>\n&#8220;Standing On The Edge Of Love&#8221; and &#8220;Tell You I Love You&#8221; don&#8217;t<br \/>\nconnect with the listener in the way that they could have. Part of<br \/>\nthis is that Land&#8217;s voice doesn&#8217;t always seem to be strong enough<br \/>\nto carry the music, though he occasionally does surprise.<\/p>\n<p>\n<i>Strangers &#038; Angels<\/i> is not a bad disc by any means, but<br \/>\nit&#8217;s not the genre&#8217;s savior that it seems to so desperately need at<br \/>\nthis stage in the game. All Land can do is load up his saddle into<br \/>\nhis Dodge Dakota and drive off into the sunset to try again another<br \/>\nday.<\/p>\n","protected":false},"author":2,"featured_media":25803,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6563],"rating":[5619],"class_list":["post-37009","review","type-review","status-publish","has-post-thumbnail","artist-gene-land","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37009"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37009\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25803"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37009"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37009"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37009"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}