{"id":37021,"date":"2001-01-27T00:00:00","date_gmt":"2001-01-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fire-on-the-strings\/"},"modified":"2001-01-27T00:00:00","modified_gmt":"2001-01-27T00:00:00","slug":"fire-on-the-strings","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fire-on-the-strings\/","title":{"rendered":"Fire On The Strings"},"content":{"rendered":"<p>It might seem odd for me to suggest to all the Eddie Van Halen<br \/>\nwanna-bes out there that they pick up an album that is over 40<br \/>\nyears old &#8212; and has its roots in country and bluegrass. &#8220;I don&#8217;t<br \/>\nlisten to that chicken-pickin&#8217; music,&#8221; the younger generation might<br \/>\nsay as they slap on their headphones and air guitar their way<br \/>\nthrough &#8220;Eruption&#8221; again.<\/p>\n<p>Now, watch as your faithful reviewer removes said headphones<br \/>\nfrom their backwards-baseball-cap-clad heads and smacks them silly.<br \/>\nYou see, had it not been for someone like Joe Maphis, we might not<br \/>\nhave had the lightning-fast guitar gods of today. And while I<br \/>\nhesitate to put the multi-instrumentalist in the same category, his<br \/>\n1957 disc<br \/>\n<i>Fire On The Strings<\/i> (re-released by Columbia\/Legacy with<br \/>\nbonus tracks) suggests that herein lie the roots of Van Halen,<br \/>\nYngwie Malmsteen and Joe Satriani.<\/p>\n<p>It might be country-pop, but Mathis&#8217;s performances often live up<br \/>\nto the title of this album. Blazing through licks on guitar, banjo<br \/>\nand whatnot (I&#8217;m working from an advance copy, and misplaced the<br \/>\nprinted liner notes somewhere here in the Pierce Memorial Archives<br \/>\n&#8211; how hard could they be to find amongst over 1,000 other bios?),<br \/>\nMaphis keeps his performances clear enough to hear every note and<br \/>\nexciting enough to keep you on the edge of your seat. Think of<br \/>\nMaphis as a more rural Dick Dale, if you will.<\/p>\n<p>Admittedly, these instrumentals tend to blend together,<br \/>\nespecially after repeated listens. But the talent is there, and<br \/>\nwhether it&#8217;s &#8220;Twin Banjo Special&#8221; (yes, the title describes the<br \/>\ninstrumentation), &#8220;Tennessee Two Step,&#8221; &#8220;Guitar Rock And Roll&#8221; or<br \/>\nthe title track, Maphis proves just how talent can be turned into<br \/>\nsomething exciting to listen to.<\/p>\n<p>This expanded edition includes seven tracks from other singles<br \/>\nor albums Maphis recorded during his time with Columbia. &#8220;Marching<br \/>\nTo Pretoria&#8221; brought back memories of music class in the late &#8217;70s,<br \/>\ntaught by Atilla The Nun &#8211; and the scary thing is that I think I<br \/>\nremembered all the lyrics we learned back then. (It&#8217;s amazing what<br \/>\nintimidation can do to a youngster.) The real gem here is &#8220;The<br \/>\nRockin&#8217; Gypsy,&#8221; taken from a release with Larry Collins. If you<br \/>\nwalked into this disc cold and heard it, you might swear you were<br \/>\nlistening to Dick Dale.<\/p>\n<p>So why isn&#8217;t Maphis better-known these days? This, my friends, I<br \/>\ndon&#8217;t have an answer for &#8212; and while Maphis departed this vale of<br \/>\ntears some years back, he might have taken comfort in the fact that<\/p>\n<p><i>Fire On The Strings<\/i> is being made more accessible for<br \/>\ntoday&#8217;s listeners. And for our future guitar gods, take my advice<br \/>\nand give this disc a listen, if only to hear the roots of fancy<br \/>\nguitar playing. It will be 45 minutes well worth your time. Hey,<br \/>\nwho knows? You might find yourself enjoying that chicken-pickin&#8217;<br \/>\nmusic.<\/p>\n","protected":false},"author":2,"featured_media":25815,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6570],"rating":[5615],"class_list":["post-37021","review","type-review","status-publish","has-post-thumbnail","artist-joe-maphis","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37021"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37021\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/25815"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37021"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37021"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37021"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}