{"id":37013,"date":"2001-01-23T00:00:00","date_gmt":"2001-01-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tweaked\/"},"modified":"2001-01-23T00:00:00","modified_gmt":"2001-01-23T00:00:00","slug":"tweaked","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tweaked\/","title":{"rendered":"Tweaked"},"content":{"rendered":"<p>Have you ever listened to an album, stopped at some point and<br \/>\nsaid to yourself, &#8220;They&#8217;re trying to tell me something?&#8221; (Charles<br \/>\nManson is excluded from this conversation.)<\/p>\n<p>It&#8217;s rare if I ever have that kind of feeling as I listen to<br \/>\nsomething, but that&#8217;s exactly what I found myself doing when I<br \/>\nfirst listened to<br \/>\n<i>Tweaked<\/i>, the 1995 release from Chicago rockers Enuff Z&#8217;Nuff.<br \/>\nI had made it halfway though the disc, and was listening to &#8220;It&#8217;s<br \/>\nToo Late,&#8221; when I stopped the disc and said out loud, &#8220;These songs<br \/>\nare all connected.&#8221;<\/p>\n<p>I don&#8217;t know if this was the intention of Chip Z&#8217;Nuff and crew,<br \/>\nnor do I claim to have any inside knowledge on the story behind<br \/>\nthis disc. But what I<br \/>\n<i>do<\/i> know without a doubt is that<br \/>\n<i>Tweaked<\/i> is the most ambitious disc that Enuff Z&#8217;Nuff had<br \/>\ntackled to this point in their career, and it is an incredibly<br \/>\nsatisfying listen, even if the outcome of the story I&#8217;m hearing is<br \/>\nleft a bit open-ended.<\/p>\n<p>The story that ties this disc together seems to be the decline<br \/>\nof a musician into the world of an addict after being spurned by<br \/>\nthe love of his life. As the tale opens on &#8220;Stoned,&#8221; our hero is<br \/>\npleading for his inamorata to save him from the hell he knows he&#8217;ll<br \/>\nfall into should she leave him: &#8220;People all around me seem to \/<br \/>\nLove to get me on the thing \/ Oh my darling you could save me \/<br \/>\nTake me home I&#8217;ll be your king&#8221;. Despite the title of this track,<br \/>\nthis song could have easily been the key that Enuff Z&#8217;Nuff needed<br \/>\nto re-open the doors to mass popularity; the guitar work has more<br \/>\nhooks than a bass fishing competition, and the track is one of the<br \/>\nbest the band has ever produced. (It still sounds great live, too &#8211;<br \/>\nsomething I can vouch for as of December of last year.)<\/p>\n<p>Apparently, our hero&#8217;s pleas fall on deaf ears, as he quickly<br \/>\ndescends into the rush of the scene on &#8220;Bullet From A Gun&#8221; &#8211; but<br \/>\nthe fun quickly wears off, and the rocker knows he&#8217;s in the grip of<br \/>\naddiction in &#8220;Mr. Jones&#8221; &#8211; and while he sees the mess he&#8217;s made of<br \/>\nthings, he can&#8217;t see the light at the end of the tunnel to get<br \/>\nhimself out. The see-saw battle of hope versus hopelessness<br \/>\ncontinues to act out its play in the next two tracks, &#8220;My Dear<br \/>\nDream&#8221; and &#8220;Life Is Strange&#8221;.<\/p>\n<p>Desparate to free himself from his prison, our hero tries to<br \/>\nreach out again to his beloved, in the hope that she&#8217;ll save him<br \/>\nfrom his self-inflicted hell on &#8220;Without Your Love&#8221;. The<br \/>\nhope\/hopelessness saga then picks up again on &#8220;We&#8217;re All Alright&#8221;<br \/>\n(with a slight nod to Cheap Trick) and &#8220;It&#8217;s Too Late&#8221;.<\/p>\n<p>Our hero seems to hit the bottom in the songs &#8220;If I Can&#8217;t Have<br \/>\nYou&#8221; and &#8220;Has Jesus Closed His Eyes,&#8221; suggesting that his<br \/>\ndesparation for salvation is reaching the point of being<br \/>\nunbearable. The latter is another wonderful track from the band,<br \/>\nand ranks up there with being one of their most thought-provoking<br \/>\nsongs.<\/p>\n<p>Here is where I admit the story becomes fuzzy for me. The final<br \/>\ntwo songs of the album proper, &#8220;Style&#8221; and &#8220;My Heroin,&#8221; could<br \/>\neither be seen as our hero finally recovering from his addictions<br \/>\nand looking back at the foolishness of his ways, or it could be<br \/>\nseen as the view of an outsider who has watched this whole tragedy<br \/>\nunfold and can keep silent no longer. (The addition of the bonus<br \/>\ntrack &#8220;How Am I Supposed To Write A Love Song?&#8221; seems to support<br \/>\nthe former; you could view it as our hero reacts from the constant<br \/>\nspurning his beloved has shown him. Or, you could say it didn&#8217;t fit<br \/>\nthe story, which is why it wasn&#8217;t originally included.)<\/p>\n<p>I refuse to go out on a limb and say that this is an<br \/>\nautobiographical work, since I have too much respect for Z&#8217;Nuff (as<br \/>\nwell as the rest of the band, though my contacts with them have<br \/>\nbeen briefer) to make any kind of speculation without knowing every<br \/>\nsingle fact. And the only fact is: I don&#8217;t have enough concrete<br \/>\nknowledge of the band&#8217;s history to make a bold claim. But I can say<br \/>\nthat<br \/>\n<i>Tweaked<\/i> is a powerful anti-drug statement, warning people of<br \/>\nwhat lies ahead behind the euphoria of the first rush &#8211; and the<br \/>\npicture it paints isn&#8217;t pretty.<\/p>\n<p>But how is<br \/>\n<i>Tweaked<\/i> musically, you ask? If you try to listen to this as<br \/>\njust a collection of songs, it&#8217;s difficult to get through at first.<br \/>\nBut if you try and follow the story line (at least the one I<br \/>\nheard), the music makes much more sense, and the disc reveals<br \/>\nitself to be one of the best that Enuff Z&#8217;Nuff has recorded. Pity<br \/>\nthat more people don&#8217;t know about this disc; they&#8217;re missing one of<br \/>\nthe best concept albums to hit the market &#8211; and one that thankfully<br \/>\ndoesn&#8217;t hit the listener over the head with the fact that it is a<br \/>\nconcept disc.<\/p>\n","protected":false},"author":2,"featured_media":25807,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6133],"rating":[5613],"class_list":["post-37013","review","type-review","status-publish","has-post-thumbnail","artist-enuff-znuff","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37013","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37013"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37013\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25807"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37013"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37013"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37013"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}