{"id":37020,"date":"2001-01-26T00:00:00","date_gmt":"2001-01-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/you-go-now\/"},"modified":"2001-01-26T00:00:00","modified_gmt":"2001-01-26T00:00:00","slug":"you-go-now","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/you-go-now\/","title":{"rendered":"You Go Now"},"content":{"rendered":"<p>It&#8217;s much more common that I like CDs immediately, rather than<br \/>\nhave them &#8216;grow&#8217; on me. Sure, music can grow on you, but so can<br \/>\nfungus, and we don&#8217;t let -that- happen usually, do we?<br \/>\nNevertheless, I didn&#8217;t feel much about Chroma Key&#8217;s<br \/>\n<i>You Go Now<\/i> on first listen, but over a month or so, it grew<br \/>\nto make my top ten of 2000 list.<\/p>\n<p>This begs the question; why? First off, it&#8217;s hard to describe<br \/>\nwhat Chroma Key even really is; if you know that Kevin Moore was<br \/>\nthe keyboard player for Dream Theater and you go to this CD<br \/>\nexpecting progressive metal, you&#8217;ll be sadly disappointed.<br \/>\nComparisons can be made to Peter Gabriel, Pink Floyd, Brian Eno and<br \/>\nTangerine Dream, or Robert Fripp, but they don&#8217;t tell the whole<br \/>\nstory. Kevin Moore&#8217;s ethereal vocals remind me of Eric Woolfson<br \/>\nfrom the mid-eighties Alan Parsons Project, but there are<br \/>\ndiscordant elements to the mix that cause the comparison to<br \/>\nParsons&#8217; clean, clinical sound to break down. It&#8217;s less angry than<br \/>\nFloyd, less distant than Gabriel, less soundtrackish than Eno &#8211; in<br \/>\nshort, Chroma Key is unique, a rarity in any musical age. It&#8217;s this<br \/>\nuniqueness that may throw you on first listen; it&#8217;s like learning a<br \/>\nnew language, or seeing a new color that your mind can&#8217;t<br \/>\nsuccessfully cubbyhole. Stick with it. It&#8217;s worth it.<\/p>\n<p>Moore weaves in acoustic and electronic keyboards, disparate<br \/>\nsamples (ranging from NASA communication records with astronauts to<br \/>\nBuddhist chanting), and the elegant, understated guitar work of<br \/>\nDave Iscove into a sonic landscape, a spare musical picture that<br \/>\nserves as a medium for emotions and ideas. It&#8217;s no mistake that<br \/>\nChroma Key&#8217;s name comes from a term in video production; You Go Now<br \/>\nis an album so visual it borders on the synaesthetic.<\/p>\n<p>All the descriptive elements aside,<br \/>\n<i>You Go Now<\/i> is heartbreakingly beautiful, rich, complex, and<br \/>\na truly brilliant work. This is not music for your fifteen-year-old<br \/>\nsister who likes Britney Spears; this is music meant to be listened<br \/>\nto on headphones, in the dark, diving into the music like the deep<br \/>\nend of the world&#8217;s coolest pool. Normally at this point in a review<br \/>\nI try to mention tracks that I like, but that&#8217;s almost impossible<br \/>\non this CD, where tracks flow seamlessly into each other like<br \/>\nthreads on a loom. Suffice it to say they&#8217;re all good, and be done<br \/>\nwith it. In this case, the devil is<br \/>\n<b>not<\/b> in the details.<\/p>\n<p>The term &#8216;rock music artist&#8217; is rarely accurate, and often is a<br \/>\ndownright oxymoron. Not so for Kevin Moore, who is rapidly<br \/>\nascending into the ranks of those who have taken this musical form<br \/>\nto new depths, new heights, new visions. Don&#8217;t miss out on<br \/>\nthis.<\/p>\n","protected":false},"author":18,"featured_media":25814,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6569],"rating":[5646],"class_list":["post-37020","review","type-review","status-publish","has-post-thumbnail","artist-chroma-key","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37020"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37020\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25814"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37020"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37020"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37020"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}